Peter Knight

Clare Birchall

Conspiracy Theories in the Time of Covid-19

The study of glaciers is important not only for explaining how landscapes are created, but also for understanding global issues such as climate change and sea-level rise. This book examines the characteristics of glaciers, explores how they shape the landscape, and explains their role in the unfolding drama of global environmental change. It also considers the impact of glaciers on human activity, and the potential impact of humans on the future growth or melting of the world's ice. The aim of the book is to provide a quick, straightforward introduction to glaciers and glacial landscapes. It is intended for people who have very little background knowledge in the subject, and is pitched very much at an introductory level. Given the importance of glaciers in the global environmental system it is surprising that they come and go in the teaching syllabus. For a few years, lots of students are studying glaciers at school, then for a few years nobody is doing glaciers and everybody is studying rivers instead. Teachers who perhaps did not study glaciers at university suddenly find that a curriculum change at school leaves them having to teach glaciers to their own students. Students at university find that they have to deal with glaciers at degree level even though they never studied them at school. University lecturers find that the students just enrolled on what was intended as a degree-level glaciers module have no background at all in the subject. And members of the general public who just want to find out a little bit about glaciers discover that the only books available are either coffee-table books with no real information or advanced texts intended for people who already have some expertise. This little book throws itself into that picture with the aim of helping all those readers!

A Quick Introduction to Glaciers and Glacial Landscapes

This book offers a comprehensive and detailed summary of our knowledge and understanding of glaciers and sets them within a global environment context. The text explains the significance both of recent advances in glaciology, and of teh many research problms that remain to be solved. The accessible style adopted in the text facilitates a clear understanding of glaciers and the role they play in global issues such as environmental change, geoorphology and hydrology. The use of complex mathematics is avoided as the reader is introduced to important concepts and techniques in modern glaciology such as deforming beds, migrating ice-divides and stable isotope analysis. This is an essential reference book for sutdents, professional geologists and researchers and would be ideal for those who want either a rapid up-date or an introduction to the subject. The books' discussion of recent discoveries and of reserch issues for the future, supported by a thorough reference list, enables readers to pursue their own areas of particular interest.

Glaciers

Tony Parsons

A. J. Parsons

Providing a step-by-step guide for students, this text looks at each stage of writing a dissertation for geography and related disciplines, explaining basic approaches as well as how to collect and analyse data.

How to Do Your Dissertation in Geography and Related Disciplines

Christopher Gerry

Peter L. Knight

Introductory Quantum Optics

The first comprehensive history of conspiracies and conspiracy theories in the United States. * Over 300 A-Z entries on various events, ideas, and persons, as well as crucial supporting and refuting evidence, and competing explanations for the origins, history, and popularity of this mode of political thought * Primary documents from organizations promoting conspiracy theories * Contributions from over 100 international scholars with a full range of historical expertise * Separate section containing about 100 illustrative extracts covering the full range of American history, each with a brief headnote placing it in context

An Encyclopedia

Conspiracy Theories in American History

Jonathan Long

The possibility that works of art and literature might be forged and that identity might be faked has haunted the cultural imagination for centuries. That spectre seems to have returned with a vengeance recently, with a series of celebrated hoaxes and scandals ranging from the Alan Sokal hoax article in Social Text to Binjamin Wilkomirski's "fake" Holocaust memoir. But as well as creating anxiety, the possibility of "faking it" has now been turned into entertainment.Traditionally these activities have been dismissed as dangerous and immoral, but more recently some scholars have begun to speculate, for example, that all forms of national identity rely on forged myths of origin. Recent cultural theory has likewise called into question traditional notions of authenticity and originality in both personal identity and in works of art. Despite critical pronouncements of the death of the author and the substitution of the simulacrum for the original, however, making a distinction between the genuine and the fake continues to play a major role in our everyday understanding and evaluation of culture, law and politics. Consider, for example, the fiasco surrounding the "forged" Hitler diaries, law suits against auction houses for failing to detect forgeries in the art market, or the problem of plagiarism at universities. It still seems to matter that we can spot the difference, especially in the historical moment when we are capable of making copies that are indistinguishable perhaps even better than the original.This collection of essays considers the moral, aesthetic and political questions that are raised by the long history and current prevalence of fakes and forgeries. The international team of contributors consider the issues thrown up by a wide range of examples, drawn from fields ranging from literature to art history. These case studies include little-known subjects such as Eddie Burrup, the Australian aboriginal artist who turned out to be an 81-year-old white woman, as well as new interpretations of familiar cases such as faked holocaust memoirs. The strength of the collection is that it brings together not only a wide range of cultural examples of fakes and forgeries from different historical periods, but also offers a wide variety of theoretical takes that will form a useful introduction and casebook on this growing field of inquiry.

Fakes and Forgeries

The first comprehensive history of conspiracies and conspiracy theories in the United States.

Conspiracy Theories in American History: N-Z

Conspiracy Culture investigates conspiracy theories in contemporary American culture, asking why conspiracy narratives are so popular and so ubiquitous, and relates conspiracy culture to postmodernity and millennial anxieties.

From the Kennedy Assassination to The X-files

Conspiracy Culture

Why are Americans today so fascinated by the X-Files? How did rumors emerge about the origins of the AIDS virus as a weapon of biowarfare? Why does the Kennedy assassination provoke heated debate nearly forty years after the fact, and what do we make of Hillary Clinton's accusation of a "vast right-wing conspiracy" against her husband? The origins of these ideas reveal important facets of American culture and politics. Placing conspiracy thinking at the center of American history, and challenging the knee-jerk dismissal of conspiratorial thought as deluded and sometimes dangerous, Conspiracy Nation provides a wide-ranging survey of conspiracy theories in contemporary America. In the 19th century, inflammatory rhetoric about slave revolts, the well-publicized specter of the black rapist, and the formation of the Ku Klux Klan all worked as conspiracy theories to legitimate an emerging sense of national consciousness based on an ideology of white supremacy. Today, panicked responses to increasing multiculturalism and globalization yield new notions of victimhood and new theories about conspiratorial plans for global domination. Offering up a provocative array of examples, ranging from alien abduction to the novels of DeLillo and Pynchon to Tupac Shakur's "paranoid style," Conspiracy Nation documents and unearths the workings of conspiracy in the contemporary moment. Their conclusions, sometimes startling and always compelling, have much to say about the nature of identity and anxiety, imagination and politics, and the state of the American psyche today. Contributors: Clare Birchall, Jack Bratich, Bridget Brown, Jodi Dean, Ingrid Walker Fields, Douglas Kellner, Peter Knight, Fran Mason, John A. McClure, Timothy Melley, Eithne Quinn, and Skip Willman.

The Politics of Paranoia in Postwar America

Conspiracy Nation

Dr Peter Knight

Conspiracy theories are everywhere in post-war American culture. From postmodern novels to The X-Files and from gangsta rap to feminist polemic, there is a widespread suspicion that sinister forces are conspiring to take control of our national destiny, our minds, and even our bodies. Conspiracy explanations can no longer be dismissed as the paranoid delusions of far-right crackpots. Indeed, they have become a necessary response to a risky and increasingly globalized world, in which everything is connected but nothing adds up. Peter Knight provides an engaging and cogent analysis of the development of conspiracy culture, from 1960s' countercultural suspicions about the authorities to the 1990s, where a paranoid attitude is both routine and ironic. Conspiracy Culture analyses conspiracy narratives about familiar topics like the Kennedy assassination, alien abduction, body horror, AIDS, crack cocaine, the New World Order, as well as more unusual ones like the conspiracies of patriarchy and white supremacy. Conspiracy Culture shows how Americans have come to distrust not only the narratives of the authorities, but even the authority of narrative itself to explain What Is Really Going On. From the complexities of Thomas Pynchon's novels to the endless mysteries of The X-Files, Knight argues that contemporary conspiracy culture is marked by an infinite regress of suspicion. Trust no one, because we have met the enemy and it is us.

From Kennedy to The X Files

Paul Crosthwaite

Nicky Marsh

What does 'the market' look like? What does money really stand for? How can the abstractions of high finance be made visible? Show Me the Money: The Image of Finance, 1700 to the Present documents how the financial world has been imagined in art, illustration, photography and other visual media over the last three centuries in Britain and the United States. Richly illustrated, it tells the story of how artists have grappled with the increasingly intangible and self-referential nature of money and finance, from the South Sea Bubble of the eighteenth century to the global financial crisis of 2008. Show Me the Money sets out the history and politics of representations of finance through five essays by academic experts and curators, and is interspersed with provocative think pieces by notable public commentators on finance and art. The book, and the exhibition on which it is based, explore a wide range of images, from satirical eighteenth-century prints by William Hogarth and James Gillray to works by celebrated contemporary artists such as Andreas Gursky and Molly Crabapple. It also charts the development of an array of financial visualisations, including stock tickers and charts, newspaper illustrations, bank adverts, and electronic trading systems. Show Me the Money demonstrates that the visual culture of finance has not merely reflected prevailing attitudes to money and banking, but has been crucial in forging – and at times critiquing – the very idea of 'the market'.

The Image of Finance, 1700 to the Present

Show Me the Money

Introduction -- Market reports -- Reading the ticker tape -- Picturing the market -- Confidence games and inside information -- Conspiracy and the invisible hand of the market -- Epilogue

Genres of Financial Capitalism in Gilded Age America

Reading the Market

Michael Butter

Taking a global and interdisciplinary approach, the Routledge Handbook of Conspiracy Theories provides a comprehensive overview of conspiracy theories as an important social, cultural and political phenomenon in contemporary life. This handbook provides the most complete analysis of the phenomenon to date. It analyses conspiracy theories from a variety of perspectives, using both qualitative and quantitative methods. It maps out the key debates, and includes chapters on the historical origins of conspiracy theories, as well as their political significance in a broad range of countries and regions. Other chapters consider the psychology and the sociology of conspiracy beliefs, in addition to their changing cultural forms, functions and modes of transmission. This handbook examines where conspiracy theories come from, who believes in them and what their consequences are. This book presents an important resource for students and scholars from a range of disciplines interested in the societal and political impact of conspiracy theories, including Area Studies, Anthropology, History, Media and Cultural Studies, Political Science, Psychology and Sociology.

Routledge Handbook of Conspiracy Theories

This book is a step-by-step proven programme that will allow you to create a highly effective marketing plan that works - in just one hour! bull; The Highly Effective Marketing Plan is very practical, providing a step-by-step process without any marketing-speak or jargon. bull; The Highly Effective Marketing Plan can be used by small start up companies and multinationals alike. It is for marketing people, and non-marketing people; chief executives and new people looking to get on.

Peter Knight

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