Peter Krapp

Brings to light the critical role of noise and error in the creative potential of digital culture

Glitch and Error in Digital Culture

Noise Channels

Werner Holly

Ludwig Jäger

Simone Heekeren

Avalon Professor of Comparative Literature Samuel Weber

This handbook undertakes a systematic historical reflection on "cultural science gaps" in linguistics, and seeks to contribute to their resolution. How can linguistics be a cultural science? Answering this question requires the use of methodological resources in linguistics as well as outside perspectives drawn from related disciplines.

Ein Internationales Handbuch Zu Linguistik Als Kulturwissenschaft / an International Handbook of Linguistics As Cultural Study

Sprache - Kultur - Kommunikation / Language - Culture - Communication

Samuel Weber

Das Ziel des Handbuchs ist es, die 'kulturwissenschaftliche Lücke' in der Sprachwissenschaft historisch und systematisch zu reflektieren sowie einen Beitrag zu ihrer Schließung zu leisten. Die Klärung der Frage: "Wie ist Sprachwissenschaft als Kulturwissenschaft möglich?" soll sowohl aus der disziplinären Innenperspektive vorliegender Ansätze der Sprachwissenschaft, als auch aus der Außenperspektive benachbarter Disziplinen fokussiert werden.

Ein internationales Handbuch zu Linguistik als Kulturwissenschaft / An International Handbook of Linguistics as a Cultural Discipline

Referring to a past that never was, déjà vu shares a structure not only with fiction, but also with the ever more sophisticated effects of media technology. Tracing the term from the end of the nineteenth century, when it was first popularized in the pages of the Revue philosophique, Peter Krapp examines the genealogy and history of the singular and unrepeatable experience of déjà vu. This provocative book offers a refreshing counterpoint to the clichéd celebrations of cultural memory and forces us do a double take on the sanctimonious warnings against forgetting so common in our time.Disturbances of cultural memory-screen memories, false recognitions, premonitions-disrupt the comfort zone of memorial culture: strictly speaking, déjà vu is neither a failure of memory nor a form of forgetting. Krapp's analysis of such disturbances in literature, art, and mass media introduces, historicizes, and theorizes what it means to speak of an economy of attention or distraction. Reaching from the early psychoanalytic texts of Sigmund Freud to the plays of Heiner Müller, this exploration of the effects of déjà vu pivots around the work of Walter Benjamin and includes readings of kitsch and aura in Andy Warhol's work, of cinematic violence and certain exaggerated claims about shooting and cutting, of the memorial character of architecture, and of the high expectations raised by the Internet.Peter Krapp, lecturer in the Department of Cultural Studies and Comparative Literature at the University of Minnesota, coedited "Medium Cool," a special issue of the South Atlantic Quarterly on contemporary media theory. He has published in the fields of German studies, media studies, and literary theory and, since 1995, has acted as editor of the Hydra Web site for theories of literature and media.

Peter Krapp

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