Parker Peevyhouse

Parker Peevyhouse's The Echo Room is a smart, claustrophobic, speculative young adult thriller with an immersive psychological mystery. The only thing worse than being locked in is facing what you locked out. Rett Ward knows how to hide. He's had six years of practice at Walling Home, the state-run boarding school where he learned how to keep his head down to survive. But when Rett wakes up locked in a small depot with no memory of how he got there, he can't hide. Not from the stranger in the next room. Or from the fact that there's someone else’s blood on his jumpsuit. Worse, every time he tries to escape, he wakes up right back where he started. Same day, same stranger, same bloodstained jumpsuit. As memories start to surface, Rett realizes that the logo on the walls is familiar, the stranger isn't a stranger, and the blood on his jumpsuit belongs to someone—or something—banging on the door to get in. “The Maze Runner meets Memento in this clever, engrossing sci-fi mystery!” —New York Times bestselling author Jeanne Ryan “The Echo Room is just brilliant.... Full of twists and blinding turns. Peevyhouse is a master storyteller.” —New York Times bestselling author Brittany Cavallaro At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

The Echo Room

"One of the most ambitious YA novels I've ever read."—Tommy Wallach, author of We All Looked Up Perfect for fans of innovative storytelling, like Marcus Sedgwick's The Ghosts of Heaven and David Mitchell's The Bone Clocks, Where Futures End is a collection of five time-spanning, interconnected novellas that weave a subtly science-fictional web stretching out from the present into the future, presenting eerily plausible possibilities for social media, corporate sponsorship, and humanity, as our world collides with a mysterious alternate universe. Five teens, five futures. Dylan develops a sixth sense that allows him to glimpse another world. Brixney must escape a debtor colony by finding a way to increase the number of hits on her social media feed so she’ll attract corporate sponsorship. Epony goes “High Concept” and poses as an otherworldly being to recapture her boyfriend’s attention. Reef struggles to survive in a city turned virtual gameboard. And Quinn uncovers the alarming secret that links them all. These are stories about a world that is destroying itself, and about the alternate world that might be its savior. Unless it’s just the opposite.

Where Futures End

Strange Exit is Parker Peevyhouse's next suspenseful, near-future, stand-alone thriller, perfect for fans of Kass Morgan's The 100 and Patrick Ness's More Than This Seventeen-year-old Lake spends her days searching a strange, post-apocalyptic landscape for people who have forgotten one very important thing: this isn’t reality. Everyone she meets is a passenger aboard a ship that’s been orbiting Earth since a nuclear event. The simulation that was supposed to prepare them all for life after the apocalypse has trapped their minds in a shared virtual reality and their bodies in stasis chambers. No one can get off the ship until all of the passengers are out of the sim, and no one can get out of the sim unless they believe it's a simulation. It's up to Lake to help them remember. When Lake reveals the truth to a fellow passenger, seventeen-year-old Taren, he joins her mission to find everyone, persuade them that they’ve forgotten reality, and wake them up. But time’s running out before the simulation completely deconstructs, and soon Taren’s deciding who’s worth saving and who must be sacrificed for the greater good. Now, Lake has no choice but to pit herself against Taren in a race to find the secret heart of the sim, where something waits that will either save them or destroy them all.

Strange Exit

Rett wakes on the floor of a cold, dark room. He doesn t know how he got there, only that he s locked in. He s not alone a girl named Bryn is trapped in the room with him. When she finds a mysterious bloodstain and decides she doesn t trust Rett, he tries to escape on his own.

Parker Peevyhouse

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