Panos Karnezis

In a collection of interconnected stories set in a small Greek village, such characters as the local priest, prostitute, doctor, centaur, and parrot experience passion, humor, and the loss of magic in the face of harsh reality. Reprint. 10,000 first printing.

Stories

Little Infamies

The Maze

In a remote corner of a Latin American rainforest, Father Thomas, a Catholic priest, comes across a badly wounded soldier and takes him to his church in an Indian village. The Indians, whose traditional way of life is under threat from outsiders, are wary of this latest new arrival. Venustiano, the proud young head of the village, is determined to protect his people, but feels powerless against the forces around him – and can trust nobody, not even Father Thomas. But his immediate problem is the bloodthirsty jaguar prowling around the village: for Venustiano is the only Indian with a gun, and he means to use it.

The Fugitives

Maze, The (Kindle)

Panos Karnezis' remarkable stories are all set in the same nameless Greek village. His characters are the people who live there - the priest, the barber, the whore, the doctor, the seamstress, the mayor - and the occasional animal: a centaur, a parrot that recites Homer, a horse called History. Their lives intersect, as lives do in a small place, and they know each other's secrets - the hidden crimes, the mysteries, the little infamies that men commit. Karnezis observes his villagers with a forgiving eye, and creates a world where magic invariably loses out to harsh reality, a world at once universal, funny and utterly compelling.

Cunning, fantastical tales about a Greek village of the imagination, from a startling new talent Panos Karnezis' remarkable stories are all set in the same nameless Greek village. His characters are the people who live there--the priest, the whore, the doctor, the seamstress, the mayor--and the occasional animal: a centaur, a parrot that recites Homer, a horse called History. Their lives intersect, as lives do in a small place, and they know each other's secrets: the hidden crimes, the mysteries, the little infamies that men commit. Karnezis observes his villagers with a worldly eye, and creates a place where magic invariably loses out to harsh reality, a place full of passion, cruelty, and deep reserves of black humor. These stories recall the masters of the form--the wit and sophisticated playfulness of Saki and the primal fatalism of Prosper Merimee--but they are utterly original and prove that Karnezis is one of the freshest new voices in English fiction.

An Onassis-like tycoon is nearing the end of his life. When he finds out that his daughter is pregnant by a man he does not approve of, he has a birthday party for her on his private island, secretly intending to persuade her to end the pregnancy with a doctor standing by to perform the procedure on the spot.

The Birthday Party

Those whom God wishes to destroy he first makes mad... The convent of Our Lady of Mercy stands alone in an uninhabited part of the Spanish sierra. Its inhabitants are devoted to God, to solitude and silence; six women cut off from the world they've chosen to leave behind. Everything changes on the day that a suitcase punctured with air-holes is discovered on the convent steps. Soon Mother Superior Maria Ines finds that the box and its contents are to have consequences beyond her imagining, and that even in her carefully protected sanctuary she is unable to keep the world, or her past, at bay.

The Convent

Tante piccole infamie

It is the summer of 1975. As dawn breaks on a small private island off the Mediterranean coast, Marco Timoleon, an aging tycoon, wakes up to see the final preparations for his troubled daughter's twenty-fifth birthday party. Having found out that she is pregnant by a man he doesn't approve of, he secretly intends to persuade her to terminate the pregnancy: the family doctor stands by to perform the operation on the spot. But as the day unfolds, his plan is put to the test and comes to an unexpected conclusion.

From the heart-in-mouth opening scene to its melancholy ending, We are Made of Earth is a skilled blend of seductive linguistic simplicity and luminous moral depth. In Karnezis’ confident hands, a timely story of refugee arrival on a foreign shore—a prismatic exploration of the moral and emotional price those leaving their homeland must pay for peace and security—is transformed into a timeless narrative of connection and disorientation, longing and self-doubt. With Karnezis’ trademark ‘details catching like splinters in that part of the imagination that responds to pure storytelling’ (TLS), We are Made of Earth opens when an overcrowded dinghy capsizes at sea. A doctor is among the refugees thrown overboard. In the panic, he saves one life and condemns another. The doctor and the boy he saves—the only witness to the crime—wash up on a tiny Greek island where they are offered shelter by the owner of a small travelling circus. Debt-ridden, the circus owner has just one asset: an Asian elephant, far from her natural habitat but lovingly tended by the owner’s wife even as she mourns their young daughter. As the two refugees await an endlessly deferred ferry to continue their journey, the displaced elephant becomes both symbolic and substantial, and the unfortunate catalyst for precisely the kinds of misunderstandings and misinterpretations that regularly drown lives. At once timely and timeless, this powerful and absorbing novel by Panos Karnezis explores the price of peace and security through the intimate motivations and moral dilemmas of people bound together by fate and circumstance.

Panos Karnezis

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