Philip Hayward

New Technologies of the Screen

Future Visions

Exoticism in Post-War Popular Music (Distributed for John Libbey & Co., Ltd)

Widening the Horizon

Explores the content and method of presentation of the pop music business as one of the media and the effect these have on our lives.

The Pop Music Business

Terror Tracks is an anthology that analyses the use of music and sound in the popular genre of Horror cinema. Focusing on the post-War period, contributors analyse the role of music and sound in establishing and enhancing the senses of unease, suspense and shock crucial to the genre.

Music, Sound and Horror Cinema

Terror Tracks

"Addressing how technology and creativity interrelate in the arts and culture of the late 20th century, this anthology combines a general introduction with a set of case studies from a range of international critics. The studies illuminate a rapidly developing area of culture that has often been characterized by sweeping generalizations but seldom analyzed in detail."

Culture, Technology & Creativity in the Late Twentieth Century

Tide lines provides a multi-faceted study of the music culture of Queensland's Whitsunday Islands (and adjacent coast) from the period of initial European contact throught to the present. -- book cover.

Music, Tourism & Cultural Transition in the Whitsunday Islands (and Adjacent Coast)

Tide Lines

“This wonderful book asks us to consider the mermaid . . . across regions, nations, diasporas, and contemporary socio-cultural configurations.” —Paige West, Claire Tow Professor of Anthropology, Barnard College, Columbia University Emerging from the confluence of Greco-Roman mythology and regional folklore, the mermaid has been an enduring motif in Western culture since the medieval period. It has also been disseminated more widely, initially through Western trade and colonization and, more recently, through the increasing globalization of media products and outlets. Scaled for Success offers the first detailed overview of the mermaid’s dispersal outside Europe. Complementing previous studies of the interrelationship between the mermaid and Mami Wata spirit in West Africa, this volume addresses the mermaid’s presence in a range of Middle Eastern, Asian, Australian, Latin American and North American contexts. Individual chapters identify the manner in which the mermaid has been variously syncretized and/or resignified in contexts as diverse as Indian public statuary, Thai cinema and Coney Islands annual Mermaid Parade. Rather than lingering as a relic of a bygone age, the mermaid emerges as a versatile, dynamic and, above all, polyvalent figure. Her prominence exemplifies the manner in which contemporary media-lore has extended the currency of established folkloric figures in new and often surprising ways. Analyzing aspects of religious symbolism, visual art, literature and contemporary popular culture, this copiously illustrated volume profiles an intriguing and highly diverse phenomenon. “No matter the reader’s background (literature, folklore, media or cultural studies, and beyond), there is no denying that this work will be a valuable addition to the library of anyone fascinated with mermaids.” —Western Folklore

The Internationalisation of the Mermaid

Scaled for Success

Dan Bendrups

Waldo Garrido

The islands of Chiloé, in southern Chile, are rich in folklore and possess a vibrant local music culture but recent developments, such as the introduction of salmon aquaculture, have disrupted traditional lifestyles. This study analyses the impact of modernity in the region and describes a number of creative engagements with it.

Folklore, Syncretism, and Cultural Development in a Chilean Aquapelago

Música de Chiloé

David Cashman

Cruisicology analyzes the music culture of the cruise ship industry and considers the working life of musicians employed aboard cruise ships. It gives an overview of an industry where artists make music in close proximity to their audiences, surveys present practices, and discusses the likely future of music on passenger shipping.--John Whiteoak, Monash University

The Music Culture of Cruise Ships

Cruisicology

Mermaids have been a feature of western cinema since its inception and the number of films, television series, and videos representing them has expanded exponentially since the 1980s. Making a Splash analyses texts produced within a variety of audiovisual genres. Following an overview of mermaids in western culture that draws on a range of disciplines including media studies, psychoanalysis, and post- structuralism, individual chapters provide case studies of particular engagements with the folkloric figure. From Hans Christian Andersen's "The Little Mermaid" to the creation of Ursula, Ariel's tentacled antagonist in Disney's 1989 film, to aspects of mermaid vocality, physicality, agency, and sexuality in films and even representations of mermen, this work provides a definitive overview of the significance of these ancient mythical figures in 110 years of western audio-visual media.

Mermaids (and Mer-Men) in 20th and 21st Century Audiovisual Media

Making a Splash

Liz Giuffre

The study of television and music has expanded greatly in recent years, yet to date no book has focused on the genre of comedy television as it relates to music. Music in Comedy Television: Notes on Laughs fills that gap, breaking new critical ground. With contributions from an array of established and emerging scholars representing a range of disciplines, the twelve essays included cover a wide variety of topics and television shows, spanning nearly fifty years across network, cable, and online structures and capturing the latest research in this growing area of study. From Sesame Street to Saturday Night Live, from Monty Python to Flight of the Conchords, this book offers the perfect introduction for students and scholars in music and media studies seeking to understand the role of music in comedy onscreen and how it relates to the wider culture.

Notes on Laughs

Music in Comedy Television

Emerging from the confluence of Greco-Roman mythology and regional folklore, the mermaid has been an enduring motif in Western culture since the medieval period. It has also been disseminated more widely, initially through Western trade and colonisation and, more recently, through the increasing globalisation of media products and outlets. Scaled for Success offers the first detailed overview of the mermaids dispersal outside Europe. Complementing previous studies of the interrelationship between the mermaid and Mami Wata spirit in West Africa, this volume addresses the mermaids presence in a range of Middle Eastern, Asian, Australian, Latin American and North American contexts. Individual chapters identify the manner in which the mermaid has been variously syncretised and/or resignified in contexts as diverse as Indian public statuary, Thai cinema and Coney Islands annual Mermaid Parade. Rather than lingering as a relic of a bygone age, the mermaid emerges as a versatile, dynamic and, above all, polyvalent figure. Her prominence exemplifies the manner in which contemporary media-lore has extended the currency of established folkloric figures in new and often surprising ways. Analysing aspects of religious symbolism, visual art, literature and contemporary popular culture, this copiously illustrated volume profiles an intriguing and highly diverse phenomenon. Philip Hayward is editor of the journal Shima and holds adjunct professor positions at the University of Technology Sydney and at Southern Cross University. His previous volume, Making a Splash: Mermaids (and Mermen) in 20th and 21st Century Audiovisual Media, was published by John Libbey Publishing/Indiana University Press in 2017.

Philip Hayward

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