Patrick Mcgrath

A Novel of the Revolution

Martha Peake

Severed hands, dead monkeys, swarming insects, pickled body parts and menacing pygmies proliferate in this collection of short stories. They also feature ancient Southern plantations, isolated manor houses, places where ghosts like to lurk and places where spiritual and physical decay presides.

Blood and Water and Other Stories

Spider is gaunt, threadbare, unnerved by everything from his landlady to the smell of gas. He tells us his story in a storm of beautiful language that slowly reveals itself as a fiendishly layered construction of truth and illusion. With echoes of Beckett, Poe, and Paul Bowles, Spider is a tale of horror and madness, storytelling and skepticism, a novel whose dizzying style lays bare the deepest layers of subconscious terror.

Spider

“A stormy tale of obsession…this is a haunting portrayal of a man broken by passion” (Library Journal). Dr. Edward Haggard is a lonely, pain-racked romantic, standing at the window of his house on the edge of a cliff, watching as the clouds of war draw near, and reflecting on the nature of love, death, medicine, war—but most of all on the wife of the senior pathologist, and the few brief months of bliss they shared. Shortly after the outbreak of World War II, a fighter pilot appears in Dr. Haggard’s surgery, reawakening memories of the single grand passion of Haggard’s life. For this young man is the son of the woman Haggard loved, and as the doctor becomes more and more intrigued by the bizarre changes occurring in his new patient’s body, his old passion gives way to a fresh one, a passion altogether odder, and darker, than the first. In true gothic fashion, Patrick McGrath brings to his narration of a doomed love affair and bizarre aftermath an acute erotic intensity, portraying a man whose disease is passion—disease that can exalt a man, but can also destroy him.

Patrick Mcgrath

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