Oskar Kokoschka

Susana de Andrade

die Skizzenbücher Oskar Kokoschkas (1941-1973) : Geschichte, Funktion, Thematik und Verfahren : mit Werkkatalog

Tagebücher des Sehens

Victoria and Albert Museum

Prints and Drawings Lent by Reinhold, Count Bethusy-Huc

Homage to Kokoschka

Alfred Weidinger

Jacqueline Guigui-Stollberg

Oskar Kokoschka first met Alma Mahler on April 12, 1912, exactly eleven months after the death of her husband - the composer Gustav Mahler. Three days later, the much younger Kokoschka proposed to her in a passionate letter and they embarked on a stormy relationship which was to last only three years. This short and passionate affair greatly influenced his work. Kokoschka, born in Austria in 1886, was both an artist and writer. He led a turbulent life and travelled extensively, before settling in England where he became a British Subject in 1947. He died in Switzerland in 1980, just days before his 94th birthday. Kokoschka's work was greatly influenced by Gustav Klimt and medieval artists such as Lucas Cranach and Albrecht Durer, painting in a distinctive Expressionist style in his early career. Kokoschka and Alma Mahler explores their passionate relationship, illustrating and discussing the 20 paintings, 70 drawings and prints, and 7 fans that bear witness to this incredibly intense and fateful relationship. His works reflect his love and overwhelming desire, the impressions gained from his travels, and the depths of his despair. The fascinating picture portrayed by the author includes hitherto unpublished material, in particular Alma Mahler's diary from 1912-1913.

Testimony to a Passionate Relationship

Kokoschka and Alma Mahler

My Life

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Mörder Hoffnung der Frauen

Henry I. Schvey

The Austrian painter Oskar Kokoschka (1886-1980) is primarily known as an exponent of Expressionism in the visual arts, through his paintings and through his graphics. His role in the history of modern German drama has rarely been acknowledged, although he was the author of five plays, written over a period of fifty years. Murderer Hope of Women, The Burning Bush, Job, Orpheus and Eurydice, and Comenius are dramatic visual spectacles on themes recurrent in Kokoschka's paintings and graphic work. Oskar Kokoschka: The Painter as Playwright focuses on the visual elements of the stage works, specifically on the use of color, light, and scenic imagery in their dramatic as well as their symbolic function. It pays close attention to the stylistically and thematically related pictorial works and takes account of Kokoschka's illustrations for each of his plays. This is the first complete critical discussion of Kokoschka's dramas to appear in any language; it is also the first consideration of Kokoschka's work from an interdisciplinary perspective. Included are over fifty photographs, many of them in color. The text is based on much previously unpublished information, the result of the author's many hours of recorded interviews with Kokoschka and his extensive correspondence with Kokoschka's wife, Olda. This study eloquently shows the paintings, graphics, and dramas of Oskar Kokoschka to be one "language of images" and identifies him as one of the foremost innovators of twentieth-century theater, the first German Expressionist dramatist.

Oskar Kokoschka, the Painter as Playwright

Ernst Hans Gombrich

Jaroslaw Leshko

Graf Reinhold Bethusy-Huc

Selected from the Collection of Reinhold, Count Bethusy-Huc

Orbis Pictus, the Prints of Oskar Kokoschka, 1906-1976

William Benton Museum of Art

Richard S. Field

Literary and Graphic Works, 1906-1923

Helen Braham

Courtauld Institute Galleries

Catalogo della Mostra tenuta a Londra nel 1992.

Prints, Illustrated Books, Drawings in the Princes Gate Collection : with Notes on the Paintings : Courtauld Institute Galleries, 9 September to 28 October 1992

Kokoschka

Lecture Given at the Tate Gallery on 2 July 1986

Kokoschka in His Time

Oskar Kokoschka

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