Peter Doig

Ineke Kleijn

Paula van den Bosch

Bonnefantenmuseum

Peter Doig bases most of his pictorial compositions on models taken from the flood of media images. Thus, his works may include quotations from record covers, sequences from horror movies or citations from art history.

Charley's Space

Hilton Als

"No Foreign Lands" is the first publication to examine in depth the conceptual underpinnings of Doig's oeuvre. Particular attention is given to the importance of motifs, themes and variations in his work, explored in over 200 paintings and works on paper from the past 13 years, among them new works never before published.

No Foreign Lands

The most comprehensive monograph on Turner Prize-nominated artist Peter Doig. In every generation of artists, there are a few-or perhaps just one-who propose a new set of questions and alter the way we understand art. Peter Doig is such an artist. While stories of painting’s demise in the early 1990s deemed painters and their work quaintly anachronistic, Doig-looking ahead as much as back for inspiration-forged a new painterly language: an ironic mix of Romanticism and post-impressionism to create haunting and sometimes dreamlike landscape vistas. In this lavish new volume devoted to his entire career-which includes paintings, drawings, and reference material, such as found photographs-art historians Richard Shiff and Catherine Lampert mine the artist’s rich and varied work. Doig’s landscapes have been inspired by the many places the artist has lived-England, Canada, Trinidad. So, too, does memory, or the idea of memory, inform much of his production. This volume is designed in close collaboration with the artist, with Doig specially creating the cover and various elements of the interior. Every facet of the painter’s singular vision is explored, from his earliest paintings of the early 1990s to the most recent series of works. Published in association with Michael Werner Gallery

Nicholas Laughlin

Alice Koegel

Doig, whose smart, dark figurative painting saw him nominated for the Turner Prize in 1994, lives and works in Trinidad. He and the artist Che Lovelace run a small private cinema there, StudioFilmClub. This series of posters for movies they've shown includes paintings that refer to key scenes, quote original movie posters, and weave in broader associations with the films' content.

Studiofilmclub

Richard Shiff

Catherine Lampert

The most comprehensive monograph on Turner Prize-nominated artist Peter Doig. In every generation of artists, there are a few-or perhaps just one-who propose a new set of questions and alter the way we understand art. Peter Doig is such an artist. While stories of painting's demise in the early 1990s deemed painters and their work quaintly anachronistic, Doig-looking ahead as much as back for inspiration-forged a new painterly language: an ironic mix of Romanticism and post-impressionism to create haunting and sometimes dreamlike landscape vistas. In this lavish new volume devoted to his entire career-which includes paintings, drawings, and reference material, such as found photographs-art historians Richard Shiff and Catherine Lampert mine the artist's rich and varied work. Doig's landscapes have been inspired by the many places the artist has lived-England, Canada, Trinidad. So, too, does memory, or the idea of memory, inform much of his production. This handsome slipcased volume is designed in close collaboration with the artist, with Doig specially creating the cover and various elements of the interior. Every facet of the painter's singular vision is explored, from his earliest paintings of the early 1990s to the most recent series of works. Published in association with Michael Werner Gallery

Scheduled to coincide with the opening of the 2016 Venice Biennale, this beautiful artist's book is published on the occasion of Peter Doig's first solo exhibition in Italy.For his exhibition at Fondazione Bevilacqua La Masa, installed in the historic roo

Michael Werner Gallery

Peter Doig. Fondazione Bevilacqua La Masa

Sarah Milroy

Emily Carr

James Hart

Matthew Teitelbaum

Kathryn Bridge

Ian Dejardin

Charles Hill

Gerta Moray

Jessica Stockholder

Karen Duffek

Robert Storrie

Marianne Nicolson

Corrine Hunt

Ian Thom

Published in conjunction with the exhibition at Dulwich Picture Gallery on November 1, 2014-March 8, 2015 and Art Gallery of Ontario on April 11-July 12, 2015.

Emily Carr in British Columbia

From the Forest to the Sea

Sebastian Hallmann

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