Otfried Preussler

Der Räuber Hotzenplotzes vom Hotzenplotz

Krabat (14) belandt als twaalfde leerling op de molen van de Meester: een leerschool van zwarte kunst. Vanaf ca. 13 jaar.

(Krabat)

Meester van de zwarte molen

Krabat, ein Bettlerjunge, lernt in einer geheimnisvollen Mühle im Kreise von elf Gesellen das Handwerk. Der Müller unterrichtet seine Knechte aber auch aus dem Zauberbuch. Die Macht des unheimlichen Meisters ist nur durch den Mut und die Liebe eines Mädchens zu brechen. Krabat gelingt die Befreiung, weil er auf Freundschaft und Liebe zählen kann. Die äusserst spannende Geschichte ist ein Paradiesgarten für die Phantasie! Grossdruck. (Quelle: Verzeichnis ZKL).

Roman

Krabat

Neugier lockt Krabat zur Mühle am Koselbruch, vor der alle warnen, weil es dort nicht ganz geheuer sei. Ein leichtes und schönes Leben wird Krabat hier versprochen. Doch der Preis dafür ist hoch. Und aus der Verstrickung mit dem Bösen kann ihn nur die bedingungslose Liebe eines Mädchens retten.

Preussler's most successful book, 'Krabat' tells the story of a 14-year-old beggar boy who becomes an apprentice to the master of a watermill. Much to his surprise he soon discovers that the mill is actually a school of black magic and he is expected to rather more than a normal miller's trade.

Krabat. by Otfried Preussler

A dark thriller about a boy forcibly made apprentice to a sorcerer, set against enchanted woods and shadowy ruins.

"One of my favorite books." —Neil Gaiman

New Year’s has passed. Twelfth Night is almost here. Krabat, a fourteen-year-old beggar boy dressed up as one of the Three Kings, is traveling from village to village singing carols. One night he has a strange dream in which he is summoned by a faraway voice to go to a mysterious mill — and when he wakes he is irresistibly drawn there. At the mill he finds eleven other boys, all of them, like him, the apprentices of its Master, a powerful sorcerer, as Krabat soon discovers. During the week the boys work ceaselessly grinding grain, but on Friday nights the Master initiates them into the mysteries of the ancient Art of Arts. One day, however, the sound of church bells and of a passing girl singing an Easter hymn penetrates the boys’ prison: At last a plan is set in motion that will win them their freedom and put an end to the Master’s dark designs.

Krabat & the Sorcerer’s Mill was one of Cornelia Funke’s most beloved books as a child, and it is easy to see why. It is a wondrous story of magic, black and white; of courage and cunning; and of high adventure.

And the Sorcerer's Mill

In seventeenth-century Germany, a boy desperately wants to escape from a school for Black Magic where he is held captive by demonic forces.

Krabat & the Sorcerer's Mill

When a robber steals his grandmother's musical coffee mill, Kasperl and his best friend Seppel try to catch the robber, who enlists the help of his wicked magician friend, Petrosilius Zackleman, a gluttonous villain with a weakness for fried potatoes.

The Robber Hotzenplotz

One spring day, the little Water-sprite is born in a house of reeds at the bottom of a mill pond. Mother and Father Water-sprite are very proud of their son, and they invite their whole family to a party to celebrate and feast on duckweed soup, pickled water-fleas, and other dainties. The baby quickly grows out of his rush basket, and soon the little Water-sprite is bored of gazing out the window at the newts and fish swimming by. There is a whole, new world outside his living room to see! First his father takes him swimming and to play hide-and-seek, and then the little Water-sprite sets out on his own to explore the magical green environs of the mill pond. Along the way he meets many friends, like Cyprian the carp and the nine-eyed lamprey. But his most thrilling adventures await him outside the pond, on land. He just needs to remember not to let his feet get too dry as he plays with the mist fairies, slides down the mill race, and climbs to the moon.

The Little Water Sprite

Krabat a Fekete Malomban

This translation first published: London: Abelard-Schuman, 1972 under the title The satanic mill.

Krabat and the Sorcerer’s Mill

The Satanic Mill

Als twaalfde leerling belandt Krabat op de molen van de Meester: een leerschool van zwarte kunst.

Preussler, Meester zwarte molen pb.

Krabat - Schulausgabe

Katarzyna Bajerowicz

Krzysztof Radziwiłł

Janina Zeltzer

New Year’s has passed. Twelfth Night is almost here. Krabat, a fourteen-year-old beggar boy dressed up as one of the Three Kings, is traveling from village to village singing carols. One night he has a strange dream in which he is summoned by a faraway voice to go to a mysterious mill—and when he wakes he is irresistibly drawn there. At the mill he finds eleven other boys, all of them, like him, the apprentices of its Master, a powerful sorcerer, as Krabat soon discovers. During the week the boys work ceaselessly grinding grain, but on Friday nights the Master initiates them into the mysteries of the ancient Art of Arts. One day, however, the sound of church bells and of a passing girl singing an Easter hymn penetrates the boys’ prison: At last a plan is set in motion that will win them their freedom and put an end to the Master’s dark designs. Krabat & the Sorcerer’s Mill was one of Cornelia Funke’s most beloved books as a child, and it is easy to see why. It is a wondrous story of magic, black and white; of courage and cunning; and of high adventure.

Krabat and the Sorcerer's Mill

LIDDY, OTHERWISE KNOWN AS LITTLE WITCH, IS A TEN-YEAR-OLD SORCERESS WITH A DIFFERENT:SHE JUST WANTS TO BE NORMAL, WHICH DRIVES HER WITCHY FAMILY TOTALLY BATS!SEE WHAT HAPPENS WHEN LIDDY TRYS TO HAVE A "NORMAL BIRTHDAY PARTY" A COMICAL QUEST OF MIXED-UP MAGIC POWERS.

The Little Witch

Neue Abenteuer mit dem Räuber Hotzenplotz

Räuber Hotzenplotz

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Otfried Preussler

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