Parvati Nair

Tendayi Bloom

Bringing together scholars and practitioners from a range of disciplinary backgrounds working in Europe, North and South America, South Asia and the Middle East, this volume explores the question of how to ensure that migration research feeds back into improving the lives of migrants. It emphasises the necessarily interdisciplinary and cross-boundary nature of migration research, offering methodological recommendations to anyone studying or working in the field, and showing how migration studies can usefully affect real contexts by better exploring the potential that exists for both bridging academic disciplines and building links with work that occurs beyond strictly academic forums. Organised around the themes of methodological considerations and interdisciplinary approaches, the experiences of migrants as researchers and interaction between practitioners, policy-makers and academics, Migration Across Boundaries discusses the realities of the discourses that surround international migration, examining the proper role of academia in bringing together a range of stakeholders to formulate dialogic approaches to understanding migration. An international and interdisciplinary contribution to our understanding of how research in migration can be brought to bear on the experiences of migrants and linked to the work of activists, artists and policy-makers, this book will appeal not only to scholars and students of migration across the social sciences, but also to those working in the fields of migrant advocacy and activism.

Linking Research to Practice and Experience

Migration Across Boundaries

This is the first full critical study of the work of the popular documentary photographer Sebastião Salgado. Nair explores all the stages of Salgado's work, including the recent more ecological subjects, showing its planetary commitments.

The Photography of Sebastião Salgado

A Different Light

Julian Gutierrez-Albilla

This volume examines the films of Hispanic and Lusophone women filmmakers from the 1930s to the present day. It establishes productive connections between film practices across these geographical areas by identifying common areas of concern on the part of these female filmmakers. Focusing on aesthetic, theoretical and socio-historical analyses, it questions the manifest or latent gender and sexual politics that inform and structure the emerging cinematic productions by women filmmakers in Portugal, Spain, Latin America and the US. With a combination of scholars from the UK, the US, Spain and Latin America, the volume documents and interprets a fascinating corpus of films made by Hispanic and Lusophone women and proposes research strategies and methodologies that can expand our understanding of socio-cultural and psychic constructions of gender and sexual politics. An essential resource to rethink notions of gender identity and subjectivity, it is a unique contribution to Spanish and Latin American Film Studies and Film Studies.

Theory, practice and difference

Hispanic and Lusophone women filmmakers

The concept of community has become central to constructions of Spanish identities, since the Transition to democracy. Contemporary Spain witnesses a political, social, and economic resurgence of community, which both cuts across and is prioritized over nation. Yet, few studies of contemporary Spanish culture deal with this concept. This book aims, therefore, to fill a gap in Spanish cultural studies by providing an in-depth analysis of the intersections of theories, narratives and concepts of community identities across a broad range of media. Literature, film, music, and photography are analysed here in order to explore the diverse means by which community is imagined and constructed. This is a strongly interdisciplinary study, bringing together cultural studies and ethnography. The specific 'texts' that are analysed are located within a larger framework provided by Spain's involvement in processes of globalization. Unusual in this study, therefore, is the use of fieldwork and interview, as well as the application of the work of cultural theorists to the Spanish context. This book, thus, extends the field of Spanish cultural studies through its original and deliberate examination of community; it is equally relevant to a more general reading public, interested in the diverse media covered here. By the same token, this book is of relevance to scholars in the Arts, Social Sciences, and Humanities, through its exploration and application of the ideas of theorists of modernity, space, and time.

Parvati Nair

About

Books

Join the club