Noel Carroll

Distinguished Professor of Philosophy Noel Carroll

Noöl Carroll

This 1996 volume is a selection of essays on film and film theory by a leading critic.

Theorizing the Moving Image

This book constitutes the refereed proceedings of the 13th International Conference on Software Business, ICSOB 2022, which was held during November 8-11, 2022 in Bolzano, Italy. The special theme of ICSOB 2022 was "Software for Digital Transformation". The 19 full papers together with 6 short papers presented were carefully reviewed and selected from 53 submissions. The conference is covering different aspects of Digital Transformation, Software Startups, Software Ecosystems, Software Processes, Platform Economy, Software Sustainability, and People and Process Analytics.

13th International Conference, ICSOB 2022, Bolzano, Italy, November 8-11, 2022, Proceedings

Software Business

A young engineer takes his company's top secret listening device out for a little fun, a lark that plummets him into the midst of a deadly conspiracy. In short order, he is embroiled in a circle of suspicion that has his company, the FBI, and a murderous Black Moslem group aimed against him.

Circle of Distrust

STARVE THE DEVIL is a very timely novel about Islamic fanaticism and one U.S. president's covert effort to deal it a permanent blow. It is also about a young CIA agent who discovers the plot, sees only a government-sponsored atrocity, and goes all-out to defeat it. This is a powerful tale that will stir a rich soup of emotions then long linger in the mind afterward.

Starve The Devil

N. C. Munson

Civilizations die from suicide, not by murder - Arnold Toynbee, (1889 - 1975)We are about to awake from the American Dream.This book is about the loss of a good thing, our country. It addresses the poor care we give to maintaining it, how we fail to appreciate the economic, social and even military 'monsters' that collectively embody a crushing burden we are less and less able to bear.

If You Can Keep It

In a recent poll of practicing art critics, 75 percent reported that rendering judgments on artworks was the least significant aspect of their job. This is a troubling statistic for philosopher and critic Noel Carroll, who argues that that the proper task of the critic is not simply to describe, or to uncover hidden meanings or agendas, but instead to determine what is of value in art. Carroll argues for a humanistic conception of criticism which focuses on what the artist has achieved by creating or performing the work. Whilst a good critic should not neglect to contextualize and offer interpretations of a work of art, he argues that too much recent criticism has ignored the fundamental role of the artist's intentions. Including examples from visual, performance and literary arts, and the work of contemporary critics, Carroll provides a charming, erudite and persuasive argument that evaluation of art is an indispensable part of the conversation of life.

On Criticism

The tense and gripping tale of Clay Iverson, a brilliant young engineer who takes his company's top secret listening device out for a little fun, a lark that plummets him into the midst of a conspiracy that threatens not only his life but that of his lover, Shelly. Overhearing two men in a blimp testing mind-numbing electronics on an unsuspecting crowd of revelers, he turns to Shelly for help. But their inquiries bring swift and terrible retribution, as they soon find themselves fleeing from Clay's unscrupulous company, from the FBI and from a murderous Black Moslem group.

A collection of film essays by the well-respected critic, Noël Carroll.

Interpreting the Moving Image

Robert C. Allen

Linda Williams

Ana M. Lopez

John Belton

Richard Abel

Naomi Greene

Ien Ang

Christopher Orr

Jean-Loup Bourget

Geoffrey Nowell-Smith

Pam Cook

Alan Casty

Charles Affron

Christian Viviani

Chuck Kleinhans

Charlotte Brunsdon

Cawelti, John G.

Gerould, Daniel

Brooks, Peter

Elsaesser, Thomas

Ruth McCormick

Ellen Seiter

A Reader on Film & Television Melodrama

Imitations of Life

David Bordwell

Since the 1970s, the academic study of film has been dominated by Structuralist Marxism, varieties of cultural theory, and the psychoanalytic ideas of Freud and Lacan. With Post-Theory, David Bordwell and Noel Carroll have opened the floor to other voices challenging the prevailing practices of film scholarship. Addressing topics as diverse as film scores, national film industries, and audience response. Post-Theory offers fresh directions for understanding film.

Reconstructing Film Studies

Post-Theory

All angles of man's first-ever voyage to Mars are being examined with as much attention to detail as our most brilliant minds can conceive. That is, all angles except one. Humanity's first voyage to Mars is interrupted a fraction of the way there as the ship unexpectedly accelerates to the speed of light then vanishes. NASA, the President and everyone on Earth with access to a radio or television set is left to wonder why. A year later, they are still wondering. When finally the answer comes, it brings with it, not only shock and uncertainty, but a new definition of humanity. “Yesterday we were three superbly trained astronauts, confident that we could shepherd an experimental spacecraft 135 million miles across the vacuum of space. Today we are helpless victims of a fate whose cause we have little hope of understanding.” -- Eliot Manning, MD, Mission Specialist-Mars Voyager Icarus is keeping a diary, even as he has little expectation that it will ever be read. The spaceship he rides is out of control and heading for the stars.

Light Years Of Fear

Noel Carroll, film scholar and philosopher, offers the first serious look at the aesthetics of horror. In this book he discusses the nature and narrative structures of the genre, dealing with horror as a "transmedia" phenomenon. A fan and serious student of the horror genre, Carroll brings to bear his comprehensive knowledge of obscure and forgotten works, as well as of the horror masterpieces. Working from a philosophical perspective, he tries to account for how people can find pleasure in having their wits scared out of them. What, after all, are those "paradoxes of the heart" that make us want to be horrified?

Or, Paradoxes of the Heart

The Philosophy of Horror

Never by Blood

Monroe C Beardsley Professor of Philosophy Noel Carroll

Noel Carroll

About

Books

Join the club