Oriana Palusci

Locating Linguistic Diversity

English, But Not Quite

immaginario urbano e letteratura del Novecento

La Città delle donne

Carla Locatelli

Fare letteratura oggi

Giuseppe Balirano

This volume draws together contributions containing original research on a number of linguistic and semiotic understandings of gender in the context of current debates about gender non-conforming people and diverse ways of ‘doing’ masculinities. It contests the constraints, stereotypes, and prejudices concerning gender nonconformity by sparking academic inquiry, possibly leading to social change. The book explores various gender non-conforming tropes as they apply either to same-sex related desires, identities, and practices or to other dimensions of gender non-normative experiences, such as weak or socially-perceived as unacceptable representations of manliness. The volume demonstrates that language matters in the everyday experience of gender diversity beyond traditional gender binarism. By modelling some of the approaches that are now being explored in linguistic and gender studies and by addressing language use over a range of diamesic, diastratic and diatopic contexts, all contributors here discuss cogent issues in language and gender.

Miss Man? Languaging Gendered Bodies

John Ronald Reuel Tolkien

Mrs Dalloway, Orlando, Mrs Woolf

Le dimore del tempo

Traduttrici: female voices across languages

saggi su Virginia Woolf

La tipografia nel salotto

Alice Munro has devoted her entire career to the short story form in her fourteen collections, having won the Nobel Prize in Literature “as master of the contemporary short story”. This edited volume investigates her art as a storyteller, the processes she performs on the contemporary short story genre in her creative anatomical theatre. Divided into five topical sections, it is a collection of scholarly chapters which offer textual insights into a single story, compare two or more texts, or casts a more panoramic view on Munro’s literary production, embracing stories from her first collection Dance of the Happy Shades to her last published Dear Life. Through different critical approaches that range from post-structuralism to cultural studies, from linguistics and rhetorical analyses to translation studies, the authors insist on the concept that no fixed patterns prevail in her short stories, as Munro has constantly developed, challenged, and revised existing modes of generic configuration, while discussing the fluidity, the elusiveness, the indeterminacy, the ambiguity of her superb writing.

Alice Munro and the Anatomy of the Short Story

Oriana Palusci

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