Nicolas Bouvier

When do journeys like this really begin? When the author is very young, like the Baudelairean child in love with lamp-lit maps and prints? Nicolas Bouvier thinks that in his case it must have been between the ages of ten and thirteen; lying flat, chin propped in hands, gazing down at the mountains and rivers unfolding across the carpet and letting himself fall under the spell of their names.

The Way of the World

Récit d'un voyage improbable, infaisable, vers la Yougoslavie, la Grèce, la Turquie, l'Iran, l'Afghanistan, le Pakistan... et qui pourtant aura lieu de juin 1953 à décembre 1954 pour deux compagnons, N. Bouvier et T. Vernet.

L'usage du monde

Le poisson-scorpion

The narrator arrives in his 117th rented room at the end of an epic journey, abandoned by his lover, almost broke and certainly feverish. His obsession with the insects he shares the room with and his beautifully articulated observations of himself on the edge of physical and mental collapse extend out to include the insect-like habitus of the local cafe - the charlatans, the indolent landowners, and even a levitating priest who has been dead for six years. This razor-sharp chronicle of experience, which grew out of Bouvier's seven-month stay on the island of Ceylon (now Sri Lanka), shows that if you travel, you must be prepared to discover not only delights but also the worst as well.

The Scorpion-Fish

Oswajanie świata

Annemarie Schwarzenbach

Ella Maillart

Bleu immortel

Viktor Antonov

Features step-by-step tutorials presented by Concept Art master artists.

Concept Art

" Le voyageur, écrit Nicolas Bouvier, est une source continuelle de perplexités. Sa place est partout et nulle part. Il vit d'instants volés, de reflets, de menus présents, d'aubaines et de miettes. Voici ces miettes ". Autant de textes d'une précision, d'une légèreté sans égale aujourd'hui : là où d'autres convoquent une bibliothèque entière pour se donner des airs de penseur zen, lui sait nous livrer en une ligne le pur diamant d'une sensation. Un portrait en trois mots qui ne vous quittent plus. Une scène en une phrase. Des pensées comme des traits, traits de plume, traits d'esprit. Un art de calligraphe, ou de tireur à l'arc... " Avec Chronique japonaise, Nicolas Bouvier réussit ce que les anciens maîtres artisans appelaient un chef-d'œuvre " (André Velter, Le Monde). " Rarement un écrivain aura eu en parlant de lui-même et des lieux traversés, le don de faire lever chez le lecteur autant d'images et d'émotions complices " (Jacques Laccarière, Pages). " Un voyageur d'une espèce rare, comme Segalen et Michaux ".(Jacques Meunier, Le Monde). Nicolas Bouvier est né à Genève en 1929. Son premier livre, l'Usage du Monde (1963), est devenu la bible d'une génération de travel-writers. Le Poisson Scorpion (Payot, 1991) a obtenu le Prix de la Critique. Chronique japonaise a été sélectionné par Bernard Pivot parmi les dix meilleurs livres de 1990.

Chronique japonaise

Daniel Girardin

En 1953, Nicolas Bouvier quitte l'université pour entreprendre avec un ami, le peintre Thierry Vernet, un long voyage en voiture. Il trace une route vers l'Est qui le mènera de Genève à Ceylan via la Yougoslavie, la Macédoine, l'Iran, l'Afghanistan et l'Inde. Ce périple oriental va constituer la matrice de L'Usage du monde, récit initiatique considéré comme le livre fondateur de la littérature de voyage. Pèlerin d'exception, observateur au regard exercé, Nicolas Bouvier, reconnu comme un écrivain majeur, était aussi un photographe, aujourd'hui encore ignoré. Composé de photographies prises au cours du voyage vers Ceylan, cet album dévoile un pan méconnu de l'œuvre de l'aristocrate vagabond. Scènes de genre, chevaux, artisans, fumeurs d'opium, paysages... les photographies de Nicolas Bouvier sont d'une grande simplicité, elles révèlent beaucoup de leur auteur et de sa manière de flâner avec une sincérité absolue. Tandis que les paysages traduisent l'émotion esthétique au bout d'une route, le portrait représente un dialogue, une confiance établie avec son sujet. Ayant souvent fustigé l'ethnocentrisme occidental, Nicolas Bouvier a tout fait pour y échapper. Sa curiosité, son respect d'autrui et sa volonté de conjurer la " surdité au monde " confèrent à ses images une authenticité essentielle. Ainsi, outre leur aspect autobiographique, ces photographies ont une valeur documentaire exceptionnelle. Elles sont accompagnées de textes se rapportant à ce périple mythique, et d'extraits inédits de carnets de voyage où il avait noté les épisodes les plus cocasses de sa traversée de l'Inde.

L'oeil du voyageur

viaje desde Yugoslavia hasta la frontera con la India

Los caminos del mundo

La polvere del mondo

Crónica japonesa

Thierry Vernet

In 1953, twenty-four-year old Nicolas Bouvier and his artist friend Thierry Vernet set out to make their way overland from their native Geneva to the Khyber Pass. They had a rattletrap Fiat and a little money, but above all they were equipped with the certainty that by hook or by crook they would reach their destination, and that there would be unanticipated adventures, curious companionship, and sudden illumination along the way. The Way of the World, which Bouvier fashioned over the course of many years from his journals, is an entrancing story of adventure, an extraordinary work of art, and a voyage of self-discovery on the order of Robert M. Pirsig’s Zen and the Art of Motorcycle Maintenance. As Bouvier writes, “You think you are making a trip, but soon it is making—or unmaking—you.”

Carlota Gomes

Crônica japonesa

Gordon Alexander Craig

Lionel Gossman

Cover -- Contents -- Geneva, Nicolas Bouvier

History, Culture, and National Identity

Geneva, Zurich, Basel

Weakened by illness, an historian begins to believe in his encounters with hallucinations and magic, including a levitating Jesuit monk, on the island of Sri Lanka.

The Scorpion-fish

Gordon A. Craig

Recognized by historians and politicians as a model for European unity, Switzerland is nonetheless a difficult country to understand as a whole. Whereas individual Swiss cities have strong identities in the international political, cultural, and economic arenas, the country itself seems to be less than the sum of its parts. To capture the elusive spirit of Switzerland, four eminent writers explore the roots of its political unity and cultural diversity in a series of urban portraits. Their observations make for both good storytelling and insightful social commentary. Nicolas Bouvier offers a quick-paced history of Geneva--the city John Calvin had envisioned as a radiating center of godliness, international in its scope and legal in its methods--the home of the Red Cross and the League of Nations and, since 1945, the location of numerous disarmament and diplomatic conferences. Gordon Craig examines Zurich, the city of the militant religious reformer Huldrych Zwingli, whose centralizing political zeal was harnessed by subsequent generations of Zurichers to lead Switzerland in its modernization. Today's economically powerful Zurich is analyzed in terms of its liberal past as a refuge for political activists and artists, and in terms of its current generational divisions on moral and cultural questions. Finally, Lionel Gossman explores the conciliatory Basel of Erasmus, showing how vigorous independence, resourcefulness, and remembrance of its humanist traditions shaped the city's culture and economy. Tying together important themes in the histories of these cities, Carl Schorske focuses his introduction on how Switzerland has capitalized on their cultural differences and refined the art of political negotiation to serve a wide range of civic interests. Originally published in 1994. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Gordon Craig examines Zurich, the city of the militant religious reformer Huldrych Zwingli, whose centralizing political zeal was harnessed by subsequent generations of Zurichers to lead Switzerland in its modernization. Today's economically powerful Zurich is analyzed in terms of its liberal past as a refuge for political activists and artists, and in terms of its current generational divisions on moral and cultural questions. Finally, Lionel Gossman explores the conciliatory Basel of Erasmus, showing how vigorous independence, resourcefulness, and remembrance of its humanist traditions shaped the city's culture and economy.

Nicolas Bouvier

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