Peter McNeil

Giorgio Riello

The first ever global history of luxury, from Roman villas to Russian oligarchs: a sparkling story of novelty, excess, extravagance, and indulgence through the centuries.

A Rich History

Luxury

"Fashion is a slippery subject, that's why we love her so. This work covers fascinating new territories and bridges the way for much future development with its inspired research, written by the best minds and eyes in the field today...surely to become a classic monument for fashion detectives." Ruben Toledo, Fashion Artist And Illustrator "At last a book that brings it all together, from Madame Gres' elegance to grunge in Japan." Martine Sitbon, Fashion Designer "Now, the key contributions from nearly every expert in the field are assembled in one fascinating book. This kaleidoscopic and informative volume ranges impressively across conventional boundaries of chronology. geography. and discipline." Glenn Adamson, Victoria And Albert Museum "Breaking down barriers, in this book you will discover how fashion has always been a global phenomenon." Margaretha Van Den Bosch, Head Of Design At H&M<BR> "This book is indispensable for anyone interested in fashion. History has never been more alive than in the pages of this Reader." Patrizia Calefato, University Of Bari, Italy History is uncomfortable with fashion and fashion frequently denies its own history. Why? This path-breaking analysis presents the views of over seventy leading academics of many cultures and spans the twelfth to the twentieth centuries. The Fashion History Reader is an innovative work that provides a broad introduction to the complex literature in the fields of fashion studies, and dress and fashion history. Twenty-three chapters and over forty shorter "snapshot" texts cover a wide range of topics and approaches within the history of fashion, ranging from object-based studies to theory-driven analyses. Themes also move in and across time, providing a chronology to enable student learning. A comprehensive introduction by the editors contextualises the debates for students, synthesising past history and bringing them up to date through a discussion of globalisation. Each section also includes a short, accessible introduction by the editors, placing each chapter within the wider, thematic treatment of fashion and its history. There are also highly detailed further reading sections which encourage students to enhance their learning independently.

Global Perspectives

The Fashion History Reader

Denise Amy Baxter

Mary Harlow

Alexandra Palmer

Susan J. Vincent

Elizabeth Currie

Sarah-Grace Heller

A cultural history of dress and fashion' presents an authoritative survey from ancient times to the present. This set of six volumes covers over 2,500 years of dress and fashion. Volume 1: Antiquity (500BCE-800AD), edited by Mary Harlow; Volume 2: The Medieval Age (800-1450), edited by Sarah-Grace Heller; Volume 3: The Renaissance (1450-1650), edited by Elizabeth Currie; Volume 4: The Age of Enlightenment (1650-1800), edited by Peter McNeil; Volume 5: The Age of Empire (1800-1920), edited by Denise Amy Baxter; Volume 6: The Modern Age (1920-2000+), edited by Alexandra Palmer. Each volume discusses the same key themes in its chapters: 1. Textiles 2. Production and Distribution 3. The Body 4. Belief 5. Gender and Sexuality 6. Status 7. Ethnicity 8. Visual Representations 9. Literary Representations. This structure means readers can either have a broad overview of a period by reading a volume or follow a theme through history by reading the relevant chapter in each volume. Superbly illustrated, the full six volume set combines to present the most authoritative and comprehensive survey available on dress and fashion through history.

A Cultural History of Dress and Fashion in the Renaissance

Elizabeth Currie (Fashion designer)

A Cultural History of Dress and Fashion in the Age of Empire

Catherine Cole

Vicki Karaminas

Fashion in Fiction examines the ways in which dress 'performs' in a wide range of contemporary and historical literary texts. Essays by North American, European and Australian scholars explore the function of clothing within fictional narratives, including those of film, television and advertising. The book provides a groundbreaking examination of the interconnected worlds of fashion and words, providing perspectives from socio-cultural, historical and theoretical readings of fashion and text-based communication. Covering a variety of genres and periods, Fashion in Fiction analyses fashion's role within a range of creative media, exploring the many ways that dress communicates, disrupts and modulates meaning across different cultures and contexts.

Text and Clothing in Literature, Film and Television

Fashion in Fiction

Sanda Miller

Fashion is all around us, and so too is fashion journalism. Discussions of fashion proliferate in an ever-increasing range of media, from newspapers and magazines to tweets and TV programs. Fashion Journalism: History, Theory and Practice is an accessible, comprehensive guide to writing about fashion in any form, whether in style blogging, magazine interviews, news reportage or art reviews. Exploring what sets fashion journalism apart from other forms of journalistic writing, the book features a wide range of global fashion case studies, from Carmel Snow's reporting on Dior's 'New Look' to 1970s responses to Yves Saint Laurent, and Diana Vreeland's role as a fashion editor. Through a series of engaging exercises, you will learn how to find inspiration, carry out successful research, structure your work logically, use a style appropriate to your readership, and to make the leap from descriptive writing to informed analysis and criticism. Engaging and clearly written, Fashion Journalism examines how recent technological developments are shaping and driving fashion journalism, and delves into the theory and practice of writing about fashion.

History, Theory, and Practice

Fashion Journalism

"The term "macaroni" was once as familiar a label as "punk" or "hipster" is today. In this handsomely illustrated book devoted to notable 18th-century British male fashion, award-winning author and fashion historian Peter McNeil brings together dress, biography, and historical events with the broader visual and material culture of the late 18th century. For thirty years, macaroni was a highly topical word, yielding a complex set of social, sexual, and cultural associations. Pretty Gentlemen is grounded in surviving dress, archival documents, and art spanning hierarchies and genres, from scurrilous caricature to respectful portrait painting. Celebrities hailed and mocked as macaroni include politician Charles James Fox, painter Richard Cosway, freed slave Julius "Soubise," and criminal parson Reverend Dodd. The style also rapidly spread to neighboring countries in cross-cultural exchange, while Horace Walpole, George III, and Queen Charlotte were active critics and observers of these foppish men."--Publisher's website.

Macaroni Men and the Eighteenth-century Fashion World

Pretty Gentlemen

A concise and comprehensive student guide to fashion writing and criticism, including a wide range of case studies from Antiquity to the present day.

History, Theory, Practice

Fashion Writing and Criticism

This reference brings together seminal writings on fashion. The geographical range of the essays crosses Europe, Asia and North America. The essays reveal the wide set of methodological approaches which all bear on the study of fashion - sociology, art history and cultural history, anthropology, social theory, dress and textile studies. Appendix of sources in volume 4.

Peter McNeil

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