Bruno Latour

Peter Weibel

Atmospheres of Democracy : [exhibition], ZKM, Center for Art and Media Karlsruhe, 20.03.-03-10.2005

Making Things Public

Documenting and describing the emerging “performative democracy,” the first new art form of the twenty-first century. Today political protest often takes the form of spontaneous, noninstitutional, mass action. Mass protests during the Arab Spring showed that established systems of power—in that case, the reciprocal support among Arab dictators and Western democracies—can be interrupted, at least for a short moment in history. These new activist movements often use online media to spread their message. Mass demonstrations from Tahrir Square in Cairo to Taksim Square in Istanbul show the power of networked communication to fuel “performative democracy”—at the center of which stands the global citizen. Art is emerging as a public space in which the individual can claim the promises of constitutional and state democracy. Activism may be the first new art form of the twenty-first century. global aCtIVISm (the capitalized letters form the Latin word civis, emphasizing the power of citizens) describes and documents politically inspired art—global art practices that draw attention to grievances and demand the transformation of existing conditions through actions, demonstrations, and performances in public space. Essays by leading thinkers—including Noam Chomsky, Antonio Negri, Peter Sloterdijk, and Slavoj Žižek—consider the emerging role of the citizen in the new performative democracy. The essays are followed by images of art objects, illustrations, documents, and other material (first shown in an exhibition at ZKM Center for Art and Media, Karlsruhe) as well as case studies by artists and activists. Essays by Can Altay, Sruti Bala and Veronika Zangl, Tatiana Bazzichelli, Olaf Bertram-Nothnagel, Angela Bonadies, Robin Celikates, Korhan Gümüs, Dietrich Heißenbüttel, Bruno Latour, Sarah Maske, Ugo Mattei, Graham Meikle, André Mesquita, Marcus Michaelsen, Walter D. Mignolo, MTL, Antonio Negri, Dimitris Papadopoulos, Vassilis Tsianos and Margarita Tsomou, Rita Raley, Arman and Arash T. Riahi, Martha Rosler, Peter Sloterdijk, Karl-Peter Sommermann, Guido Strack, Jackie Sumell, Zixue Tai, Tatiana Volkova, Christoph Wachter and Mathias Jud, Dan S. Wang and Sarah Augusta Lewison, Peter Weibel, Ahmad Zatari, Bo Zheng, Ragip Zik, Slavoj Žižek. Interviews with Ammar Abo Bakr and Ganzeer, Younes Belghazi and Hadeer Elmahdawy, Erdem Gündüz, Joulia Strauss

Art and Conflict in the 21st Century

Global Activism

Siegfried Zielinski

Daniel Irrgang

Freestyle thinking--that is Vilém Flusser's intellectual modus operandi: challenging and offensive, paradoxical and audacious. His thought knows no disciplines or subjects nor does it pay tribute to other academic frameworks or rituals. Above all else his thought wants to intervene in ongoing cultural and artistic processes and influence them. In order to achieve this, no closed theoretical systems are necessary--only open, operative structures. The Flusseriana is a toolbox capable of being developed and expanded. It contains more than two hundred "thinkthings" (Denkdinge) of all kinds: particularities like "Indian Summer," "Atlas," "Submissiveness," "Animal," and "Mediterranean Sea"; condensed Flusserian thought concerning the big eternal questions such as "History," "Language," "Myth," and "Religion"; the central concepts of his media analysis including "Apparatus," "Abstraction," "Cybernetics," and "Telematics"; as well as Flusser's own neologisms, "Communicology," "Universe of Dots," and the old and the new "Imaginations." More than one hundred authors produced the entries under these entries in a dialogic practice entirely in the spirit of the philosophical writer from Prague.

Bodenlos - Vilém Flusser und Die Künste

Bruno LaTour

Artists and writers portray the disorientation of a world facing climate change. This monumental volume, drawn from a 2020 exhibition at the ZKM Center for Art and Media, portrays the disorientation of life in world facing climate change. It traces this disorientation to the disconnection between two different definitions of the land on which modernizing humans live: the sovereign nation from which they derive their rights, and another one, hidden, from which they gain their wealth--the land they live on, and the land they live from. Charting the land they will inhabit, they find not a globe, not the iconic "blue marble," but a series of critical zones--patchy, heterogenous, discontinuous. With short pieces, longer essays, and more than 500 illustrations, the contributors explore the new landscape on which it may be possible for humans to land--what it means to be "on Earth," whether the critical zone, the Gaia, or the terrestrial. They consider geopolitical conflicts and tools redesigned for the new "geopolitics of life forms." The "thought exhibition" described in this book can opens a fictional space to explore the new climate regime; the rest of the story is unknown. Contributors include Dipesh Chakrabarty, Pierre Charbonnier, Emanuele Coccia, Vinciane Despret, Jerôme Gaillarde, Donna Haraway, Joseph Leo Koerner, Timothy Lenton, Richard Powers, Simon Schaffer, Isabelle Stengers, Bronislaw Szerszynski, Jan A. Zalasiewicz, Siegfried Zielinski Copublished with ZKM - Center for Art and Media Karlsruhe

Observatories for Earthly Politics

Critical Zones

Civic Radar

Lynn Hershman Leeson

Hans Belting

Andrea Buddensieg

A full-color book looks at the globalization of visual arts in recent years, including developments ranging from exhibition histories and the rise of new art spaces to art's branding in such emerging markets as Asia, the Middle East and the Gulf States. Original.

The Global Contemporary and the Rise of New Art Worlds

Darko Fritz

Margit Rosen

Marija Gattin

"This is a source book chronologically documenting the exhibitions, symposia, and publications of the New Tendencies from 1961 to 1978. It features letters, minutes of meetings, essays that appeared in catalogs and the magazine Bit international, transcriptions of audio recordings, photographs of exhibitions, conferences, and works, a timeline, statistics that show which artists participated when in the New Tendencies exhibitions, a bibliography, and biographical notes"--P. 12.

New Tendencies and Bit International, 1961-1973

A Little Known Story about a Movement, a Magazine and the Computer's Arrival in Art

Peter Weibel - On justifying the hypothetical nature of art and the non-identicality within the object world

Thomas Y. Levin

Ursula Frohne

The unknown history of surveillance in relation to changing systems of representation and visual arts practice.

Rhetorics of Surveillance from Bentham to Big Brother

Ctrl [space]

"This collection itself presents a significant public assembly, joining such prominent thinkers as Richard Rorty, Simon Schaffer, Peter Galison, and Peter Sloterdijk with the likes of Shakespeare, Swift, La Fontaine, and Melville. Ranging from the distant past to the troubled present, this collective effort examines the atmospheric conditions in which things are made public, and reinvests political representation with the materiality it has been lacking. This book, and the ZKM show that it accompanies, aims to trigger new political passions and interests in a time when people need, more than ever, new ways to have their voices heard."--BOOK JACKET.

Atmospheres of Democracy

Götz Adriani

100 Jahre Kunst der Moderne aus privaten Sammlungen in Baden-Württemberg, 10 Jahre Museum für Neue Kunst im ZKM

Just what is it--

Presents English definitions of over four thousand Spanish language idioms and colloquialisms, grouped according to Spanish key word, and includes example sentences, matching English expressions, and a Spanish-English index.

4,000 Idiomatic Expressions

The Big Red Book of Spanish Idioms

Prosastücke

Schmerzlose Sprache

A bold new spatial perspective on modern sculpture, with 800 color images of work by artists including Henry Moore, Lygia Clark, Anish Kapoor, and Ana Mendieta. This monumental, richly illustrated volume from ZKM | Karlsruhe approaches modern sculpture from a spatial perspective, interpreting it though contour, emptiness, and levitation rather than the conventional categories of unbroken volume, mass, and gravity. It examines works by dozens of twentieth- and twenty-first-century artists, including Hans Arp, Marcel Duchamp, Henry Moore, Barbara Hepworth, Lygia Clark, Anish Kapoor, Olafur Eliasson, Ana Mendieta, Fujiko Nakaya, Tomás Saraceno, and Alicja Kwade. The large-scale book contains over 800 color images. Negative Space comes out of an epic exhibition at ZKM, and volume editor Peter Weibel (Chairman and CEO of ZKM) takes a curatorial approach to the topic. The last exhibition to deal comprehensively with the question “What is modern sculpture?” was at the Centre Georges Pompidou in 1986. Weibel and ZKM pick up where the Pompidou left off, examining sculptures not as figurative, solid, and self-contained monoliths but in terms of open and hollow spaces; reflection, light, shadow; innovative materials; data; and the moving image. Weibel puts advances in science, architecture, and mathematics in the context of avant-garde sensibilities to show how modern sculpture significantly deviates from the work of the past. Texts in the volume include an introduction and twelve chapters written by Weibel with contributions by cocurators as well as facsimiles and reproductions of artist-authored manifestos.

Trajectories of Sculpture in the 20th and 21st Centuries

Negative Space

Georg Flachbart

The creation of new environments through the use of developments in Information Technology is significantly altering not only architecture itself but also the roles and tasks of the architects. Architecture can no longer be described in the terms we are familiar with since it no longer corresponds to the form of architecture as we know it: an inclusive and exclusive structure, clearly defined, with a single interior and a single exterior. For architects, the challenge of the future will increasingly lie in creatively coming to terms with hybrid environments, understanding and exploiting the design potential of digital spaces within the physical world, and redefining the role of architecture within a visually dominated culture. This volume presents a valuable and attractive contribution to the contemporary discussion on this subject

From Real to Virtual to Quantum

Disappearing Architecture

Timothy Druckrey

Craig T Palmer

An investigation of the consequences of a society becoming inhabitants of information space explains how it is radically altering the public sphere, the private sphere, and the possibilities of creativity in the networked sphere. Original.

Art and Global Media

Net Condition

An examination of the role of images in cultural conflicts and of alternatives to Western ways of thinking about image creation and image destruction.

Beyond the Image Wars in Science, Religion, and Art

Iconoclash

Karl Gerbel

Alle künstlerischen Projekte, präsentiert auf der Ars Electronica 1995, sind in diesem Buch zusammengestellt - neben Essays zum Thema "Mythos Information" und Informationen über elektronische Netzwerkprojekte.

Ars Electronica 95

Mythos Information. Welcome to the Wired World

Jürgen Klauke

Toni Stooss

Museum für Neue Kunst (Karlsruhe, Germany)

Salzburger Landessammlungen Rupertinum

Edited by Peter Weibel. Text by Regis Durand, Ursula Frohne, Andreas Beitin.

Aesthetische Paranoia

Erstmals werden die bedeutenden deutschen Aktionskünstler der Nachkriegsmoderne Joseph Beuys (1921-1986), Bazon Brock (*1936) und Wolf Vostell (1932-1998), die in den 1960er-Jahren zusammen auftraten, in einer Publikation präsentiert. Neben inhaltlichen Parallelen ihrer Arbeiten, etwa der Auseinandersetzung mit dem Holocaust, zeigen sich Berührungspunkte im Vorgehen der befreundeten Künstler. Alle drei waren an der Erfindung der Lehre als Aufführungskunst beteiligt und rückten das Vermitteln, die Diskussion und die Demonstration ins Zentrum ihrer Arbeit. Die radikale Emanzipation des Individuums sowie die Reform der Gesellschaft bildeten ihr gemeinsames Ziel. Das Schaffen der Künstler wurde nicht nur wegweisend für die Entwicklung des erweiterten Werkbegriffs, sondern leistet einen fundamentalen Beitrag zur performativen Wende und für die partizipatorischen Konzepte in der Kunst des 21. Jahrhunderts.Exhibition: ZKM / Museum für Neue Kunst, Karlsruhe, Germany (24.5.-9.11.2014).

Gary McMahon

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