Paul Kincaid

The 1987 publication of Iain M. Banks's Consider Phlebas helped trigger the British renaissance of radical hard science fiction and influenced a generation of New Space Opera masters. The thirteen SF novels that followed inspired an avid fandom and intense intellectual engagement while Banks's mainstream books vaulted him to the top of the Scottish literary scene. Paul Kincaid has written the first study of Iain M. Banks to explore the confluence of his SF and literary techniques and sensibilities. As Kincaid shows, the two powerful aspects of Banks's work flowed into each other, blurring a line that critics too often treat as clear-cut. Banks's gift for black humor and a honed skepticism regarding politics and religion found expression even as he orchestrated the vast, galaxy-spanning vistas in his novels of the Culture. In examining Banks's entire SF oeuvre, Kincaid unlocks the set of ideas Banks drew upon, ideas that spoke to an unusually varied readership that praised him as a visionary and reveled in the distinctive character of his works. Entertaining and broad in scope, Iain M. Banks offers new insights on one of the most admired figures in contemporary science fiction.

Iain M. Banks

What it is we do when we read science fiction

The Unstable Realities of Christopher Priest (SF Storyworlds

This book is a detailed examination of one of the most important works of fantasy literature from the twentieth century. It goes through Mythago Wood by Robert Holdstock considering how it engages with war on a personal and family level, how it plays with ideas of time as something fluid and disturbing, and how it presents mythology as something crude and dangerous. The book places Mythago Wood in the context of Holdstock’s other works, noting in part how complex ideas of time have been a consistent element in his fiction. The book also briefly examines how the themes laid out in Mythago Wood are carried through into later books in the sequence as well as the Merlin Codex

A Critical Companion

Robert Holdstock’s "Mythago Wood"

Brian W. Aldiss wrote classic science fiction novels like Report on Probability A and Hothouse. Billion Year Spree, his groundbreaking study of the field, defined the very meaning of SF and delineated its history. Yet Aldiss's discomfort with being a guiding spirit of the British New Wave and his pursuit of mainstream success characterized a lifelong ambivalence toward the genre. Paul Kincaid explores the many contradictions that underlay the distinctive qualities of Aldiss's writing. Wartime experiences in Asia and the alienation that arose upon his return to the cold austerity of postwar Britain inspired themes and imagery that Aldiss drew upon throughout his career. He wrote of prolific nature overwhelming humanity, believed war was madness even though it provided him with the happiest period of his life, and found parallels in the static lives of Indian peasants and hidebound English society. As Kincaid shows, contradictions created tensions that fueled the metaphorical underpinnings of Aldiss's work and shaped not only his long career but the evolution of postwar British science fiction.

Brian W. Aldiss

Brian W. Aldiss wrote classic science fiction novels like Report on Probability A and Hothouse. Billion Year Spree, his groundbreaking study of the field, defined the very meaning of SF and delineated its history. Yet Aldiss’s discomfort with being a guiding spirit of the British New Wave and his pursuit of mainstream success characterized a lifelong ambivalence toward the genre. Paul Kincaid explores the many contradictions that underlay the distinctive qualities of Aldiss’s writing. Wartime experiences in Asia and the alienation that arose upon his return to the cold austerity of postwar Britain inspired themes and imagery that Aldiss drew upon throughout his career. He wrote of prolific nature overwhelming humanity, believed war was madness even though it provided him with the happiest period of his life, and found parallels in the static lives of Indian peasants and hidebound English society. As Kincaid shows, contradictions created tensions that fueled the metaphorical underpinnings of Aldiss's work and shaped not only his long career but the evolution of postwar British science fiction.

Priest's relationship with the wider science fiction community, his prioritizing of being human and exploring what happens in our own minds over what happens in the distant reaches of space, is a point of reflection throughout Paul Kincaid's book. The volume divides itself into a series of chronological and thematic readings of Priest's life and work. The key points of historical context run parallel to the discussion of islands, reality, doubles, and the arts. This duality, which is captured in the innovative arrangement of the text, provides an excellent space for Kincaid to use his incisive powers of critical thinking to capture the evanescence and ambivalence of Priest's writing. "Christopher Priest is one of Britain's best writers: Paul Kincaid brings his considerable critical skills to this broad yet carefully focussed view of Priest's intense and determined oeuvre." - M. John Harrison "An absolutely invaluable book: not just the first critical account to cover Priest's whole career, but the first critical engagement with Priest of any kind to provide a persuasive overall critical approach to this major but hard-to-categorise writer. Kincaid alternates a broadly chronological account of Priest's writing life with analysis of Priest's recurring themes and symbols, balancing these two approach such that each illuminates each, and without ever losing sight of the distinctiveness that makes Priest so important—even if part of that distinctiveness is, precisely, his resistance to conventional critical approaches. Kincaid's critical engagement is always judicious, eloquent, often brilliant and it remains throughout sensitive to the studied ambiguities and shifting complexities of its subject. Critical writing is rarely this good." – Adam Roberts

The Unstable Realities of Christopher Priest

Andrew M. Butler

Essays on winners of the first 18 years of the Arthur C. Clarke Award.

A Critical Anthology

The Arthur C. Clarke Award

Paul Kincaid is a critic and reviewer - a regular contributor to a variety of magazines and journals, such as the BSFA's Vector, Foundation and the New York Review of Science Fiction. He has also contributed to many SF reference works, and was for 11 years the administrator of the Arthur C. Clarke Award. He is the recipient of the Thomas D. Clareson Award for services to science fiction. A collection of Kincaid's essays on SF that range from the mid-1980s to the present.

Paul Kincaid

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