Nicholas Watson

Richard Kieckhefer

Claire Fanger

Conjuring Spirits contains both general surveys and analyses of magical texts and manuscripts by distinguished scholars in a variety of disciplines. Included are chapters by Richard Kieckhefer and Robert Mathiesen on the Sworn Book of Honorius, Michael Camille on the Ars Notoria, John B. Friedman on the Secretum Philosophorum, Nicholas Watson on the McMaster text, and Elizabeth Wade on Lullian divination. The work also includes Juris Lidaka's edition of the Liber de Angelis, and an overview of late medieval English ritual manuscripts by Frank Klaassen. This book will be invaluable for scholars and other readers interested in ritual magic in the later Middle Ages.

Texts and Traditions of Medieval Ritual Magic

Conjuring Spirits

Anne Savage

Sometime in the first quarter of the 13th century a number of works were written for anchoresses, women who lived as religious recluses in cells adjoining churches. The most influential is Ancrene Wisse (A Guide for Anchoresses), which discusses in great detail the daily life of the anchoress, both outer and inner. This work gives a detailed sense of a powerful and multi-faceted spirituality different from that of other mystics.

Ancrene Wisse and Associated Works

Anchoritic Spirituality

Jacqueline Jenkins

Julian of Norwich (ca. 1343&–ca. 1416), a contemporary of Geoffrey Chaucer, William Langland, and John Wyclif, is the earliest woman writer of English we know about. Although she described herself as &“a simple creature unlettered,&” Julian is now widely recognized as one of the great speculative theologians of the Middle Ages, whose thinking about God as love has made a permanent contribution to the tradition of Christian belief. Despite her recent popularity, however, Julian is usually read only in translation and often in extracts rather than as a whole. This book presents a much-needed new edition of Julian&’s writings in Middle English, one that makes possible the serious reading and study of her thought not just for students and scholars of Middle English but also for those with little or no previous experience with the language. &• Separate texts of both Julian&’s works, A Vision Showed to a Devout Woman and A Revelation of Love, with modern punctuation and paragraphing and partly regularized spelling. &• A second, analytic edition of A Vision printed underneath the text of A Revelation to show what was left out, changed, or added as Julian expanded the earlier work into the later one. &• Facing-page explanatory notes, with translations of difficult words and phrases, cross-references to other parts of the text, and citations of biblical and other sources. &• A thoroughly accessible introduction to Julian&’s life and writings. &• An appendix of medieval and early modern records relating to Julian and her writings. &• An analytic bibliography of editions, translations, scholarly studies, and other works. The most distinctive feature of this volume is the editors&’ approach to the manuscripts. Middle English editions habitually retain original spellings of their base manuscript intact and only emend that manuscript when its readings make no sense. At once more interventionist and more speculative, this edition synthesizes readings from all the surviving manuscripts, with careful justification of each choice involved in this process. For readers who are not concerned with textual matters, the result will be a more readable and satisfying text. For Middle English scholars, the edition is intended both as a hypothesis and as a challenge to the assumptions the field brings to the business of editing.

A Vision Showed to a Devout Woman and A Revelation of Love

The Writings of Julian of Norwich

Cristina Maria Cervone

What Kind of a Thing Is a Middle English Lyric? considers issues pertaining to a corpus of several hundred short poems written in Middle English between the twelfth and early fifteenth centuries. The chapters draw on perspectives from varied disciplines, including literary criticism, musicology, art history, and cognitive science. Since the early 1900s, the poems have been categorized as "lyrics," the term now used for most kinds of short poetry, yet neither the difficulties nor the promise of this treatment have received enough attention. In one way, the book argues, considering these poems to be lyrics obscures much of what is interesting about them. Since the nineteenth century, lyrics have been thought of as subjective and best read without reference to cultural context, yet nonetheless they are taken to form a distinct literary tradition. Since Middle English short poems are often communal and usually spoken, sung, and/or danced, this lyric template is not a good fit. In another way, however, the very differences between these poems and the later ones on which current debates about the lyric still focus suggest they have much to offer those debates, and vice versa. As its title suggests, this book thus goes back to the basics, asking fundamental questions about what these poems are, how they function formally and culturally, how they are (and are not) related to other bodies of short poetry, and how they might illuminate and be illuminated by contemporary lyric scholarship. Eleven chapters by medievalists and two responses by modernists, all in careful conversation with one another, reflect on these questions and suggest very different answers. The editors' introduction synthesizes these answers by suggesting that these poems can most usefully be read as a kind of "play," in several senses of that word. The book ends with eight "new Middle English lyrics" by seven contemporary poets.

What Kind of a Thing Is a Middle English Lyric?

Fiona Somerset

Medieval and Postmedieval Vernacularity

Vulgar Tongue

Cynthea Masson

Susan K. Hagen

Denise N. Baker

David Tinsley

Brad Peters

These essays-written specifically for this book-provide a rich evaluation of this late 14th and early 15th-century mystical writer's book of revelations and considers the construction of her narrative, its theological complexity, and its literary and intellectual context. This casebook features discussions by both established scholars and newer voices ranging from genre to eschatology and gynecology to diabology, reflecting both current and comparative theory. Providing translations of all Middle English quotations, the volume includes a selective bibliography that provides a guide for further reading.

A Book of Essays

Julian of Norwich

Nicholas Watson

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