Nicholas B. Dirks

This volume traces the caste system from the medieval kingdoms of southern India through early colonial archives to the 20th century. It surveys the rise of caste politics and how caste-based movements have threatened nationalist consensus.

Colonialism and the Making of Modern India

Castes of Mind

India and the Creation of Imperial Britain

The Scandal of Empire

The decades between 1970 and the end of the twentieth century saw the disciplines of history and anthropology draw closer together, with historians paying more attention to social and cultural factors and the significance of everyday experience in the study of the past. The people, rather than elite actors, became the focus of their inquiry, and anthropological insights into agriculture, kinship, ritual, and folk customs enabled historians to develop richer and more representative narratives. The intersection of these two disciplines also helped scholars reframe the legacies of empire and the roots of colonial knowledge. In this collection of essays and lectures, history's turn from high politics and formal intellectual history toward ordinary lives and cultural rhythms is vividly reflected in a scholar's intellectual journey to India. Nicholas B. Dirks recounts his early study of kingship in India, the rise of the caste system, the emergence of English imperial interest in controlling markets and India's political regimes, and the development of a crisis in sovereignty that led to an extraordinary nationalist struggle. He shares his personal encounters with archives that provided the sources and boundaries for research on these subjects, ultimately revealing the limits of colonial knowledge and single disciplinary perspectives. Drawing parallels to the way American universities balance the liberal arts and specialized research today, Dirks, who has occupied senior administrative positions and now leads the University of California at Berkeley, encourages scholars to continue to apply multiple approaches to their research and build a more global and ethical archive.

A Scholar's Passage to India

Autobiography of an Archive

Historical Anthropologies and Anthropological Histories

Is Vice Versa?

Geoff Eley

Organized around these three concepts, Culture/ Power/History brings together both classic and new essays that address Foucault's "new economy of power relations" in a number of different, contestatory directions. Representing innovative work from various disciplines and sites of study, from taxidermy to Madonna, the book seeks to affirm the creative possibilities available in a time marked by growing uncertainty about established disciplinary forms of knowledge and by the increasing fluidity of the boundaries between them. The book is introduced by a major synthetic essay by the editors, which calls attention to the most significant issues enlivening theoretical discourse today. The editors seek not only to encourage scholars to reflect anew on the course of social theory, but also to orient newcomers to this area of inquiry.

A Reader in Contemporary Social Theory

Culture/power/history

If culture is suspect, what of cultural theory? At a moment when culture's traditional caretakers -- humanism, philosophy, anthropology, and the nation-state -- are undergoing crisis and mutation, this volume charts the tensions and contradictions in the development and deployment of the concept of culture. A genuinely interdisciplinary venture, In Near Ruins brings together respected writers from the fields of history, anthropology, literary criticism, and communications. Together their essays present an intriguing picture of "culture" at the edges of humanism, of the politics of critical inquiry amid current social transformations, of the status and practice of historical knowledge in an age of theory. Skeptical of the concept of culture but fascinated with cultural forms, the authors take up diverse topics, from debates over sexuality in the contemporary United States to relations between empire, capitalism, and gender in nineteenth-century Britain; from poverty in U.S. inner cities to violence in war-torn Sri Lanka; from the operation of nostalgia on cultural practices in Japan to anthropological forms of state power in Indonesia and the writing of history in India. Linked by a common urge to think through the aesthetics and politics of particular social relations amid a variety of globalizing forces -- revolution, colonialism, nationalism, and the disciplinary institutions of the academy itself -- these writers contribute to the ongoing work of remapping the terrain of cultural analysis and reevaluating the stakes in such a daunting effort.

Cultural Theory at the End of the Century

In Near Ruins

A groundbreaking work that challenged conventional wisdom and set the standard for the study of Indian society

Nicholas B. Dirks

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