Niccolò Machiavelli

Maurizio Viroli

Peter Bondanella

Based upon Machiavelli's first-hand experience as an emissary of the Florentine Republic to the courts of Europe, The Prince analyses the usually violent means by which men seize, retain, and lose political power. This fluent new translation is accompanied by comprehensive notes and an introduction that dispels some of the myths associated with Machiavelli, and considers the true purpose of The Prince.

The Prince

Dante Alighieri

Henry Wadsworth Longfellow

Gustave Dore

Julia Conaway Bondanella

Dante Alighieri ; translated by Henry Wadsworth Longfellow ; with an introduction and notes by Peter Bondanella and Julia Conaway Bondanella ; illustrations by Gustave Doré.

The Purgatorio

Andrea Ciccarelli

The Cambridge Companion to the Italian Novel

A celebration of images of Italians in American motion pictures and their often under-appreciated, underpraised, and truly remarkable contribution to popular culture. This book covers the careers of dozens of stars like Al Pacino and Robert De Niro, and reviews the works of Italian American directors like Francis Ford Coppola and Martin Scorsese.

Dagos, Palookas, Romeos, Wise Guys, and Sopranos

Hollywood Italians

Jody Robin Shiffman

Covers the entire history of Italian literature, with entries ranging from the 13th century to the present and from Dante and Boccaccio to Umberto Eco.

Dictionary of Italian Literature

Federico Pacchioni

The only comprehensive and up-to-date book on the subject of Italian cinema available anywhere, in any language.

A History of Italian Cinema

Distinguished Porfessor of Comparative Literature and Professor of Film Studies Italian and West Europenan Studies Peter Bondanella

The first comprehensive study in English of Umberto Eco's theories and fictions.

Semiotics, Fiction, Popular Culture

Umberto Eco and the Open Text

Federico Fellini

Manuela Gieri

According to the American Film Institute, La Strada is one of the most popular films in cinema history. The performances of Giulietta Masina as the waif Gelsomina, Richard Basehart as the Fool, and Anthony Quinn as the strongman Zampano, who buys Gelsomina from her mother and takes her with him on the road, have been acclaimed for their power and sometimes ridiculed for their sentimentality. The debates over what these characters and the story they enact represent--a Christian parable, a journey of self-discovery, a tale of beauty and the beast--and the position of the film within the neo-realist genre, continue today. This new translation and critical edition of the continuity script for La Strada is the only accurate guide to the film in any language. The notes to the shooting script enable the reader to reconstruct some of Fellini's changes while shooting the film. The edition also contains an introduction which analyzes the work's place in film history and within the so-called "crisis of neo-realism," and provides for the first time in English a number of articles on the film's production. Fellini's most important interviews and statements on La Strada are included as well. Finally, two of the best critical analyses of the film, by Frank Burke and Peter Harcourt, are reprinted, along with a number of the contemporary reactions by critics from France (Andre Bazin), Italy (Guido Aristarco), and the United States--including a description of its reception at the Venice Film Festival. The illustrations include some of Fellini's original drawings made during the shooting of the film.

LA STRADA

Strada, La

The Cambridge Companion to the Italian Novel provides a broad ranging introduction to the major trends in the development of the Italian novel from its early modern origin to the contemporary era. Contributions cover a wide range of topics including the theory of the novel in Italy, the historical novel, realism, modernism, postmodernism, neorealism, and film and the novel. The contributors are distinguished scholars from the United Kingdom, the United States, Italy, and Australia. Novelists examined include some of the most influential and important of the twentieth century inside and outside Italy: Luigi Pirandello, Primo Levi, Umberto Eco and Italo Calvino. This is a unique examination of the Italian Novel, and will prove invaluable to students and specialists alike. Readers will gain a keen sense of the vitality of the Italian novel throughout its history and a clear picture of the debates and criticism that have surrounded its development.

Julia Conway Bondanella

The Cassell Dictionary of Italian Literature includes some 400 entries on major and minor Italian writers from the twelfth century to the present day; on Italian metrics and poetic forms or genres; and on literary or critical schools, periods, problems and movements. In addition there are specific entries on Italian Literature, Film and art, as well as feminism, post-modernism and other topics of contemporary interest.

Cassell Dictionary Italian Literature

THE ITALIAN CINEMA BOOK is an essential guide to the most important historical, aesthetic and cultural aspects of Italian cinema, from 1895 to the present day. With contributions from 39 leading international scholars, the book is structured around six chronologically organised sections: THE SILENT ERA (1895–22) THE BIRTH OF THE TALKIES AND THE FASCIST ERA (1922–45) POSTWAR CINEMATIC CULTURE (1945–59) THE GOLDEN AGE OF ITALIAN CINEMA (1960–80) AN AGE OF CRISIS, TRANSITION AND CONSOLIDATION (1981 TO THE PRESENT) NEW DIRECTIONS IN CRITICAL APPROACHES TO ITALIAN CINEMA Acutely aware of the contemporary 'rethinking' of Italian cinema history, Peter Bondanella has brought together a diverse range of essays which represent the cutting edge of Italian film theory and criticism. This provocative collection will provide the film student, scholar or enthusiast with a comprehensive understanding of the major developments in what might be called twentieth-century Italy's greatest and most original art form.

The Italian Cinema Book

A major new interpretation of the impact of ancient Rome on our culture, this study charts the effects of two diametrically opposed views of Roman antiquity: the virtuous republic of self-less citizen soldiers and the corrupt empire of power-hungry tyrants. The power of these images is second only to those derived from Christianity in constructing our modern culture. Few modern readers are aware of how indebted we are to the Roman model of our political philosophy, art, music, cinema, opera, and drama. Originally published in 1987. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.

Roman Images in the Modern World

The Eternal City

Professor of Italian Director of the Center for Italian Studies Peter Bondanella

Distinguished Professor of Comparative Literature and Italian Peter Bondanella

Studies seven films of the originator of Italian neorealism, Roberto Rossellini

The Films of Roberto Rossellini

A History of Italian Cinema is the only comprehensive and up-to-date book on the subject available anywhere, in any language >

From Neorealism to the Present

Italian Cinema

Examines the cinematic vision of the renowned Italian filmmaker.

The Films of Federico Fellini

This major artistic biography of Federico Fellini shows how his exuberant imagination has been shaped by popular culture, literature, and his encounter with the ideas of C. G. Jung, especially Jungian dream interpretation. Covering Fellini's entire career, the book links his mature accomplishments to his first employment as a cartoonist, gagman, and sketch-artist during the Fascist era and his development as a leading neo-realist scriptwriter. Peter Bondanella thoroughly explores key Fellinian themes to reveal the director's growth not only as an artistic master of the visual image but also as an astute interpreter of culture and politics. Throughout the book Bondanella draws on a new archive of several dozen manuscripts, obtained from Fellini and his scriptwriters. These previously unexamined documents allow a comprehensive treatment of Fellini's important part in the rise of Italian neorealism and the even more decisive role that he played in the evolution of Italian cinema beyond neorealism in the 1950s. By probing Fellini's recurring themes, Bondanella reinterprets the visual qualities of the director's body of work--and also discloses in the films a critical and intellectual vitality often hidden by Fellini's reputation as a storyteller and entertainer. After two chapters on Fellini's precinematic career, the book covers all the films to date in analytical chapters arranged by topic: Fellini and his growth beyond his neorealist apprenticeship, dreams and metacinema, literature and cinema, Fellini and politics, Fellini and the image of women, and La voce della luna and the cinema of poetry.

The Cinema of Federico Fellini

A History of Italian Cinema, 2nd edition is the much anticipated update from the author of the bestselling Italian Cinema - which has been published in four landmark editions and will celebrate its 35th anniversary in 2018. Building upon decades of research, Peter Bondanella and Federico Pacchioni reorganize the current History in order to keep the book fresh and responsive not only to the actual films being created in Italy in the twenty-first century but also to the rapidly changing priorities of Italian film studies and film scholars. The new edition brings the definitive history of the subject, from the birth of cinema to the present day, up to date with a revised filmography as well as more focused attention on the melodrama, the crime film, and the historical drama. The book is expanded to include a new generation of directors as well as to highlight themes such as gender issues, immigration, and media politics. Accessible, comprehensive, and heavily illustrated throughout, this is an essential purchase for any fan of Italian film.

Peter Bondanella

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