Pamela Newkirk

2016 NAACP Image Award Winner Winner of the 2016 Hurston/Wright Legacy Award in Nonfiction An award-winning journalist reveals a little-known and shameful episode in American history, when an African man was used as a human zoo exhibit—a shocking story of racial prejudice, science, and tragedy in the early years of the twentieth century in the tradition of The Immortal Life of Henrietta Lacks, Devil in the White City, and Medical Apartheid. In 1904, Ota Benga, a young Congolese “pygmy”—a person of petite stature—arrived from central Africa and was featured in an anthropology exhibit at the St. Louis World’s Fair. Two years later, the New York Zoological Gardens displayed him in its Monkey House, caging the slight 103-pound, 4-foot 11-inch tall man with an orangutan. The attraction became an international sensation, drawing thousands of New Yorkers and commanding headlines from across the nation and Europe. Spectacle explores the circumstances of Ota Benga’s captivity, the international controversy it inspired, and his efforts to adjust to American life. It also reveals why, decades later, the man most responsible for his exploitation would be hailed as his friend and savior, while those who truly fought for Ota have been banished to the shadows of history. Using primary historical documents, Pamela Newkirk traces Ota’s tragic life, from Africa to St. Louis to New York, and finally to Lynchburg, Virginia, where he lived out the remainder of his short life. Illuminating this unimaginable event, Spectacle charts the evolution of science and race relations in New York City during the early years of the twentieth century, exploring this racially fraught era for Africa-Americans and the rising tide of political disenfranchisement and social scorn they endured, forty years after the end of the Civil War. Shocking and compelling Spectacle is a masterful work of social history that raises difficult questions about racial prejudice and discrimination that continue to haunt us today.

The Astonishing Life of Ota Benga

Spectacle

An award-winning journalist shows how workplace diversity initiatives have turned into a profoundly misguided industry--and have done little to bring equality to America's major industries and institutions. Diversity has become the new buzzword, championed by elite institutions from academia to Hollywood to corporate America. In an effort to ensure their organizations represent the racial and ethnic makeup of the country, industry and foundation leaders have pledged hundreds of millions of dollars to commission studies, launch training sessions, and hire consultants and diversity czars. But is it working? In Diversity, Inc., award-winning journalist Pamela Newkirk shines a bright light on the diversity industry, asking the tough questions about what has worked-and why progress has been so slow. As she argues, despite decades of handwringing, costly initiatives, and uncomfortable conversations, organizations have, apart from a few exceptions, fallen far short of their goals. Newkirk highlights the rare success stories, sharing valuable lessons about how other industries can match those gains. Diversity, Inc. incisively shows the vast gap between our rhetoric of inclusivity and our achievements. If we are to deliver on the promise of true equality, we need to abandon ineffective, costly measures and do what it takes to challenge enduring racial attitudes.

The Failed Promise of a Billion-Dollar Business

Diversity, Inc.

The first-ever narrative history of African Americans told through their own letters Letters from Black America fills a literary and historical void by presenting the spectrum of African American experience in the most intimate way possible—through the heartfelt correspondence of those who lived through monumental changes and pivotal events, from the American Revolution to the war in Iraq, from slavery to the election of Obama.

Intimate Portraits of the African American Experience

Letters from Black America

Winner of the National Press Club Prize for Media Criticism Unmasks race-related conflicts in the newsrooms and the push for more equitable coverage of racial minorities Thirty years ago, the Kerner Commission Report made national headlines by exposing the consistently biased coverage afforded African Americans in the mainstream media. While the report acted as a much ballyhooed wake-up call, the problems it identified have stubbornly persisted, despite the infusion of black and other racial minority journalists into the newsroom. In Within the Veil, Pamela Newkirk unmasks the ways in which race continues to influence reportage, both overtly and covertly. Newkirk charts a series of race-related conflicts at news organizations across the country, illustrating how African American journalists have influenced and been denied influence to the content, presentation, and very nature of news. Through anecdotes culled from interviews with over 100 broadcast and print journalists, Newkirk exposes the trials and triumphs of African American journalists as they struggle in pursuit of more equitable coverage of racial minorities. She illuminates the agonizing dilemmas they face when writing stories critical of blacks, stories which force them to choose between journalistic integrity, their own advancement, and the almost certain enmity of the black community. Within the Veil is a gripping front-line report on the continuing battle to integrate America's newsrooms and news coverage. Companion website: http://www.nyupress.nyu.edu/authors/veil.html

Black Journalists, White Media

Within the Veil

Compiles a selection of the love letters and other courting correspondence of African American couples from the mid-nineteenth century to the present day.

Pamela Newkirk

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