Gertrude Stein

Jack Spicer

Peter Eleey

Michel Leiris

A Bell is a Cup has been published by Rainoff to coincide with the exhibition Impressionism by Matt Connors, held at MoMA PS1. Alongside texts by Peter Eleey, Michel Leiris, Gertrude Stein and Jack Spicer, the publication presents the first comprehensive gathering of Connors' work to date. In his essay, Eleey writes that Connors' paintings "bear traces of one another, but they also sometimes prop each other up or lean into each other, as if to physically reinforce, in painterly terms, Jack Spicer¿s ideas about the interdependence of poems. 'There is really no single poem,' Spicer came to believe; he argued that 'poems should echo and re-echo against each other.'"

Matt Connors: A Bell Is a Cup

Known for her early repetitions of the work of her contemporaries including Jasper Johns, Roy Lichtenstein, Claes Oldenburg, James Rosenquist and Andy Warhol Sturtevant turned the visual logic of Pop art back on itself, using Duchamps model of the readymade to probe uncomfortably at the workings of art history in real time. Yet the aspect of her work that allowed her to be described as the one artist who cant be copied her chameleon-like embrace of other artists art is also what has allowed her to be largely overlooked in the history of postwar American art. As a woman making versions of the work of better-known male artists, she has passed almost unnoticed through the hierarchies of mid-century modernism and postmodernism, at once absent from these histories while nevertheless articulating their structures. Despite a rising reputation in Europe, Sturtevant is still largely unknown in her home country. Published to accompany the first retrospective of her work in a US museum since 1973, at The Museum of Modern Art, this publication considers Sturtevant as a uniquely American artist, with political concerns inflected specifically by her upbringing and adult life in the US. Featuring previously unpublished drawings and sketches from the artists archive, the book includes an essay by the exhibition curator that provides a comprehensive overview of the artists practice while situating it more concretely within American culture.

Peter Eleey

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