Mark Lewis

Ross Anthony

Shuo Wang

Patricia Hayes

Philip Harrison

Ying Cheng

Yan Yang

Juliette Leeb-du Toit

Ruth Simbao

Rui Assubuji

Malcolm Corrigall

Romain Dittgen

Esther Esmyol

Binjun Hu

T Tu Huynh

Nicola Kritzinger

Khangelani Moyo

Stary Mwaba

Marcus Neustetter

Kristin NG-Yang

Gemma Rodrigues

Lifang Zhang

China and Africa have long shared a history of allegiance and contact points through global political forces from the time of colonialism and the Cold War. With China’s rise as the new superpower, its presence in Africa has expanded, leading to significant economic, geopolitical and cultural shifts. While issues such as trade, aid and development have received much attention, Chinese and African encounters through the lens of the visual arts and material culture is a neglected field. Visualising China in Southern Africa: Biography, Circulation, Transgression is a ground-breaking volume that addresses this deficit through engaging with the work of contemporary African and Chinese artists while analysing broader material production that prefigures the current relationship. The essays are wide-ranging in their analysis of ceramics, photography, painting, etching, sculpture, film, performance, postcards, stamps, installations, political posters, cartoons and architecture. Visualising China in Southern Africa confines its focus to southern Africa, yet even within this region, the context is complex. Ethnicity and nationalism, the lingering influence of Cold War allegiances and colonial configurations all continue to play a role. The various visual cultures discussed in this volume emphasise the commonality of these categories, but also point towards other shared histories that transcend the nation-state category. The collection includes scholarly chapters, photo essays, interviews, and artists’ personal accounts, organised around four themes: material flows, orientations and transgressions, spatial imaginaries, and biographies. The artists, photographers, filmmakers, curators and collectors in this volume include: Stary Mwaba, Hua Jiming, Anawana Haloba, Gerald Machona, Nobukho Nqaba, Marcus Neustetter, Brett Murray, Diane Victor, William Kentridge, Kristin NG-Yang, Kok Nam, Mark Lewis, the Chinese Camera Club of South Africa, Wu Jing, Henion Han and Shengkai Wu.

Biography, Circulation, Transgression

Visualising China in Southern Africa

The peoples of Namibia have been on the move throughout history. The South Africans took over from the Germans in 1915 in trying to fit them into a colonial landscape. This book is about the clashes and stresses which resulted from the determined efforts at containment during the first three decades of South African colonial rule. North America: Ohio U Press; Namibia: Out of Africa

Mobility & Containment, 1915-46

Namibia Under South African Rule

Tracing developments in Namibia from 1915 to 1946, this text explores the country as it was, under South African rule.

Wolfram Hartmann

Jeremy Silvester

Richly illustrated with black and white photographs, this book brings together provocative and exciting new material on Namibia's colonial past. An eight-page colour section looks at how present day Namibians view themselves. It includes contributions from the editors, Wolfram Hartman, Jeremy Silvester and Patricia Hayes, as well as Michel Bollig, Jan Bart Gewald, Robert Gordon, Brent Harris, Paul Landau, Rick Rohde, Margo Timm and Marion Wallace.

Photographs in the Making of Namibian History

The Colonising Camera

Wendy Woodward

Gary Minkley

Most of the 13 essays presented here were originally presented at the January 1997 "Gender and Colonialism" conference held at the U. of Western Cape (South Africa). Presented by Woodward (English and cultural studies, U. of the Western Cape), Hayes (history, U. of the Western Cape), and Minkley (history, U. of the Western Cape), the contributions address both colonial and postcolonial issues of identity in Southern Africa from a variety of perspectives within contemporary critical and feminist theories. Topics include slave women's rhetoric and the Eastern Cape courts, ideologies of domesticity and the British construction of the "primitive," Dutch- Afrikaans women's entry into the public sphere in the Cape Colony, male nursing in the mines of 20th-century South Africa, and "gender- blending" and "code-switching" in the South African novel. Annotation copyrighted by Book News, Inc., Portland, OR

Gender and Colonialism in Southern Africa

Deep Histories

G. Arunima

Premesh Lalu

This book addresses emancipatory narratives from two main sites in the colonial world, the Indian and southern African subcontinents. Exploring how love and revolution interrelate, this volume is unique in drawing on theories of affect to interrogate histories of the political, thus linking love and revolution together. The chapters engage with the affinities of those who live with their colonial pasts: crises of expectations, colonial national convulsions, memories of anti-colonial solidarity, even shared radical libraries. It calls attention to the specific and singular way in which notions of ‘love of the world’ were born in a precise moment of anti-colonial struggle: a love of the world for which one would offer one’s life, and for which there had been little precedent in the history of earlier revolutions. It thus offers new ways of understanding the shifts in global traditions of emancipation over two centuries.

Perspectives from South Asia and Southern Africa

Love and Revolution in the Twentieth-Century Colonial and Postcolonial World

Going beyond photography as an isolated medium to engage larger questions and interlocking forms of expression and historical analysis, Ambivalent gathers a new generation of scholars based on the continent to offer an expansive frame for thinking about questions of photography and visibility in Africa. The volume presents African relationships with photography—and with visibility more generally—in ways that engage and disrupt the easy categories and genres that have characterized the field to date. Contributors pose new questions concerning the instability of the identity photograph in South Africa; ethnographic photographs as potential history; humanitarian discourse from the perspective of photographic survivors of atrocity photojournalism; the nuanced passage from studio to screen in postcolonial digital portraiture; and the burgeoning visual activism in West Africa. As the contributors show, photography is itself a historical subject: it involves arrangement, financing, posture, positioning, and other kinds of work that are otherwise invisible. By moving us outside the frame of the photograph itself, by refusing to accept the photograph as the last word, this book makes photography an engaging and important subject of historical investigation. Ambivalent‘s contributors bring photography into conversation with orality, travel writing, ritual, psychoanalysis, and politics, with new approaches to questions of race, time, and postcolonial and decolonial histories. Contributors: George Emeka Agbo, Isabelle de Rezende, Jung Ran Forte, Ingrid Masondo, Phindi Mnyaka, Okechukwu Nwafor, Vilho Shigwedha, Napandulwe Shiweda, Drew Thompson

Photography and Visibility in African History

Ambivalent

In 1984, Patricia Hayes developed and researched a revolutionary process of Transpersonal Spiritual Psychotherapy called Ro-Hun™. In 1985, Dr. William Roll of Duke University heard of Patricia’s research and welcomed the opportunity to meet her. They became colleagues after their first meeting. Dr. Roll began sending Patricia clients so that she could further research Ro-Hun processes on people that were seeking to make real life changes. Case after case, Patricia and Dr. Roll discovered that Ro-Hun had extraordinary effects in healing the subconscious and unconscious mind. The results far surpassed their expectations. Unlike traditional therapies, Ro-Hun is a fast acting in-depth process that accesses the higher regions of the mind and has proven to be a breakthrough in the transpersonal healing of body, mind, and spirit. Today, Ro-Hun is a modern-day miracle and has become globally known.

What is Ro-Hun

Patricia Hayes

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