Julius Shulman

Hunter Drohojowska-Philp

Owen Edwards

Philip J. Ethington

Peter Loughrey

Modernism Rediscovered

Betty Cornfeld

This beautifully photographed volume displays an homage to ordinary, everyday household items, such as the martini, peanut butter and jelly sandwich, a Mont Blanc pen, and more. Over 75 photos.

The Quality of Having It

Quintessence

En explorant ses moindres aspects, des trous noirs aux exoplanètes, le télescope Hubble a changé la face de l'astronomie, mais aussi notre propre conscience du cosmos. Pour le 25e anniversaire de la mise en orbite du télescope Hubble, TASCHEN rend hommage aux images de Hubble en tant qu'exploits scientifiques et que chefs-d'oeuvre photographiques. Ces images de très haute résolution, obtenues malgré la quasi absence de lumière, ont répondu à certaines des questions les plus captivantes sur le temps et l'espace, tout en révélant de nouveaux mystères comme l'étrange "énergie sombre", qui accélère sans cesse l'expansion de l'univers. La précision extrême de ces observations se reflète dans celle avec laquelle TASCHEN les a reproduites : les illustrations fascinent par leurs teintes irisées et leurs formes à la fois fragiles, immenses et élégantes. Cette collection est accompagnée d'un essai du critique et spécialiste de la photo Owen Edwards et d'un entretien avec Zoltan Levay, qui explique comment les images ont été composées. Les anciens astronautes Charles F. Bolden, Jr. et John Mace Grunsfeld, qui font autorité dans ce domaine, donnent également leur vision personnelle de l'héritage de Hubble et de l'avenir de l'exploration spatiale.

Photographs from the Hubble Space Telescope

Expanding Universe

The Quality of Having it

Howard Schatz

Captures illustrious actors and actresses--including Joan Allen, Whoopi Goldberg, Michael Douglas, and Geoffrey Rush--as they react to various prompts, demonstrating their emotional and physical range and skill for improvisation.

Actors Acting

Caught in the Act

Steven M L Aronson

Ruth Ansel

Peter Beard turned his life on the African continent into a Gesamtkunstwerk; a collage of photography, environmental activism, and diary writing. The original limited edition may have instantly sold out, but the book is now back to present the artist's unique world; a realm where high-fashion models feed giraffes under the Kenyan sun and...

Peter Beard

This comparative dictionary provides a bottom-up reconstruction of the Rote‑Meto languages of western Timor. Rote-Meto is one low-level Austronesian subgroup of eastern Indonesia/Timor-Leste. It contains 1,174 reconstructions to Proto-Rote-Meto (or a lower node) with supporting evidence from the modern Rote-Meto languages. These reconstructions are accompanied by information on how they relate to forms in other languages including Proto‑Malayo‑Polynesian etyma (where known) and/or out-comparisons to putative cognates in other languages of the region. The dictionary also contains two finder-lists: English to Rote-Meto, and Austronesian reconstructions with Rote-Meto reflexes. The dictionary is preceded by three introductory chapters. The first chapter contains a guide to using the dictionary as well as discussion of the data sources. The second chapter provides a short synchronic overview of the Rote-Meto langauges. The third chapter discusses the historical background of Rote-Meto. This includes sound correspondences, the internal subgrouping of the Rote-Meto family, and the position of Rote-Meto within Malayo-Polynesian more broadly. Searchable electronic versions of the comparative dictionary are provided in two formats at http://hdl.handle.net/1885/251618. The first electronic version is a Lexique Pro export of the dictionary. The Lexique Pro file contains the same data and information in the book version of the dictionary, but does not contain the introductory chapters. See the "About Rote-Meto" tab of the Lexique Pro file for more information on this version of the dictionary. The second electronic version is a text file. It is formatted as a tab separated file and is intended to be read in spreadsheet format. This text file does not contain all the data and information in other versions of the Rote-Meto Comparative Dictionary and should be used in conjunction with these other versions. See the associated readme for more information on what data is included and excluded from that text file.

Rote-Meto Comparative Dictionary

Charlotte Guest

The complete collection of eleven prose stories collated from medieval Welsh manuscripts. Drawing on pre-Christian Celtic mythology-with some of the themes having been dated back to the early Iron Age-this marvelous compendium of tales contains some of the oldest European folklore in existence. The source material-the Red Book of Hergest, or Llyfr Goch Hergest, first appeared around 1382 as a complete document, although older manuscript fragments have been found. The first volume of the Mabinogion focuses on three Welsh versions of the Arthurian Tales, called the Three Romances (Y Tair Rhamant). It contains much material not found in any other version of the Arthurian legend, and scholars hold that this was the original legend upon which all others were based. The second volume contains a number of stories from Welsh legend, dating from well before medieval times, and includes the tales of Kilhwch and Olwen-from which other Arthurian traditions were drawn. Also included is the Dream of Maxen Wledig-which tells of the Roman Emperor Magnus Maximus who, as a commander in Roman-occupied Britain, assembled a Celtic army and assumed the title of Emperor of the Western Roman Empire. The third volume focuses on the character of Pryderi fab Pwyll, king of Dyfed, and contains the Four Branches of the Mabinogi-which tell of his parents, birth, marriage, conflict, adventures, and ultimate tragedy. This volume contains the oldest works of Welsh mythology. This new edition has been completely reset, but contains all the wonderful original artwork which appeared in the famous 1902 edition assembled by Welsh scholar Owen Edwards. From the introduction: "Some of the Mabinogion [has] been reconstructed in Norman and Crusading times, but they contain reminiscences of a more distant period, often but half understood by the later story-teller. Among these are "The Dream of Rhonabwy," "The Lady of the Fountain," and "Peredur the son of Evrawc"-the three which happen to come first in the Red Book. These are Christian, but with distant glimpses of Celtic heathenism. The adventures are all grouped around Arthur and his knights; and a kind of connection is given to the three tales by the presence of Owen and his mysterious ravens. "Others, especially the four Mabinogion properly so called and the Tale of Lludd and Llevelys, are far older; they are older than Christianity, and older than Arthur . . .[they are] all in a perfectly pagan atmosphere, neither the introduction of Christianity nor the growth of chivalry having affected them to any extent." CONTENTS VOLUME I Introduction The Lady of the Fountain Peredur the Son of Evrawc The Dream of Rhonabwy VOLUME II Introduction Geraint the Son of Erbin Kilhwch and Olwen or the Twrch Trwyth The Dream of Maxen Wledig VOLUME III Introduction Pwyll Prince of Dyved Branwen the Daughter of Llyr Manawyddan the Son of Llyr Math the Son of Mathonwy Here Is the Story of Lludd and Llevelys Taliesin

Translated from the Red Book of Hergest

The Mabinogion

This book provides a complete analysis of synchronic CV -> VC metathesis in Amarasi, a language of western Timor. Metathesis and unmetathesis realise a paradigm of parallel forms, pairs of which occur to complement each other throughout the language. Metathesis in Amarasi is superficially associated with a bewildering array of disparate phonological processes including: vowel deletion, consonant deletion, consonant insertion and multiple kinds of vowel assimilation, any of which can (and do) vary by lect in their realisation. By proposing that Amarasi has an obligatory CVCVC foot in which C-slots can be empty, all these phonological processes can be straightforwardly derived from a single rule of metathesis and two associated phonological rules. Three kinds of metathesis can be identified in Amarasi: (i) Before vowel initial enclitics, roots must undergo metathesis, responding to the need to create a phonological boundary between a clitic host and enclitic. Such metathesis is phonologically condi- tioned. (ii) Metathesis occurs within the syntax to signal attributive modification. Such a metathesised form cannot occur at the end of a phrase and thus requires the presence of an unmetathesised form to complete it syntactically. (iii) In the discourse an unmetathe- sised form marks an unresolved event or situation. Such an unmetathesised form cannot occur in isolation and requires a metathesised form to achieve resolution. Metathesis in Amarasi is the central linguistic process around which linguistic struc- tures are organised. Amarasi metatheses also reflect fundamental Timorese notions of societal and cosmic organisation. Alongside weaving and other performed activities, metathesis is an important linguistic marker of identity in a region obsessed with similarities and differences between different groups. The complementarity of Amarasi metathesis and unmetathesis within the syntax and within discourse reflects the Timorese division of the world into a series of mutually dependent binary and complementary pairs. As well as being the key which unlocks the structure of the language, metathesis is also a reflection of the structure of Amarasi society and culture.

Owen Edwards

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