The novel begins as a letter to her son, a complaint, or a justification. It has a testamentary and pedagogically sound, rather than confessional: My little one, I will tell you a sad story, which happened just before you were born.This novel is like an exotic fruit with a great bitter taste, from which springs a boundless desire to love and to be loved. It is the credo of a kind- hearted person who renounces at herself in favour of others. However, such an unselfish atitude is not appreciated in India; on the contrary, it is considered a weak, liable nature, which cannot achieve happiness even in mind. Perhaps if the author had been an Indian woman, she would not have been able to conceive such an orioginal work, crossed by a desire for total sacrifice of life, to the detriment of herself.

The Fire of Karma

The long-anticipated monograph on OMA and its New York office is sure to be the design and architecture book of the season. Presenting more than 30 radical buildings, this mammoth volume is the first compendium by OMA since Rem Koolhaas's S, M, L, XL. Well into its fourth decade, the Office for Metropolitan Architecture (OMA), founded by Rem Koolhaas in 1975, remains one of the most influential and successful practices of its kind. OMA describes itself as "a firm operating within the traditional boundaries of architecture and urbanism that applies architectural thinking to domains beyond." The firm's impact on the way we live is undeniable. OMA has transformed our understanding of the city and our evolving relationship with art, shopping, sustainability, and other quintessentially twenty-first-century preoccupations. The works presented here elaborate on OMA's philosophy even as they expand its portfolio geographically. Featured projects (helmed by partners Shohei Shigematsu and Jason Long) include residential skyscrapers in New York and San Francisco, mixed-use developments in Tokyo and Fukuoka, and the master plans for Facebook's Menlo Park campus, alongside more intimate spaces such as the studio for renowned Chinese artist Cai Guo-Qiang. Permanent structures, such as Milstein Hall at Cornell University, the new galleries of Quebec's Musée National des Beaux-Arts, the Japan flagship of Coach, and the expansion of the New Museum in Manhattan, contrast vividly with temporary interventions such as the Manus x Machina exhibition at the Met Costume Institute and the soaring concrete columns of An Occupation of Loss.

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Oma NY

Rem Koolhaas

Foster Mendini Koolhaas

Birkhauser

Alessandro Mendini

Norman Foster

'The nature of colour should change - no longer just a thin layer of change, but something that genuinely alters perception' - this stipulation of Rem Koolhaas is echoed by the world famous architects and designers Alessandro Mendini and Norman Foster. In this volume, they present between them a total of 90 colours - each covering half a page - accompanied by comments on the background, the significance and the applications of the colours. Studies of colours from each office form the basis of this book, and were previously only available in extravagant individual editions. With this comprehensive and consistent presentation of the varying approaches to colour, we have a compendium which shows the wide use of colour in today's technologically advanced architecture with its modern, post-modern and deconstructive orientation. The range of examples of the colours in practice includes load-bearing structures, facades, interior design, furnishing and the entire spectrum of product design.

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