Patrick Hayes

With the growing urgency of questions about how to claim identity and achieve authenticity, life-writing started to acquire an unprecedented cultural importance. A range of social and economic developments, from the publishing boom in memoir writing to the rise of the internet, transformed the possibilities for self-expression. By the end of the timespan covered in this book life-writing was no longer something done mainly by important individuals who wrote their autobiography, or by sensitive souls who kept a diary. It became a truly ubiquitous phenomenon, part and parcel of the everyday formation of selfhood. Considering a diverse range of texts from across the English-speaking world, this volume places life-writing in relation to wider debates about the sociology and philosophy of modern identity, and the changing marketplace of publishing and bookselling. Yet in doing so it seeks above all to credit the extraordinary literary inventiveness which the pursuit of self-knowledge inspired in this period. Major subjects addressed include: the aftermath of World War II, including responses to the Holocaust; the impact of psychoanalysis on biography; autofiction, autrebiography, and changing ideas about authentic self-knowledge; coming out memoirs and the transformation of sexual identity; feminist exemplary writing and lyric poetry; multilingualism and intercultural life-writing; the memoir boom and the decline of intimacy; testimony narrative and memory culture; posthumanism in theory and practice; literary biography as an alternative to literary theory; literary celebrity and its consequences for literature; social media and digital life-writing.

Volume 7: Postwar to Contemporary, 1945-2020

The Oxford History of Life-Writing

Thesis (M.A.) from the year 2012 in the subject Business economics - Personnel and Organisation, grade: B, University of Limerick, course: MA in Business Management, language: English, abstract: In the last decade labour market shortages and recruitment difficulties have led to a more competitive and challenging recruitment market worldwide. These forces make it more important than ever for recruiting teams in organisations to be effective, efficient and creative in the search for talent. As a response, there is a shift from traditional recruiting methods to a new social recruiting approach. This paper will focus on the differences between traditional and social methods of recruiting, identify the key reasons behind the change and discuss the benefits as well as the potential risks. To measure the success of social recruiting the paper will look at reports from leading social recruiting solution companies and case studies of various sized organisations. This paper concludes that there has been a significant shift in usage from traditional recruiting techniques to social recruiting, that social recruiting is increasingly being used by both large and small organisations and is fast becoming a favoured medium of both employers and job-seekers alike. It also concludes that organisations cannot ignore the importance of creating a social recruitment strategy, owing to its role in improving cost of hire, quality of hire and time to hire. The findings are based on secondary research of academic books, journals, reports and case studies covering the areas of social media, recruitment and Linkedin. The significance of this paper is that it will be a valuable source of information for all organisations looking to leverage social recruiting - and in particular Linkedin’s hiring solutions - to start recruiting. The attached literature review as part of this study is also a good starting point for anyone looking to explore the topics of recruitment, social media and Linkedin. Keywords: Social media, Social networking, Recruitment strategy, Linkedin

The benefits and challenges of leveraging social media recruitment practices

Mathematical Methods in the Social and Managerial Sciences

Jim Campbell

Of all the grave crises in Northern Ireland's history, the events of Bloody Sunday are perhaps the most notorious. The subject of an independent inquiry that is the longest and most expensive the British government has ever undertaken, this yet to be resolved issue continues to be one of the most significant events in the recent history of the Troubles. This book tackles the subject from a new angle that covers both the political and psychological aspects of what happened. Based on extensive interviews with families whose relatives were killed by British soldiers, it is a record of the trauma that they have suffered. Setting Bloody Sunday in social, political and historical contexts, the authors examine the events of the day itself, the aftermath, and the relationship between post-traumatic stress disorder, grief, mourning and storytelling. They conclude with accounts about state and community responses to the trauma, and the impact and implications of the Saville Inquiry, which has allowed family members to express publicly their stories about the events of Bloody Sunday.

Trauma, Pain and Politics

Bloody Sunday

When we try to find words to express our most visceral and primary responses to literature, we are often inclined to speak of its power. But in academic contexts, that intuitive feeling for the vividness, energy, and special intensity of literary experience is all too often subdued, and exchanged for a supposedly more sophisticated discussion of its ethical or political significance. Philip Roth has long thumbed his nose at the 'virtue racket', as one of his characters called it, and his fiction has repeatedly satirised the moralistic idiom that tends to rule the public discussion of literature. In doing so he has earned the disapproval of an unusually wide range of university teachers and intellectuals. Philip Roth: Fiction and Power argues that Roth's importance derives precisely from his revaluation of what counts as sophisticated and serious in our response to literature. As well as examining how Roth emerged as a writer, and defining the main lines of influence on him, the book measures his impact on the dominant ways of thinking about literary value in post-war America. Attention is given to particular questions: about the place of emotion and affective experience, the nature and value of tragedy, the relevance of art to life, the relationship between literature and the unconscious, the concept of the author, the idea of a literary canon, and the ways that fiction illuminates America's complex post-war history. The book will be of importance to readers of modern American literature, and indeed to anyone interested in why literature matters.

Fiction and Power

Philip Roth

In Plato's Republic, Socrates spoke of an 'ancient quarrel between literature and philosophy' which he offered to resolve once and for all by banning the poets from his ideal city. Few philosophers have taken Socrates at his word, and out of the ancient quarrel there has emerged a long tradition that has sought to value literature chiefly as a useful supplement to philosophical reasoning. The fiction of J.M. Coetzee makes a striking challenge to this tradition. While his writing has frequently engaged philosophical subjects in explicit ways, it has done so with an emphasis on the dissonance between literary expression and philosophical reasoning. And while Coetzee has often overtly engaged with academic literary theory, his fiction has done so in a way that has tended to disorient rather than affirm those same theories, wrong-footing the normal processes of literary interpretation. This volume brings together philosophers and literary theorists to reflect upon the challenge Coetzee has made to their respective disciplines, and to the disciplinary distinctions at stake in the ancient quarrel. The essays use his fiction to explore questions about the boundaries between literature, philosophy, and literary criticism; the relationship between literature, theology, and post-secularism; the particular ways in which literature engages reality; how literature interacts with the philosophies of language, action, subjectivity, and ethics; and the institutions that govern the distinctions between literature and philosophy. It will be of importance not only to readers of Coetzee, but to anyone interested in the ancient quarrel itself.

Literature, Philosophy, and J.m. Coetzee

Beyond the Ancient Quarrel

When we try to find words to express our most visceral and primary responses to literature, we are often inclined to speak of its power. But in academic contexts, that intuitive feeling for the vividness, energy, and special intensity of literary experience is all too often subdued, and exchanged for a supposedly more sophisticated discussion of its ethical or political significance. Philip Roth has long thumbed his nose at the 'virtue racket', as one of hischaracters called it, and his fiction has repeatedly satirised the moralistic idiom that tends to rule the public discussion of literature. In doing so he has earned the disapproval of an unusually widerange of university teachers and intellectuals. Philip Roth: Fiction and Power argues that Roth's importance derives precisely from his revaluation of what counts as sophisticated and serious in our response to literature. As well as examining how Roth emerged as a writer, and defining the main lines of influence on him, the book measures his impact on the dominant ways of thinking about literary value in post-war America. Attention is given to particular questions: about the place ofemotion and affective experience, the nature and value of tragedy, the relevance of art to life, the relationship between literature and the unconscious, the concept of the author, the idea of a literary canon,and the ways that fiction illuminates America's complex post-war history. The book will be of importance to readers of modern American literature, and indeed to anyone interested in why literature matters.

This book argues that the significance of Coetzee's complex and finely-nuanced fiction lies in the acuity with which it both explores and develops the tradition of the novel - ranging from Cervantes, Defoe, and Richardson, to Dostoevsky, Kafka, and Beckett - as part of a sustained attempt to rethink the relationship between writing and politics.

Patrick Hayes

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