Norman G. Finkelstein

Norman Finkelstein

"Gaza is among the most densely populated places in the world. Two-thirds of its inhabitants are refugees, and more than half the population is under eighteen years of age. Since Israel occupied Gaza in 1967, it has systematically de-developed the economy. After Hamas won democratic elections in 2006, Israel intensified its blockade of Gaza, and after Hamas consolidated its control of the territory in 2007, Israel tightened its illegal siege another notch. In the meantime, Israel has launched no less than eight military operations against Gaza--culminating in Operation Cast Lead in 2008-9 and Operation Protective Edge in 2014--that left behind over three million tons of rubble. Recent UN reports predict that Gaza will be unlivable by 2020. Norman G. Finkelstein presents a meticulously researched and devastating inquest into Israel's actions of the last decade. He argues that although Israel justified its blockade and violent assaults in the name of self-defense, in fact these actions were cynical exercises of brutal power against an essentially defenseless civilian population. Based on hundreds of human rights reports, the book scrutinizes multifarious violations of international law Israel committed both during its operations and in the course of its decade-long siege of Gaza. It is a monument to Gaza's martyrs and a scorching accusation against their tormenters"--Provided by publisher.

An Inquest Into Its Martyrdom

Gaza

The veil of contrived controversy shrouding the Israel-Palestine conflict is lifted in this exposé on the corruption of scholarship on the Israel-Palestine conflict, drawing on reports from Amnesty International, B'Tselem, Human Rights Watch, and other human rights organizations to examine the truth about global anti-Semitism, in terms of Alan Dershowitz's The Case for Israel.

On the Misuse of Anti-Semitism and the Abuse of History

Beyond Chutzpah

Originating as a response to the 2020 publication of "A Letter on Justice and Open Debate" in Harper's, Finkelstein's new book I'll Burn That Bridge When I Get to It takes aim at both "cancel culture" and "identity politics". Critiquing everyone from Robin DiAngelo to Barack Obama, Finkelstein delivers a rigorous argument for free expression along with a death blow to leftist hypocrisy. Norman Finkelstein's previous books include The Holocaust Industry, Beyond Chutzpah, and Image and Reality of the Israel-Palestine Conflict among others.

Heretical Thoughts on Identity Politics, Cancel Culture, and Academic Freedom

I'll Burn That Bridge When I Get to It!

Traditionally, American Jews have been broadly liberal in their political outlook; indeed African-Americans are the only ethnic group more likely to vote Democratic in US elections. Over the past half century, however, attitudes on one topic have stood in sharp contrast to this group's generally progressive stance: support for Israel. Despite Israel's record of militarism, illegal settlements and human rights violations, American Jews have, stretching back to the 1960s, remained largely steadfast supporters of the Jewish "homeland." But, as Norman Finkelstein explains in an elegantly-argued and richly-textured new book, this is now beginning to change. Reports by Human Rights Watch, Amnesty International and the United Nations, and books by commentators as prominent as President Jimmy Carter and as well-respected in the scholarly community as Stephen Walt, John Mearsheimer and Peter Beinart, have increasingly pinpointed the fundamental illiberalism of the Israeli state. In the light of these exposes, the support of America Jews for Israel has begun to fray. This erosion has been particularly marked among younger members of the community. A 2010 Brandeis University poll found that only about one quarter of Jews aged under 40 today feel "very much" connected to Israel. In successive chapters that combine Finkelstein's customary meticulous research with polemical brio, Knowing Too Much sets the work of defenders of Israel such as Jeffrey Goldberg, Michael Oren, Dennis Ross and Benny Morris against the historical record, showing their claims to be increasingly tendentious. As growing numbers of American Jews come to see the speciousness of the arguments behind such apologias and recognize Israel's record as simply indefensible, Finkelstein points to the opening of new possibilities for political advancement in a region that for decades has been stuck fast in a gridlock of injustice and suffering.

Why the American Jewish Romance with Israel is Coming to an End

Knowing Too Much

Origins Of The Israel/Palestine Conflict (Ak Press Audio)

An Issue Of Justice

Wallace Stevens' "dark rabbi," from his poem "Le Monocle de Mon Oncle," provides a title for this collection of essays on the "lordly study" of modern Jewish poetry in English. Including chapters on such poets as Charles Reznikoff, Allen Grossman, Chana Bloch, and Michael Heller, this volume explores the tensions between religious and secular worldviews in recent Jewish poetry, the often conflicted linguistic and cultural matrix from which this poetry arises, and the complicated ways in which Jewish tradition shapes the sensibilities of not only Jewish, but also non-Jewish, poets. Finkelstein, described as "one of American poetry's indispensible makers" (Lawrence Joseph), whose previous critical work has been called "the exemplary study of the religious aspect of the works of contemporary American poets" (Peter O'Leary), considers large literary and cultural trends while never losing sight of the particular formal powers of individual poems. In Like a Dark Rabbi he offers a passionate argument for the importance of Jewish-American poetry to modern Jewish culture-and to American poetry-as it engages with the contradictions of contemporary life.

Modern Poetry and the Jewish Literary Imagination

Like a Dark Rabbi

Controversial indictment of those who exploit the tragedy of the Holocaust for their own gain. In an iconoclastic and controversial study, Norman G. Finkelstein moves from an interrogation of the place the Holocaust has come to occupy in American culture to a disturbing examination of recent Holocaust compensation agreements. It was not until the Arab-Israeli War of 1967, when Israel's evident strength brought it into line with US foreign policy, that memory of the Holocaust began to acquire the exceptional prominence it enjoys today. Leaders of America's Jewish community were delighted that Israel was now deemed a major strategic asset and, Finkelstein contends, exploited the Holocaust to enhance this newfound status. Their subsequent interpretations of the tragedy are often at variance with actual historical events and are employed to deflect any criticism of Israel and its supporters. Recalling Holocaust fraudsters such as Jerzy Kosinski and Binjamin Wilkomirski, as well as the demagogic constructions of writers like Daniel Goldhagen, Finkelstein contends that the main danger posed to the memory of Nazism's victims comes not from the distortions of Holocaust deniers but from prominent, self-proclaimed guardians of Holocaust memory. Drawing on a wealth of untapped sources, he exposes the double shakedown of European countries as well as legitimate Jewish claimants, and concludes that the Holocaust industry has become an outright extortion racket. Thoroughly researched and closely argued, The Holocaust Industry is all the more disturbing and powerful because the issues it deals with are so rarely discussed. In a devastating new postscript to this best-selling book, Norman G. Finkelstein documents the Holocaust industry's scandalous cover-up of the blackmail of Swiss banks, and in a new appendix demolishes an influential apologia for the Holocaust industry.

Reflections on the Exploitation of Jewish Suffering

The Holocaust Industry

Explores the ways in which Jewish American poetry engages persistent questions of modern Jewish identity.

Modern Poetry and Jewish American Identity

Not One of Them in Place

A history of the United States during the 1950s and 1960s including sections on health care, eating habits, family life, environmental issues, and the condition of the elderly.

The Truth about the Good Old Days

The Way Things Never Were

Análisis minucioso de las diversas fases de evolución del conflicto entre el pueblo palestino y el Estado de Israel, en el que se exploran tanto los supuestos ideológico-políticos como los objetivos estratégicos que han animado al movimiento sionista desde su fundación.

Imagen y realidad del conflicto palestino-israelí

This second edition includes all of the material from the first -- in-depth analyses of the work of such poets as George Oppen, John Ashbery, Robert Duncan, and William Bronk -- as well as a new Preface, and a lengthy chapter on the younger language poets.

Norman Finkelstein

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