Pascal Quignard

A Terrace in Rome describes the tormented life of Geoffroy Meaume, a 17th-century engraver of encrypted shadows and erotic prints. After a passionate affair in his youth concludes with his face being burned by acid thrown by his lover's jealous fiancé, Meaume undertakes a lifetime of wandering, his psyche forever engraved by the memory of the woman who spurned him. With a face of boiled leather and a mind haunted by a nightmare of desire, he devotes himself to the black-and-white world of etchings and mezzotints, forsaking the paradise of color to engage in a science of shadows. This fragmented narrative of a man attacked by images is related in 47 short chapters which themselves act as engravings; a tale told by an antiquarian, full of fragmented vision and sexual hell. First published in French in 2000, A Terrace in Rome received the Grand Prix du Roman de l'Académie Française that same year, and went on to be translated into 19 languages. This is its first appearance in English. Pascal Quignard (born 1948) has written over 60 books of fiction, essays, and his own particular genre of philosophical reflection that straddles the personal journal, historical narrative and poetic theory. His books in English include Albucius, All the World's Mornings, The Sexual Night, Sex and Terror, On Wooden Tablets: Apronenia Avitia, and The Salon in Wurttemberg, as well as the multiple volumes of his ongoing book project The Last Kingdom, which, to date, includes The Roving Shadows, The Silent Crossing and Abysses.

A Terrace in Rome

«Il poussa la porte qui donnait sur la balustrade et le jardin de derrière et il vit soudain l'ombre de sa femme morte qui se tenait à ses côtés. Ils marchèrent sur la pelouse. Il se prit de nouveau à pleurer doucement. Ils allèrent jusqu'à la barque. L'ombre de Madame de Sainte Colombe monta dans la barque blanche tandis qu'il en retenait le bord et la maintenait près de la rive. Elle avait retroussé sa robe pour poser le pied sur le plancher humide de la barque. Il se redressa. Les larmes glissaient sur ses joues. Il murmura : - Je ne sais comme dire : Douze ans ont passé mais les draps de notre lit ne sont pas encore froids» Jean-Claude Drouot interprète Tous les matins du monde avec toute la force, la gravité et la violence qui sied à ce texte, une très belle réalisation sonore servie par les musiques de Sainte Colombe et de Marin Marais. L'écoute en classe de ces CD est autorisée par l'éditeur.

Tous les matins du monde

Tous Les Matins Du Monde

Dünyanin Bütün Sabahlari

El Sexo y El Espanto

There are few if any voices more distinct in contemporary French literature than that of Pascal Quignard, a prolific writer of rare erudition and elegance. Essayist, critic, translator, novelist and musician, Quignard attempts here an ambitious amalgam of his many artistic styles in a fragmentary work that defies the idea of genre. And his daring was rewarded in 2002 when The Roving Shadows became the first non-novel in more than sixty years to win the Goncourt Prize, France's most prestigious literary award. The first book in Quignard's Last Kingdom series, The Roving Shadows can be read as a long meditation on reading and writing that strives to situate these otherwise innocuous activities in a profound relationship to sex and death. Writing and reading can in fact be linked to our animal natures and artistic strivings, to primal forces and culturally persistent fascinations. With dexterity and inventiveness, Quignard weaves together historical anecdotes, folktales from the East and West, fragments of myth, and speculative historical reconstructions. The whole, written in a musical style not far removed from that of Couperin, whose piano composition Les Ombres errantes lends the book its title, coheres into a work of literature that reverberates in the psyche long after one has laid it down. The Roving Shadows is a rare and wondrous tour de force that cements Quignard's reputation in contemporary world literature. Available now for the first time in English, this boldly adventurous work will find a new and welcoming audience.

The Roving Shadows

Loin devant les villas sur la digue, elle se tenait accroupie, les genoux au menton, en plein vent, sur le sable humide de la marée. Elle pouvait passer des heures devant les vagues, dans le vacarme, engloutie dans leur rythme comme dans l'étendue grise, de plus en plus bruyante et immense, de la mer.

Villa Amalia : roman

Sevim Akten

Dünyanın bütün sabahları

The Last Kindom II

The Fount of Time

Todas as Manhãs do Mundo

Villa Amalia

Ana Becciú

El sexo y el espanto

L'ambitieux et l'artiste pur, misanthrope, janséniste et illuminé par le souvenir d'un grand amour conjugal. Les relations complexes de deux musiciens et compositeurs virtuoses, Marin Marais et Monsieur de Sainte-Colombe, à l'époque de Louis XIV. Un très beau roman, auquel il ne manque que la musique, qu'on peut entendre dans le film éponyme d'Alain Corneau, qui a obtenu le prix Louis-Leduc.

roman

The relationship of Florent Seinece and his wife, Isabelle, is irretrievably altered by a brief dalliance with Charles Chenogne, and Florent loses both his wife and the most important friend of his life

The Salon in Württemberg

In seventeenth century France an ambitious young man seeks instruction from a reclusive musical genius, and attracts the attentions of his new teacher's two daughters

A Novel

All the World's Mornings

Il y a dans lire une attente qui ne cherche pas á aboutir. Lire c'est errer. La leture est l'errance.

Les ombres errantes

Une jeune femme promet à un homme de retenir son nom. Un jour ce nom lui fait soudain défaut. Ce défaut lui brûle les lèvres. Le désespoir la gagne.

Le nom sur le bout de la langue

Tutte le mattine del mondo

A prolific essayist, novelist, translator, philosopher, and a critic of rare elegance, Pascal Quignard returns anew to the major questions of existence in The Silent Crossing, a haunting homage to life and liberty, to society and solitude, and to the binding and unbinding that constitute the weft of our lives. Drawing on materials from across many cultures, Quignard makes an effort to establish shared human values as the breeding ground for a modern Enlightenment. Considering atheism as a spiritual liberation, suicide as a free act, and the rejection of society as a free choice, the author explores philosophical themes that have run through human civilizations—most often as heresies—from our earliest days. In his search for freedom, Quignard questions the binding dependency of religion, querying how, in a world where all forms of society presuppose that someone (or some collective) is looking over our shoulders, we can be free. These reflections, he implies, are the essential spiritual exercise for our times. Few voices in contemporary French literature are more distinct than that of Quignard. By reading this fragmentary, episodic assemblage of intimate experiences and borrowed tales, we open up a space of liberty, creating for the reader space for meditation and, perhaps, liberation. “Pascal Quignard is undoubtedly the most iconoclastic of contemporary French authors.”—Catherine Argand, Lire “Quignard has redefined historical fiction as both hoax and enigma.”—Burning Deck on Wooden Tablets: Apronenia Avitia

The Silent Crossing

Musician Ann Hidden suspects her partner, Thomas, isn't telling her everything. So one dark night, she secretly follows him to an unfamiliar house in the Paris suburbs, where he disappears inside with an unknown woman. But before she can even begin to process what looks like a betrayal, she gets another surprise--an old schoolmate, Georges Roehlinger, appears, berating her for spying the from the bushes. ?With Georges's help, Ann takes radical action: while Thomas is away, she resolves to secretly sell their shared house and get rid of all the physical manifestations of their sixteen years together. Thomas returns to find her gone, the locks changed, and his few possessions packed up and sent to his office. Ann, meanwhile, has fled the country and started a new, hidden life. But our past is never that easy to escape, and Ann's secrets eventually seek her out.

Pascal Quignard

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