Paola Antonelli

Jamer Hunt

Anne-Marie Slaughter

Design has a history of violence. It can be an act of creative destruction and a double-edged sword, and yet professional discourse around design has been dominated by voices that only trumpet its commercial and aesthetic successes. Violence, defined here as the power to alter circumstances against the will of others and to their detriment, is ubiquitous in history and in contemporary society. In recent years, moreover, technology has introduced new threats and added dramatically to the many manifestations of violence. Design and Violence is an exploration of the relationship between the two that sheds light on the complex impact of design on the built environment and on everyday life, as well as on the manifestations of violence in contemporary society. Published to accompany an online experiment launched by The Museum of Modern Art in Autumn 2013, it brings together controversial, provocative, and compelling design projects with leading voices from a variety of fields. Each invited author responds to one object chosen by the curators ranging from an AK-47 to a Euthanasia Rollercoaster, from plastic handcuffs to the Stuxnet digital virus and invites dialogue, comments, reflection, and active, occasionally fierce, debate. Examples of questions posed include: Can we design a violent act to be more humane? How far can the state go to protect its borders from immigration before it becomes an act of violence? Is violence male? These experimental and wide-ranging conversations bring together voices from the fields of art and design, science, law, criminal justice, ethics, finance, journalism, and social justice, making Design and Violence an invaluable resource for lively discussions and classroom curricula.

Design and Violence

Alice Rawsthorn

Alice Rawsthorn and Paola Antonelli, two of the world's most influential design figures, meet the visionary designers whose innovations and ingenuity give us hope for the future by redesigning and reconstructing our lives, enabling us to thrive Design Emergency tells the stories of the remarkable designers, architects, engineers, artists, scientists, and activists, who are at the forefront of positive change worldwide. Focusing on four themes - Technology, Society, Communication, and Ecology - Alice Rawsthorn and Paola Antonelli present a unique portrait of how our great creative minds are developing new design solutions to the major challenges of our time, while helping us to benefit from advances in science and technology.

Design Emergency

Published in conjunction with an exhibition at The Museum of Modern Art, Talk to Me thrives on an important late 20th-century cultural development in design: a shift from the centrality of function to that of meaning. From this new perspective, objects contain information that goes well beyond their immediate use or appearance, providing access to complex systems and networks and acting as gateways and interpreters. Whether openly and actively, or in subtle, subliminal ways, things talk to us, and designers write the initial script that lets us develop and improvise the dialogue. Talk to Me focuses on objects that involve direct interaction, such as interfaces, information systems, communication devices, and projects that establish a practical, emotional or even sensual connection between their users and entities such as cities, companies, governmental institutions, as well as other people. The featured objects range in date from the early 1980s beginning with the first Graphic User Interface, developed by Xerox Parc in 1981 with particular attention given to projects from the last five years and to several ones currently in development. Included are a diverse array of examples, from computer and machine interfaces to websites, video games, devices and tools, and installations. Organized thematically, Talk to Me features essays by Paola Antonelli, Jamer Hunt, Alexandra Midel, Kevin Slavin, and Koi Vinh. By introducing design practices that are becoming increasingly crucial to our world, the book presents a highly distilled sample of todays best design production that uses technology in creative and unexpected ways, showing how rich and deep designs influence will be on our future.

Design and the Communication Between People and Objects

Talk to Me

This collection features Rotman magazine's best articles on design thinking and business design. Insights are drawn from the people on the frontlines of bringing design into modern organizations, as well as from the leading academics who are teaching design thinking to a new generation of global leaders.

The Best on Design Thinking from Rotman Magazine

Rotman on Design

Museum of Modern Art (New York, N.Y.)

Peter Hall

Hugh Aldersey-Williams

Rebecca Roberts

In the past few decades, individuals have experienced dramatic changes in some of the most established dimensions of human life: time, space, matter, and individuality. Minds today must be able to synthesize such transformations, whether they are working across several time zones, travelling between satellite maps and nanoscale images, drowning in information, or acting fast in order to preserve some slow downtime. Design and the Elastic Mind focuses on designers ability to grasp momentous advances in technology, science and social mores and convert them into useful objects and systems. The projects included range from nanodevices to vehicles, appliances to interfaces and building facades, pragmatic solutions for everyday use to provocative ideas meant to influence our future choices. Designed by award-winning book designer Irma Boom, this volume also features essays by Paola Antonelli; design critic and historian Hugh Aldersey- Williams; visualization design expert Peter Hall; and nanophysicist Ted Sargent that further explore the promising relationship between design and science.

Design and the Elastic Mind

Throughout her 20-year career, Neri Oxman has invented not only new ideas for materials, buildings and construction processes, but also new frameworks for interdisciplinary?and interspecies?collaborations. She coined the term ?material ecology? to describe her process of producing techniques and objects informed by the structural, systemic and aesthetic wisdom of nature. Groundbreaking for its solid technological and scientific basis, its rigorous and daring experimentation, its visionary philosophy and its unquestionable attention to formal elegance, Oxman?s work operates at the intersection of biology, engineering, architecture and artistic design, material science and computer science.0This book?designed by Irma Boom and published to accompany a midcareer retrospective of Oxman?s work?highlights the interdisciplinary nature of the designer?s practice. It demonstrates how Oxman?s contributions allow us to question and redefine the idea of modernism?a concept in constant evolution?and of organic design. Some of the projects featured in the book and exhibition include the Silk Pavilion, which harnesses silkworms' ability to generate a 3-D cocoon out of a single thread silk in order to create architectural constructions; Aguahoja, a water-based fabrication platform that prints structures made out of different biopolymers; and Glass, an additive manufacturing technology for 3-D printing optically transparent glass structures at architectural dimensions.00Exhibition: MoMA, New York, USA (22.02-25.05.2020).

Neri Oxman: Material Ecology

William Myers

Designers and artists have always looked to nature for inspiration and materials, but only recently have they been able to alter and incorporate living organisms in their work. In a world with finite resources and a growing population, design that mimics or appropriates the sustainable template of nature is likely to prove as vital as it is novel. 'Bio Design' examines some seventy projects (concepts, prototypes and completed designs) that cover the fields of architecture, industrial processes, education, fine art, material engineering and bioengineering. Each project is illustrated by a short text, images and captions that combine to explain the problems the venture tackles, and how living materials and processes were harnessed to solve them in sustainable and aesthetically pleasing ways. Many of the solutions also provoke thought about manipulating life for human ends.--

Nature, Science, Creativity

Bio Design

Michelle Millar Fisher

An encyclopaedic selection of 111 garments, footwear, and accessories - from humble masterpieces to high fashion - that have had a strong impact on society in the 20th and 21st centuries and continue to hold currency today. Published to accompany the first major exhibition on fashion design at The Museum of Modern Art since 1944, Items: Is Fashion Modern? presents 111 iconic garments, footwear and accessories that have strongly influenced society in the 20th and 21st- centuries and continue to hold currency today. Organized alphabetically as a reference book, the publication examines the ways in which these items are designed, manufactured, distributed and used, while exploring the wide range of relationships between clothing and functionality, cultural etiquettes, aesthetics, politics and technology. Designs as wellknown and transformative as the Levi's 501s, the pearl necklace, the sari and Yves Saint Laurent's Le Smoking - and as ancient and historically rich as the Breton sweater, the kippah, and the keffiyeh - are included, allowing for exploration of the numerous issues these items have produced and shaped over many decades. Richly illustrated with historical and archival imagery as well as newly commissioned photography from Omar Victor Diop, Bobby Doherty, Catherine Losing, Monika Mogi and Kristin-Lee Moolman, Items reflects not only on fashion's power and social history, but also on its design construct and staying power, in order to understand what of the system of fashion should remain for generations to come - and what alterations need to be made to ensure a tenable future for this arena that touches us all.

Is Fashion Modern?

ITEMS

Eyal Weizman

Alejandro Zaera-Polo

David Benjamin

Kevin Slavin

Architecture and Research by The Living

Now We See Now

Ryū Niimi

Tokujin Yoshioka

Ryu Niimi

Elisa Astori

Kozo Fujimoto

An in-depth monograph on one of Japan's greatest living designers.

Tokujin Yoshioka Design

Ala Tannir

The XXII Triennale di Milano exhibition Broken Nature: Design Takes on Human Survival highlights a range of international architecture and design projects that underline the concept of restorative design. By bringing together the voices of a number of curators, scientists, scholars, designers, and artists, the XXII Triennale di Milano seeks to engage its visitors with questions of climate change, migration, artificial intelligence, politics, gender, labor, economics, social justice, and natural histories. This exhibition catalog highlights objects and concepts at all scales that reconsider humans' relationship with their environment, including research into both natural and social ecosystems. The aim is to trace design's ability to move us into a more constructive sense of indebtedness toward nature. This volume will appeal to the design community as well as a broader readership and scholars who study the sociological, economic, political, and personal ramifications of design as it relates to the environment.

Design Takes on Human Survival

Broken Nature

From M & Ms to Post–It Notes, a charming and insightful collection of design marvels from everyday life, celebrated by the curator of the MoMA's department of architecture and design. Every day we use dozens of tiny objects, from Post–It notes to Band–Aids. If they work well, chances are we do not pay them much attention. But although modest in size and price, some of these objects are true masterpieces of the art of design. Paola Antonelli, curator of the Museum of Modern Art's Department of Design and Architecture, is a highly celebrated figure in the world of design (she was just ranked among the top 100 most powerful people in the world of art). Paola has long been passionate about the subject of everyday objects that are marvels of design. The response to her recent MoMA show, also called Humble Masterpieces, was electric. In addition to lively coverage in dozens of publications, the museum goers spread the word about the fun of learning about and nominating their own picks for humble masterpieces. Now, in this colorful visual feast, Antonelli chooses 100 fabulous objects, from Chupa Chup lollipops to Legos to Chopsticks and Scotch tape. Each object will be portrayed with a gorgeous close–up detail, a brisk and informative text on its origin and special design features, as well as a silhouette image of the object as we see it each day. Certain to appeal to a broad audience, and to lend itself to fun, creative promotional opportunities, Humble Masterpieces will celebrate the possibility of looking at our everyday lives in an all–new way.

Everyday Marvels of Design

Humble Masterpieces

Jonathan Safran Foer

Ron Arad

Marie-Laure Jousset

Ingeborg de Roode

Even among the most influential designers of our time, Ron Arad stands out for the versatile nature of his work and his daredevil use of materials and technology. Idiosyncratic, suprising and always visually arreasting, Arads work communicates joy in creation, pleasure in invention, and pride in technical and constructive qualities. He has deftly avoided a recognizable style for over twenty years; his style is rather a matter of character, reflective of his disregard for established disciplines. Through his own work and his decade long tenure as the Head of Design Projects graduate programme at the Royal College of Art in London, Arad has greatly influenced the current debate on designs relationship with art, technology and innovation, and nurtured some of the most promising young designers in todays international scene. Published to accompany the first major retrospective of Arads work in the US, the catalogue features an interview with the artist and essays on his use of innovative materials and technology, his role as an educator and communicator on the importance of design, and his place in the larger design and art market. A lavishly illustrated plate section provides visual and written documentation of approximately eighty works.

No Discipline

Mutant Materials in Contemporary Design

San Francisco Museum of Modern Art

Philippe Garner

Michael Boyd

One hundred chairs, couches, other seating furniture, and objects from what is perhaps the most important and comprehensive collection of modernist furniture in priate hands have been newly photographed in color for this lavish book. Accompanying an exhibition at the San Francisco Museum of Modern Art, this bok spans the 20th century as it showcases the work of modern masters ranging from Peter Behrens, Otto wagner, and Gerrit Rietveld, throug LeCorbusier and Frank Lloyd Wright, to Wendell Castle, Donald Judd, and Marco Zanuso. Sitting on the Edge will delight and inform design professionals as well as anyone with a passion for style.

Modernist Design from the Collection of Michael & Gabrielle Boyd

Sitting on the Edge

Mark Isitt

The Swedish design partnership Claesson Koivisto Rune was founded a little over ten years ago but has already received extraordinary recognition. Like Scandinavian masters before them, such as Aalto or Jacobsen, Claesson Koivisto Rune practise both architecture and design. In 2004 they were among the first Swedish architects to be selected for the international section of the Architecture Biennale in Venice. The architectural projects in this monograph include private houses and interiors from Europe to North and South America, as well as larger buildings like the Sfera Building Culture House in Kyoto, Japan. The furniture and other product designs presented here are manufactured by over 30 international companies. All photographs have been taken anew for this publication, which is a design object in itself, consisting of two books – separate volumes for architecture and design – with introductions by Paola Antonelli (MoMA) and Marcus Fairs (ICON Magazine).

1. Architecture - 2. Design

Claesson Koivisto Rune

Matilda McQuaid

The book's 341 color plates, arranged in nine thematic sections, reveal the huge variety of aesthetic and conceptual viewpoints in design since the late nineteenth century and together trace the historical development of modern design as well as that of the Museum's celebrated design collection. The volume's authoritative texts include a preface by Terence Riley, The Philip Johnson Chief Curator of Architecture and Design at the Museum, and an introductory essay by Curator Paola Antonelli. The lavish plate section is enriched by numerous brief texts by these and other curators in the Architecture and Design department, which illuminate the entire course of modern design, its major styles, and its individual masterpieces. Objects of Design is the second in a series of three volumes on the holdings of the department, the first of which, Envisioning Architecture, surveys the Museum's extraordinary architecture drawings.

Objects of Design from The Museum of Modern Art

Terence Riley

Edited by Paola Antonelli, Terence Riley. Contributions by Sarah Robins, Michael Brill, Francis Duffy, Bruce Mau. Text by Jim-hee Chang, Christopher Budd, Hui-Chi Chou, Rachaporn Chouchouey, Larry Keeley, Aura Oslapas, Kayoko Ota, John Thackara, Glenn Lowry.

Design and Contemporary Work Styles

Workspheres

Ross Lovegrove

This first monograph on Ross Lovegrove gives a complete overview of his career in product design, an overlook at modern design's purpose, and rare insight into Lovegrove's distinctive and humanistic approach to cutting edge materials and technologies. Written by Lovegrove himself, with an introductory text by Paola Antonelli, the book covers a wide range of his projects including those for Apple, Sony, Knoll and Capellini.

The Work of Ross Lovegrove

Supernatural

This book presents a wealth of contemporary design products and prototypes from all over the world that address the issues of protection and security in our everyday lives. The objects are as diverse as our notions of safety and well-being: headgear designed to withstand either a fall from a bicycle or the blast of a bomb; prefabricated shelters for victims of earthquakes; self-defense and antitheft objects; clearly illustrated emergency instructions; de-mining equipment; and toys that help people with mental disabilities gain and maintain a sense of balance and identity. This broad array of examples is accompanied by texts on the home as a safety nest, on automotive safety, on new materials and technologies, and on how architects and designers can provide support and guidance in situations of extreme emergency.

Paola Antonelli

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