Philip Ford

A Literary and Iconographical Study

Ronsard's Hymnes

Ingrid A. R. De Smet

Ingrid De Smet

Les humanistes et les poètes de la Renaissance s'approprient le discours érotique de l'Antiquité pour le transformer en une érotologie littéraire et artistique. Issus d'un colloque (Cambridge 1995), ces essais cherchent à relancer le débat sur le traitement de l'érotisme, de ses images et de ses lieux communs, de l'admiration quasi platonicienne à l'obscénité.

Eros et Priapus

Neil Kenny

These papers identify four main themes: the impact of individual authors or groups of authors and books on Montaigne; his annotations and commentaries on his reading; textual variations in the different editions of the Essais; and the material conditions of the library.

Proceedings of the Tenth Cambridge French Renaissance Colloquium 2-4 September 2008

La Librairie de Montaigne

Elwira Buszewicz

Roger P. H. Green

Educated in Scotland and France, George Buchanan became one of the most influential writers of 16th century Europe. Writing in the lingua franca of his time - Classical Latin - he was to be hailed internationally as 'easily the prince of poets'. Here fifteen scholars, from many countries, analyse his writings, his creative use of ancient texts for contemporary purposes, and his impact on the culture of Scotland and of Europe - not least in the spheres of tragedy and music.

Poet and Dramatist

George Buchanan

In Virgil's third Eclogue, Palaemon concludes the poetry competition between Menalcas and Damoetas by saying that he cannot choose between them, a judgment that is emblematic of the contest between Neo-Latin and vernacular poetry in Renaissance France. Both forms of poetry draw on similar roots, both are equally accomplished, and the contest between them is largely amicable. The Judgment of Palaement illustrates the almost symbiotic relationship between Renaissance Latin and French poetry, while exploring poets' motivation for choosing one language over another, the different challenges each form of writing involved, and the extent of the collaboration between different language communities. It focuses on some of the major writers of the period, as well as less known ones, and on genres specific to humanist poetry. It shows that composing in Latin was often considered more natural than writing in the vernacular, at a time when many Frenchmen's mother tongue was a non-standard French dialect or distinct language. Book jacket.

Philip Ford

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