Paul Ashton

The “calling card” script is one that expresses your voice and gets you noticed and on your way to becoming an accomplished writer whose work is commissioned and put into production. This essential guide shows writers how to tell a great story in script form and offers invaluable insight and practical tips. Focusing on the universal principles of dramatic storytelling for screen, stage, and radio, the book addresses the script as the blueprint for performance and takes the writer on the journey from the story idea to the process of writing to the experience of reading scripts, working with writers, and impressing industry gatekeepers.

A Writer's Toolbox for Screen, Stage and Radio

The Calling Card Script

Toula Nicolacopoulos

George Vassilacopoulos

Is it becoming more obvious today that the thinkers of the post-Hegelian era were/are not 'able to bear the greatness, the immensity of the claims made by the human spirit'? Is our era the era of the 'faint-hearted' philosophy? Celebrating 200 years since the publication of The Phenomenology of Spirit this volume addresses these questions through a renewed encounter with Hegel's thought.

Hegel and the Fate of Thinking

The Spirit of the Age

Anna Clark

Australian history has changed drastically over the last fifty years and has found itself at the centre of heated and consuming public debates. So how do historians themselves read this history? Where do they see themselves in these momentous shifts in historical reading and writing? With contributions from prominent historians including Marilyn Lake, Tom Griffiths, Peter Stanley and Ann Curthoys, Australian History Now offers revealing and refreshing accounts of the ways Australian historians think about the nation’s past. Australian History Now is an engaging and often surprising introduction to the ways we understand and write our history in academic, popular and school books, argue about it in the media, present it in museums and watch it on television. At its heart it shows that the way we remember our past reflects how we see ourselves in the present.

Australian History Now

Paula Hamilton

The identity of suburbia, so far as it can be ascribed one, is shifting and insecure, a borderline and liminal space. Dominant stereotypes have listed it as ‘on the margins’ beyond edges of cultural sophistication and tradition’ and the areas that make up ‘sprawl’. But in the twenty-first century this static view has to be modified. As is evident from this collection, suburban dwellers themselves have redefined themselves. This collection explores the range and complexity of twenty-first century responses to city suburbs, predominantly in Sydney. It draws on a range of approaches – from history to creative non-fiction and multi-media.

Memory, Place, Creativity

Locating Suburbia

Patrick Minford

What Can the GHS Tell Us?

The Poverty Trap and the Laffer Curve

"To mark the English translation of Etre et l'événement as Being and event, ... a special issue on the work of the philosopher Alain Badiou ... [encouraging] contributors to take up the challenge Badiou raises in Being and event ... and deploy his categories in thinking a particular situation - be it political, artistic, scientific or amorous."--Ch. 1.

The Praxis of Alain Badiou

Angela Ashton

Five happy stories about five friends having a great day. The beautiful and fun illustrations throughout this picture book will captivate any child. Each story has a hidden item on each page for you and your child to find together. This book is co-written by a daycare teacher with over 10 years of professional experience with children aged 4 months to 5 years.

5 Joyful Stories

Happy Little Friends

Alex Trapeznik

Across the globe, history has gone public. With the rise of the internet, family historians are now delving into archives continents apart. Activists look into and recreate the past to promote social justice or environmental causes. Dark and difficult pasts are confronted at sites of commemoration. Artists draw on memory and the past to study the human condition and make meaning in the present. As a result of this democratisation of history, public history movements have now risen to prominence. This groundbreaking edited collection takes a comprehensive look at public history throughout the world. Divided into three sections - Background, Definitions and Issues; Approaches and Methods; and Sites of Public History - it contextualises public history in eleven different countries, explores the main research skills and methods of the discipline and illustrates public history research with a variety of global case studies. What is Public History Globally? provides an in-depth examination of the ways in which ordinary people become active participants in historical processes and it will be an invaluable resource for advance undergraduates and postgraduates studying public history, museology and heritage studies.

Working with the Past in the Present

What Is Public History Globally?

The calling card script is the script that expresses your voice, gets you noticed and helps you reach commission and production. Written by Paul Ashton, Development Manager of the BBC writersroom, and born out of his wide experience of reading scripts, working with writers, and as an industry 'gatekeeper', this is a guide to the key writing tools you need to know and understand to write a truly original script. As many professionals need to switch mediums and genres in order to survive and thrive, the book uniquely draws together the universal principles of dramatic storytelling for screen, stage, and radio. With a focus on the script as a blue print for performance, sections and chapters break down into bite-sized practical insights and the book mirrors both the journey of the story and process of writing it. The Calling Card Script shows how to tell a great story in script form and offers valuable professional development insight for all writers, whether established or just starting out, who wish to hone their craft and speak their voice.

A writer's toolbox for screen, stage and radio

Lisa Colley

Lisa Andersen

As the largest ever Australian government investment in creative industries development, the Creative Industries Innovation Centre delivered tailored business services to more than 1500 creative businesses from 2009 to 2015 and provided industry intelligence and advice for public policy and peak sectoral activity. This collection gives an overview of the current ‘state of business’ in Australia’s creative industries – both as an industry sector in its own right and as an enabling sector and skills set for other industries – and reflects on business needs, creative industries policy and support services for the sector. With contributions from the Centre’s team of senior business advisers and from leading Australian researchers who worked closely with the Centre –including experts on design-led innovation and the creative economy – and case studies of leading Australia creative businesses, the book is intended as and industry-relevant contribution to business development and public policy. Content links to the publicly accessible Creative Industries Innovation Centre Collection Archive at the UTS Library, which holds material from Centre’s activities over its six years of operation.

Paul Ashton

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