Philip Jones

Designed specifically for students, and responding to current market feedback, Routledge Student Statutes offer a comprehensive collection of statutory provisions un-annotated and therefore ideal for LLB and GDL course and exam use. In addition, an accompanying website offers extensive guidance on how to use and interpret statutes, providing valuable tutorial and exam preparation.

Public Law and Human Rights Statutes 2011-2012

The American Source of Delius' Style

Ochre and Rust offers a fresh perspective on frontier relations between Australian Aboriginal people and European colonists. Nine museum artefacts take the reader into a fascinating zone of encounter and mutual curiosity between collectors and those indigenous people who piqued or responded to their interest. While colonialism is the broad frame, details gleaned from archives, images and the objects themselves reveal a new picture of interaction between individual Aboriginal people and European collectors. Philip Jones explores and makes sense of particular historical moments in colonial history, when Aboriginal people perceived and expected other, more elusive outcomes. Ochre and Rust, an elegantly written challenge to received wisdom about the colonial frontier, has won Australia's inaugural Prime Minister's Award for Literary Non-Fiction.

Artefacts and Encounters on Australian Frontiers

Ochre and Rust

Jane A. Hill

Antonio J. Morales

For almost three thousand years, Egypt and Mesopotamia were each ruled by the single sacred office of kingship. Though geographically near, these ancient civilizations were culturally distinct, and scholars have historically contrasted their respective conceptualizations of the ultimate authority, imagining Egyptian kings as invested with cosmic power and Mesopotamian kings as primarily political leaders. In fact, both kingdoms depended on religious ideals and political resources to legitimate and exercise their authority. Cross-cultural comparison reveals the sophisticated and varied strategies that ancient kings used to unify and govern their growing kingdoms. Experiencing Power, Generating Authority draws on rich material records left behind by both kingdoms, from royal monuments and icons to the written deeds and commissions of kings. Thirteen essays provocatively juxtapose the relationships Egyptian and Mesopotamian kings had with their gods and religious mediators, as well as their subjects and court officials. They also explore the ideological significance of landscape in each kingdom, since the natural and built environment influenced the economy, security, and cosmology of these lands. The interplay of religion, politics, and territory is dramatized by the everyday details of economy, trade, and governance, as well as the social crises of war or the death of a king. Reexamining established notions of cosmic and political rule, Experiencing Power, Generating Authority challenges and deepens scholarly approaches to rulership in the ancient world. Contributors: Mehmet-Ali Ataç, Miroslav Bárta, Dominique Charpin, D. Bruce Dickson, Eckart Frahm, Alan B. Lloyd, Juan Carlos Moreno Garcia, Ludwig D. Morenz, Ellen Morris, Beate Pongratz-Leisten, Michael Roaf, Walther Sallaberger, JoAnn Scurlock. PMIRC, volume 6

Cosmos, Politics, and the Ideology of Kingship in Ancient Egypt and Mesopotamia

Experiencing Power, Generating Authority

Onofrio Maragó

Giovanni Volpe

A comprehensive guide to the theory, practice and applications of optical tweezers, combining state-of-the-art research with a strong pedagogic approach.

Principles and Applications

Optical Tweezers

Max Chop

Chop's main claim to fame is his 1904 study of Delius, the first on the composer to be published; it laid the foundations for future Delius biographers. Chop also produced several scholarly articles on Delius in 1907, and played a crucial role in ensuring his opera A Village Romeo and Juliet reached the stage of Berlin's Komische Oper that year. This volume brings together Chop's collected criticism of Delius in translation for the first time, and includes the original texts, a commentary and note on the author plus several previously unpublished letters. In his day he was widely respected as a musicologist, music journalist and newspaper editor. He published a number of compositions.

The Collected Writings of the German Musicologist Max Chop on the Composer Frederick Delius

Italy in the Middle Ages was unique among the countries of Europe in recreating, in a changed environment, the urban civilization of antiquity - the society, culture, and political formations of city-states. This book examines the origins and nature of this phenomenon from the fall of Rome to the eve of its consummation, the Italian Renaissance. The explanation is sought in Italy's singular `double existence' between two contrasted worlds - ancient and medieval. The ancient was characterised by the total predominance of the landed aristocracy in economy and society, enforced through a peculiar system of city states embracing town and country. The new medieval influences were marked by the separation of town, country and aristocracy, by the identification of towns with trade and a mercantile bourgeoisie, and by commercial and proto-industrial revolution. Italy shared in both worlds. It remained a land of cities and of an urbanized ruling class (except in the Norman South) and re-established territorial city states; but the staes were very different from those of antiquity, the city leaders in the commercial revolution, and Italy itself seen as a nation of shopkeepers, birthplace of capitalism. In this fascinating and ground-breaking study, Philip Jones traces in detail the tension and interaction between the two traditions, civic and patrician, mercantile and bourgeois, through all phases of Italian life to their culmination in two rival regimes of communes and despots.

From Commune to Signoria

The Italian City-State

If you have ever donated money to international aid and wondered what it takes to deliver the aid on the ground then this is the book for you. The dangers and high risk that sometimes accompany the humanitarian aid workers in conflict and disaster zones. Follow one man’s journey through some of the most dangerous landscapes helping aid organisations to remain safe while delivering vital aid in war, post conflict and disaster zones throughout his 15-year journey. The dangers to aid workers has never before been so acute; the rise of violent extremist groups has shown a direct and targeted threat to those who work in International Aid Delivery. Executions, Kidnap and torture are all real threats, the risk of being targeted and taken are real, yet the aid workers still volunteer to travel to far-flung locations to deliver life-saving aid to communities and to people they have never met and know very little about. Follow the emotions of one man, understand his mistakes and his personal humanity, read the terrifying detail of several close calls on his personal safety and the lengths he went through to ensure aid was delivered. Hear the relived accounts of emergency evacuations, often under fire and the heartbreak of losing one of your own with the dangers involved when recovering the bodies of co-workers. All based on true events. Forget the stories of those who stereo-type aid workers as tree-huggers and do-gooders, while the work they do is for good, they are people who put themselves in harm's way to help others, they face risks that can end their lives, all with the motivation to help those in dire need of support and to deliver life-saving aid, often delivering the aid bought with your donation.

A Tale of Hardship and Danger Experienced Through One Man's Journey

The Humanitarian Journeyman

Readers are transported to the historical town of Shrewsbury. The Lion Hotel provides the setting for a story in which a detective's daughter is wrongly accused of a crime. One might have expected her father, Inspector Horace no less, to have easily been able to prove her innocence, but things never quite work out that way when you are a teenager. Fortunately, Florence is quite capable of remaining one step ahead of her father and the hotel staff. Florence's predicament begins, in her mind, when she exclaims, 'Father, I think we're stuck. We're not supposed to be in the same section of the revolving door, ' and ends with her reflecting upon a set of circumstances. During their time at the hotel, the family encounter all sorts of strange behaviour, including that shown by a waiter obsessed with Charles Dickens, who makes himself a suspect too. Philip Jones's refreshingly different writing style combines history with witty and engaging dialogue to bring the characters to life and allow the reader to imagine the whole situation unravelling in front of them.

The Lion Hotel

Anna Kenny

Between 1870 and 1920 as many as 2000 cameleers and 20,000 camels arrived in Australia from Afghanistan and northern India. Australia's Muslim Cameleers is a rich pictorial history of these men, their way of life and the vital role they played in pioneering transport and communication routes across outback Australia's vast expanses. Many of the images and artefacts in this fascinating account are published here for the first time, and this new edition contains additions to the biographical listing of more than 1200 cameleers.

Pioneers of the Inland, 1860s-1930s

Australia's Muslim Cameleers

"Dark Odyssey" Photographs and commentary by Philip Jones Griffiths Biographical profile by Murray Sayle Philip Jones Griffiths, one of this century's master photographers, is unparalleled at creating relentlessly perceptive images that encompass the beauty, the atrocities, the ceremonies, the moments of brutality and compassion that coalesce as history. Griffith's eagerly anticipated retrospective "Dark Odyssey" traces his forty-year journey through this chaotic world, from the wide horizon of his native Wales to the ravaged villages of war-torn Vietnam, in more than one hundred astounding black-and-white photographs. In each of his pictures, Griffiths creates a complex diagram of meaning and emotion. The collision of culture and ideology is often the basis of the work--sometimes in a simple pairing of figures, sometimes in a dizzying throng of life: the arresting, straightforward gazes of a Vietnamese child and her war-disfigured mother; the dazed face of a woman lost among the multitude of graves at a cemetery in Hiroshima; the wicked glee of a boy about to hurl a boulder into a grand piano, outside under an ominously dark sky. Griffiths's photogarphs tackle love, death, frivolity, politics, violence . . . they comment--ironically and profoundly--on virtually every aspect of human life, offering a gripping and unforgettable view of both the devastations and the beauties of our era. With an in-depth critical profile by renowned "New Yorker" writer Murry Sayle--who has known Griffiths for more than thirty years--"Dark Odyssey" also includes poignant narrative notes by the photographer himself. "I have traveled to over one hundred and forty countries trying to makesense of it all," Griffiths writes. "I have discovered that almost every belief we hold collapses under scrutiny--the 'truth' is often simply a tool that serves someone else's purpose." This skepticism and this sense of awe are palpable in every one of Griffiths's masterful photographs. Born in Rhuddlan, Wales, in 1936, Philip Jones Griffiths began his career as a pharmacist, but turned to photography in the early 1960s. As a free-lance photojournalist, he covered the wars in Algeria and Vietnam (his book "Vietnam Inc." was published in 1971), and in the 1970s worked in Cambodia and Thailand. Griffiths moved to New York City in 1980 to assume the post of president at the Magnum Photo agency--a position he held for a record five years. His photographs have appeared in every major magazine in the world, including "Life," "Time," "Newsweek," and "Geo." Griffiths has also made several documentary films, on subjects ranging from the Ho Chi Minh Trail to the descendants of the HMS Bounty living on Pitcairn Island. "A Welsh Eye," a film about the photographer, was shown in Britain in 1991. Murray Sayle has written for "Encounter," "Harper's," "Life," "The New Republic," "The New Statesman," "The Spectator," "The New Yorker," "The New York Times Review of Books," "The New York Review of Books," and many other publications.

Dark Odyssey

Experiencing Power, Generating Authority offers a cross-cultural comparison of the cosmic ideology and political structure of kingship in ancient Egypt and Mesopotamia.

* 74 paddle routes in Oregon * Trips range from easy for novices with an open canoe or sea kayak to more difficult on streams or open water where paddling skills are required * Information on canoes, kayaks, paddles, safety equipment, and more Phillip Jones has been exploring the Northwest by canoe and kayak for more than 20 years, and presents his favorite outings in this guidebook to paddling the flat-water rivers and lakes of northwest Oregon and southwest Washington. Most of these trips can be done in a day, although some can be combined for longer journeys. For each trip, you'll find complete information on where to launch, trip rating, distance, best time to go, points of interest, hazards, portages, and more. You'll find outings on the Willamette River and its tributaries, Oregon coastal rivers, the Columbia Gorge and the lower Columbia River, the Oregon Cascades, and southwest Washington. There are also tips on canoe and kayak paddling techniques, safety techniques, what to do if you capsize, transporting boats, and shuttling cars.

Including Southwest Washington

Canoe and Kayak Routes of Northwest Oregon and Southwest Washington

Describes the traditional making and uses of the boomerang. Provides information about topics such as boomerangs in fighting, fishing, rituals and trade, decorating boomerangs, and the differences in appearance and usage across Australia. Includes a bibliography. The author has published widely on Aboriginal history and art.

Philip Jones

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