John Clute

Peter Nicholls

Encompassing 4,360 entries that provide critical insight and biographical and bibliographical data, an updated edition of a popular science fiction reference features a carefully cross-referenced format. Original.

The Encyclopedia of Science Fiction

Explorations of the Marvellous

The first edition of The Encyclopedia of Science Fiction was published in 1979 and was immediately hailed as a classic work of reference. This edition, now available in paperback, has taken years to prepare and is much more than a simple updating. The world of science fiction in the 1990s is much more complex than it was in the 1970s. The advent of game worlds, shared worlds, graphic novels, film and TV spin-offs, technothrillers, SF horror and much more has meant that the book has been expanded dramatically to cope with the complexities and changes in the genre. It now contains well over 4,300 entries - a staggering 1,500 more than the original - and, at 1.3 million words, it is over half a million words longer than the first edition. Written and compiled by a team of editors with unparalleled collective experience in the field, it is an invaluable reference work for any fan of imaginative fiction.

The Science in Science Fiction

Sara Crangle

This essay collection reveals how bathos has become so central to literature, fine art, and music

Literature, Art, Music

On Bathos

Peter Nicholls provides original analytic accounts of the main Modernist movements. Close readings of key texts monitor the histories of Futurism, Expressionism, Cubism, Dadaism and Surrealism. This new edition includes discussion of the recent research trends, examination of developments in the US, and a new chapter on African-American Modernisms.

A Literary Guide, Second Edition

Modernisms

On September 11th, 2001, Peter Nicholls arrived at the pile that was the World Trade Center to assist with the rescue and recovery effort. He did not leave until two weeks later. Over the next decade he struggled to give voice to his experiences, connecting them to his childhood, his years of volunteer service in Namibia, and his work in New Orleans after Hurricane Katrina. The selected poems in this volume are the most direct expression of what transpired during his stay at Ground Zero.

Fables 9/11 Katrina

Introduces the reader to a wealth of literary experiment, beginning in the 19th century.

A Literary Guide

A Wonderful Change - the story of Robert Wrede including his Journal 1837-41

An Illustrated A to Z

La forma e le scritture. Una lettura critica del modernismo

An Illustrated Survey

Fantastic Cinema

David Langford

Brian M. Stableford

An illustrated survey of the actual science behind recent science fiction investigates the frontiers of contemporary scientific knowledge and the possibility, and probability, of starships, cyborgs, time travel, and other "science-fiction" phenomena

Jesper Vuust Møller

Peter Leth Jørgensen

Membrane Proteins contains the proceedings of the 11th Meeting of the Federation of European Biochemical Societies, held in Copenhagen, Denmark in 1977. The meeting provided a forum for discussing progress that has been made in understanding membrane proteins. Topics covered range from hydrogen and electron transfer in mitochondria to energy-transferring systems as well as ATPases and hormone receptors. Comprised of 31 chapters, this volume begins by reporting the results of a study that examined the state of association of several important membrane proteins. The discussion then turns to future prospects for membrane structures; hydrogen and electron transfer in mitochondria; and the molecular mechanism of the respiratory chain proton pump. Subsequent chapters explore energy coupling in reconstituted segments of the respiratory chain; retinal-protein interaction in bacteriorhodopsin; the functional significance of protein-protein interactions in the sarcoplasmic reticulum; and the role of calcium in the action of insulin. This book will be of interest to biochemists.

FEBS Federation of European Biochemical Societies: 11th Meeting, Copenhagen, 1977

Membrane Proteins

Laura Marcus

Professor of English Literature Laura Marcus

This new Cambridge History is the first major history of twentieth-century English literature to cover the full range of writing in England, Scotland, Wales and Ireland. The volume also explores the impact of writing from the former colonies on English literature of the period and analyses the ways in which conventional literary genres were shaped and inflected by the new cultural technologies of radio, cinema and television. In providing an authoritative narrative of literary and cultural production across the century, this History acknowledges the claims for innovation and modernisation that characterise the beginning of the period. At the same time, it attends analytically to the more profound patterns of continuity and development which avant-garde tendencies characteristically underplay.

The Cambridge History of Twentieth-Century English Literature

Peter Boxall

This collection brings together some of the most prominent critics of contemporary poetry and some of the most significant poets working in the English language today, to offer a critical assessment of the nature and function of poetic thought. Working at once with questions of form, literary theory and philosophy, this volume gives an extraordinarily diverse, original and mobile account of the kind of ‘thinking’ that poetry can do. The conviction that moves through the collection as a whole is that poetry is not an addition to thought, nor a vehicle to express a given idea, nor an ornamental language in which thinking might find itself couched. Rather, all the essays suggest that poetry itself thinks, in ways that other forms of expression cannot, thus making new intellectual, political and cultural formulations possible. This book was originally published as a special issue of Textual Practice.

Thinking Poetry

Benedikt Hjartarson

Sascha Bru

Tania Ørum

Hubert Berg

Laurence Nuijs

Regarding the Popular charts the complex relationship between the avant-gardes and modernisms on the one hand and popular culture on the other. Covering (neo-)avant-gardists and modernists from various European countries, this second volume in the series European Avant-Garde and Modernism Studies explores the nature of so-called “low” culture, dealing with aspects as diverse as the everyday and the folkloric. Regarding the Popular charts the many ways in which the allegedly “high” modernists and avant-gardists looked at and represented the “low”. As such, this book will appeal to all those with an interest in the dynamic of modern experimental arts and literatures.

Modernism, the Avant-Garde and High and Low Culture

Regarding the Popular

Alec Marsh

Alex Niven

Richard Parker

Mark Steven

Alexander Howard

Roxana Preda

Michael Kindellan

Alex Pestell

Mark Byron

James Dowthwaite

Archie Henderson

Sean Pryor

Miranda Hickman

Kristin Grogan

GLOSSATOR 10 (2018) Astern in the Dinghy: Commentaries on Ezra’s Pound’s Thrones de los Cantares 96-109 Edited by Alexander Howard You in the dinghy (piccioletta) astern there! (CIX/788) Mr. Pound Goes to Washington Alexander Howard (University of Sydney) Some Contexts for Canto XCVI Richard Parker (University of Surrey) Gold and/or Humaneness: Pound’s Vision of Civilization in Canto XCVII Roxana Preda (University of Edinburgh) Hilarious Commentary: Ezra Pound’s Canto XCVIII Peter Nicholls (New York University) “Tinkle, tinkle, two tongues”: Sound, Sign, Canto XCIX Michael Kindellan (University of Sheffield) “In the intellect possible”: Revisionism and Aesopian Language in Canto C Alex Pestell (Independent Scholar) Deep Rustication in Canto CI Mark Byron (University of Sydney) Shipwrecks and Mountaintops: Notes on Canto CII Mark Steven (University of Exeter) Revised Intentions: James Buchanan and the Antebellum White House in Canto CIII James Dowthwaite (University of Göttingen) Exploring Permanent Values: Canto CIV Archie Henderson (Independent Scholar) Canto CV: A Divagation? Alec Marsh (Muhlenberg College) So Slow: Canto CVI Sean Pryor (University of New South Wales) ‘The clearest mind ever in England’: Pound’s Late Paradisal in Canto CVII Miranda Hickman (McGill University) Three Ways of Looking at a Canto: Navigating Canto CVIII Kristin Grogan (Exeter College, University of Oxford) ‘To the king onely to put value’: Monarchy and Commons in Pound’s Canto CIX Alex Niven (University of Newcastle)

Glossator 10: Thrones

Astern in the Dinghy: Commentaries on Ezra’s Pound’s Thrones de los Cantares XCVI—CIX

Jan Baetens

The first volume of the new series “European Avant-Garde and Modernism Studies” focuses on the relation between the avant-garde, modernism and Europe. It combines interdisciplinary and intermedial research on experimental aesthetics and poetics. The essays, written by experts from more than fifteen countries, seek to bring out the complexity of the European avant-garde and modernism by relating it to Europe’s intricate history, multiculturalism and multilingualism. They aim to inquire into the divergent cultural views on Europe taking shape in avant-garde and modernist practices and to chart a composite image of the “other Europe(s)” that have emerged from the (contemporary) avant-garde and experimental modernism. How did the avant-garde and modernism in (and outside) Europe give shape to local, national and pan-European forms of identity and community? To what extent does the transnational exchange and cross-fertilisation of aesthetic tendencies illustrate the well-rehearsed claim that the avant-gardes form a typically European phenomenon? Dealing with canonised as well as lesser known exponents of modernism and the avant-garde throughout Europe, this book will appeal to all those interested in European cultural, literary and art history.

The Avant-Garde, Modernism and the Fate of a Continent

Europa! Europa?

This study of 20th-century American poet George Oppen promises to become a key resource for those interested not only in Oppen himself, but in the history of literary modernism. Drawing extensively on largely unpublished papers and presenting material that has not yet appeared in print, Peter Nicholls gives a detailed account of Oppen's life and work, enriched by close readings of many of his poems.

Peter Nicholls

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