Pat Kirkham

Jennifer Bass

This is the first book to be published on one of the greatest American designers of the 20th Century, who was as famous for his work in film as for his corporate identity and graphic work. With more than 1,400 illustrations, many of them never published before and written by the leading design historian Pat Kirkham, this is the definitive study that design and film enthusiasts have been eagerly anticipating. Saul Bass (1920-1996) created some of the most compelling images of American post-war visual culture. Having extended the remit of graphic design to include film titles, he went on to transform the genre. His best known works include a series of unforgettable posters and title sequences for films such as Alfred Hitchcock's Vertigo and Otto Preminger's The Man With The Golden Arm and Anatomy of a Murder. He also created some of the most famous logos and corporate identity campaigns of the century, including those for major companies such as AT&T, Quaker Oats, United Airlines and Minolta. His wife and collaborator, Elaine, joined the Bass office in the late 1950s. Together they created an impressive series of award-winning short films, including the Oscar-winning Why Man Creates, as well as an equally impressive series of film titles, ranging from Stanley Kubrick's Spartacus in the early 1960s to Martin Scorsese's Cape Fear and Casino in the 1990s. Designed by Jennifer Bass, Saul Bass's daughter and written by distinguished design historian Pat Kirkham who knew Saul Bass personally, this book is full of images from the Bass archive, providing an in depth account of one of the leading graphic artists of the 20th century.

A Life in Film and Design

Saul Bass

This collection of 20 iconic movie posters by Saul Bass, one of the greatest American designers of the 20th century, is a must for graphic designers and film fans. Each poster is removable and designed to fit the standard frame size 12 x 16 inches. The posters included are: The Man with the Golden Arm; Saint Joan; Love in the Afternoon; Bonjour Tristesse; The Big Country; Vertigo; Anatomy of a Murder; Exodus; Spartacus; The Magnificent Seven; Advise & Consent; The Cardinal; In Harm's Way; Bunny Lake is Missing; Seconds; Grand Prix; The Fixer; Such Good Friends; The Shining; Schindler's List.

20 Iconic Film Posters

This stunning book celebrates the many contributions women designers have made to American culture over the past century in such fields as textiles, ceramics, graphics, furniture, interiors, metalwork, fashion, and jewelry. It includes designers from the arts and crafts and modernist movements, Native American and African American cultures, the post-World War II era, craft and "ethnic" revivals in the 1970s and 1980s, and the world of today. Many famous designers are discussed, including Eva Zeisel, Maria Martinez, Ray Eames, Florence Knoll, Edith Head, Clare McCardell, Bonnie Cashin, Elsa Peretti, and April Greiman, as well as less well-known designers. The book features seventeen essays by such eminent scholars as Valerie Steele, Ellen Lupton, Cheryl Buckley, and Edward S. Cooke, Jr. A timeline offers readers a broader context within which to understand the developments discussed in the text, as does Eileen Boris's chapter "Women in the United States, 1900-2000: Social Change and Changing Experience". In addition, an essay by Pat Kirkham and Lynne Walker explores such fascinating issues as the differing gendered nature of the various areas of design, training, and education, support networks, "race", class, cultural traditions, and the diverse ways in which women came to be, practiced as, and experienced being designers.

Diversity and Difference : Jacqueline M. Atkins ... [et Al.]

Women Designers in the USA, 1900-2000

Women & and Design

A View from the Interior

Judy Attfield

This book looks at women's contributions to modern design. It also explores how women as consumers have shaped contemporary design and the assumptions made by male designers about women's tastes and lives. The role of design education is also covered.

Women & Design

This book examines design history from a feminist perspective. It exposes the socially constructed nature of design history, and the assumptions of male designers and architects about women's tastes, women's place and the way women live. And it illuminates women's relationship to design both as designers and those designed for. Women have gained a footholf in pottery and textile design, and predominate in the field of domestic design. Why are they still a minority in the areas of architecture and industrial design? What part does design education play in this exclusion? Contains: Part One: Images of difference ; Objectifying gender: the stiletto heel ; Representations of women and race in the Lancashire cotton trade ; Tarting up men: menswear and gender dynamics ; From Alcatraz to the OK Corral: images of class and gender ; Part Two: Women as designers ; Women textile designers in the 1920s and 1930s: Marion Dorn, a case study ; Pottery women: a comparitive study of Susan Vera Cooper and Millicent Jane Taplin ; Women architects ; Part three: Women in design production ; 'If you have no sons' : furniture-making in Britain ; Powerful women: electricity in the home, 1919-40, Sexual division of labour in the Arts and Crafts Movement ; The Arts and Crafts alternative ; The inter-war handicrafts revival ; Part four: A place of their own ; A view from the interior ; The designer housewife in the 1950s ; Inside Pram Town: a case study of Harlow House Interiors, 1951-61 ; Appendix: Women at the Archive of Art and Design.

Feminism, Women and Design

Penny Sparke

Jana Scholze

Stephen Knott

Ersi Ioannidou

The Covid-19 lockdowns caused people worldwide to be confined to their homes for longer and on a greater scale than ever before. This forced many unprecedented changes to the way we treat domestic space – as relationships shifted between the public and the private worlds, and homes were rapidly adapted to accommodate the additional roles of schools, offices, gyms, restaurants, making-spaces and more. Above all, our understanding of the home as a site to support and enhance the well-being of its inhabitants changed in a variety of novel ways. Interiors in the Era of Covid is a collection of essays which explore the complex ways in which our inside spaces (contemporary and historical) have responded to Covid-19 and other human crises. With case studies ranging from US and Europe to Japan, China, Colombia, and Bangladesh, this is a truly global work which examines wide-ranging subjects from home-working and home technologies, to the impact of lockdown on people's identities, gender roles in the home, and the realities of domestic living with Covid in refugee camps. Exploring the roles played by designers (both amateur and professional) in accommodating changing requirements and anticipating future ones – whether Covid or beyond – this book is a must-read for students and researchers in interior design, architecture, architectural and design history, and anyone interested in the home and the relationships between health and design.

Interior Design between the Public and Private Realms

Interiors in the Era of Covid-19

From Barbie and Action Man to guns via bicycles, perfume and trainers, The gendered object is an intriguing collection of new writing on the way in which objects of everyday life are made socially acceptable and 'appropriate' for women or men. What does the Strawberry Shortcake doll tell us about views of the adult female body? When does the necktie become anti-establishment? How does a woman relate to a washing machine? And can a hearing aid really be gendered? These questions are answered and many others raised in this entertaining study of design for men and women.

The Gendered Object

Dryad and the DIA

Harry Peach

A celebration of the many contributions of women designers to 20th-century American culture. Encompassing work in fields ranging from textiles and ceramics to furniture and fashion, it features the achievements of women of various ethnic and cultural groups, including both famous designers (Ray Eames, Florence Knoll and Donna Karan) and their less well-known sisters.

Martin P. Eidelberg

Thomas Hine

C. Ford Peatross

David Hanks

"This book is the first in-depth study of one of the most revered pieces of American furniture, and its equally revered creators. The Eames Lounge Chair explores the design in detail, shedding new light on its development and construction, and on the role played by Ray Eames in its genesis. In situating the Lounge Chair in its cultural, social, and historical contexts, the book reveals its provocative positioning in relation to Modernism and the trajectory of twentieth century design, through its combination of traditional and modern materials, mechanical production, and hand-finishing. The personal and professional recollections of those who knew Charles and Ray Eames confirm the Lounge Chair's enduring appeal and powerful presence, from its arrival - to critical acclaim - in the mid-1950s, when it promised a more comfortable life to postwar Americans, to its latterday appearance in fiction and film as an icon of "Mid-Century Modern" design - and a key indicator of design awareness." "With more than two hundred illustrations, including a superb photographic essay and previously unpublished drawings, film stills, and personal correspondence, this book is the definitive survey of the Lounge Chair and a tribute to its remarkable creators, who, above all, "took their pleasures seriously." The Eames Lounge Chair is essential reading for anyone interested in Modernist design."--BOOK JACKET.

An Icon of Modern Design

The Eames Lounge Chair

Charles and Ray Eames, perhaps the most famous design partnership of 20th-century America, did pioneering work in furniture, film, architecture, and exhibition design. Now Pat Kirkham interprets their work in depth, probing the lives behind the designs and the nature of the collaboration. 221 illustrations, 16 in color.

Designers of the Twentieth Century

Charles and Ray Eames

Janet Thumim

In You Tarzan, the editors set out to broaden the enquiry into masculinity, taking popular cinema as their starting point. A number of male film scholars have been invited to turn the spotlight back on themselves; to name the un-named feelings raised by films, stars or genres as well as importing some of the insights of feminist writing on gender to an analysis of the construction and reading of masculinity in films.

Masculinity, Movies and Men

You Tarzan

Eva Zeisel was one of the twentieth century's most influential ceramicists and designers of modern housewares. Her distinctive take on modern industrial design was inspired by organic form and brought beauty and playfulness to housewares, earning her designs a beloved place in midcentury homes. This richly illustrated volume—the first-ever complete biographical account of Zeisel's life and work—presents an extensive survey of every line she ever created, all captured in gorgeous new photography, plus 28 short essays from scholars, collectors, curators, and designers. The definitive book on the grande dame of twentieth-century ceramics, this is an essential resource for anyone who appreciates modern design.

Pat Kirkham

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