Kevin Hawkes

Nikolai Vasilevich Gogol

Catherine Cowan

After disappearing from the Deputy Inspector's face, his nose shows up around town before returning to its proper place.

The Nose

Bir Delinin Hatira Defteri

Petersburg Öyküleri ve Fayton

Bir Delinin Ani Defteri Palto-Burun

Katerina Schina

To palto & To ēmerologio enos trelou

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The Overcoat

Nikolai Vasilievich Gogol (1809-1852) was a Russian writer of Ukrainian ethnicity and birth. Often called the "father of modern Russian realism, " he was one of the first Russian authors to criticize his country's way of life. Although his early works were heavily influenced by his Ukrainian upbringing, he wrote in Russian and his works belong to the tradition of Russian literature. Gogol was one of the first masters of short prose, alongside Pushkin, Merimee, Hoffmann, and Hawthorne. The main and most persistent characteristic of Gogol's style is its verbal expressiveness. He wrote with a view not so much to the acoustic effect on the ears of the listener as to the sensuous effect on the vocal apparatus of the reciter. The other main characteristic of his genius is the extraordinary intensity and vividness of impressionist vision, sometimes skirting expressionism. The Dead Souls (1842), The Inspector-General and The Overcoat (1842) are among his masterpieces.

Old-Fashioned Farmers

Diary of a Madman is a farcical short story by Nikolai Gogol. Along with The Overcoat and The Nose, Diary of a Madman is considered to be one of Gogol's greatest short stories. The tale centers on the life of a minor civil servant during the repressive era of Nicholas I. Following the format of a diary, the story shows the descent of the protagonist, Poprishchin, into insanity. Diary of a Madman, the only one of Gogol's works written in first person, follows diary-entry format.

Diary of a Madman

Dead Souls

Since its publication in 1842, Dead Souls has been celebrated as a supremely realistic portrait of provincial Russian life. Chichikov, combs the back country wheeling and dealing for "dead souls" (deceased serfs who still represent money to anyone sharp enough to trade in them), and we are introduced to a Dickensian cast of peasants, landowners, and conniving petty officials, few of whom can resist the seductive illogic of Chichikov's proposition. Although the novel ends in mid-sentence, it is usually regarded as complete in the extant form.

Dead Souls Annotated

With its rich and ebullient language, ironic twists and startling juxtapositions, "Dead Souls" (1842) stands as one of the most dazzling and poetic masterpieces of the 19th century.

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John Cournos

D. j. Hogarth

Dead Souls. By Nikolai Vasilievich Gogol. Translated by D. J. Hogarth. Introduction By John Cournos. Dead Souls is a novel by Nikolai Gogol, first published in 1842, and widely regarded as an exemplar of 19th-century Russian literature. The purpose of the novel was to demonstrate the flaws and faults of the Russian mentality and character. Gogol masterfully portrayed those defects through Paul Ivanovitch Chichikov (the main character) and the people whom he encounters in his endeavours. These people are typical of the Russian middle-class of the time. Gogol himself saw it as an "epic poem in prose", and within the book as a "novel in verse". Despite supposedly completing the trilogy's second part, Gogol destroyed it shortly before his death. Although the novel ends in mid-sentence (like Sterne's Sentimental Journey), it is usually regarded as complete in the extant form.

A Classic Russian Novel

Dead Souls is a socially critical black comedy. Set in Russia before the emancipation of serfs in 1861, the "dead souls" are dead serfs still being counted by landowners as property, as well as referring to the landowners' morality. Through surreal and often dark comedy, Gogol criticizes Russian society after the Napoleonic Wars. He intended to also offer solutions to the problems he satirized, but died before he ever completed the second part of what was intended to be a trilogy. The work famously ends mid-sentence.

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Dead Souls is a novel by Nikolai Gogol, first published in 1842, and widely regarded as an exemplar of 19th-century Russian literature. The purpose of the novel was to demonstrate the flaws and faults of the Russian mentality and character. Gogol masterfully portrayed those defects through Pavel Ivanovich Chichikov (the main character) and the people whom he encounters in his endeavours. These people are typical of the Russian middle-class of the time. Gogol himself saw it as an "epic poem in prose", and within the book as a "novel in verse". Despite supposedly completing the trilogy's second part, Gogol destroyed it shortly before his death. Although the novel ends in mid-sentence (like Sterne's Sentimental Journey), it is usually regarded as complete in the extant form.

Nikolai Gogol wrote some letters to his friends, none of which were a nose of high rank. Many are reproduced here (the letters, not noses).

Selected Passages from Correspondence with Friends

Sochineniya

The Portrait is a short story by Nikolai Gogol, originally published in the short story collection Arabesques in 1835 and is one of Gogols' most demonic of tales, hinting at some of his earlier works such as "St. John's Eve".

Nikolai Vasilevich Gogol

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