Allon White

Peter Stallybrass

The Politics and Poetics of Transgression

Maureen Quilligan

Margreta de Grazia

Margreta DeGrazia

This collection of original essays brings together some of the most prominent figures in new historicist and cultural materialist approaches to the early modern period, and offers a new focus on the literature and culture of the Renaissance. Traditionally, Renaissance studies have concentrated on the human subject. The essays collected here bring objects - purses, clothes, tapestries, houses, maps, feathers, communion wafers, tools, pages, skulls - back into view. As a result, the much-vaunted early modern subject ceases to look autonomous and sovereign, but is instead caught up in a vast and uneven world of objects which he and she makes, owns, values, imagines, and represents. This book puts things back into relation with people; in the process, it elicits new critical readings, and new cultural configurations.

Subject and Object in Renaissance Culture

James N. Green

"Benjamin Franklin, Writer and Printer begins by focusing on Franklin's career as a printer, from his apprenticeship to his retirement in 1748, by which time he had created the largest printing business in colonial America. His success as a printer was based not only on the newspaper and the popular almanacs be published, but also on job printing of various kinds, ranging from folio volumes of laws to paper money and blank forms." "Much of what we know about Franklin as writer and printer comes from his autobiography, the focus of the last part of this book. Left unfinished at his death in 1790, the autobiography was known to the world for nearly eighty years only in translations, fragments, paraphrases, and, in English, from retranslations of a 1791 French translation."--BOOK JACKET.

Writer and Printer

Benjamin Franklin

David Scott Kastan

The essays in Staging the Renaissance show the theatre to be the site of a rich confluence of cultural forces, the place where social meanings are both formed and transformed. The volume unites some of the most challenging issues in contemporary Renaissance studies and some of our best-known critics, including Stephen Orgel, Margaret Ferguson, Catherine Belsey, Jonathan Goldberg, Marjorie Garber, Lisa Jardine, and Jonathan Dollimore-- demonstrating the variety and vitality not only of contemporary criticism, but of Renaissance drama itself.

Staging the Renaissance

Tamar Katriel

Houston A. Baker, Jr.

Robert Blair St. George

This volume explores the dynamics of cultural memory in a variety of contexts.

Cultural Memory and the Construction of Identity

Ann Rosalind Jones

This 2001 interpretation of literature and arts reveals how clothing and costume were critical to Renaissance culture.

Peter Stallybrass

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