Philippe Garner

Examines the glasswork, furniture, and decorative pieces of the fin-de-siecle French artisan who combined dedication to the traditions of the European craftsmen with the elegant designs and styles of Art Nouveau

Emile Gallé

Matthias Harder

Spanning over 50 years, Helmut Newton's (1920-2004) photographic oeuvre is unique and unparalleled in scope, reaching millions through magazines such as Vogue and Elle. Helmut Newton. Legacy shows highlights and rediscovered images, celebrating his lasting influence on visual art to this day.

Helmut Newton, Legacy

Spanning more than five decades, the work of Helmut Newton (1920-2004) defies categorization. His photographic oeuvre is not only unique, but virtually unparalleled in scope, reaching millions through magazines like Vogue and Elle. Helmut Newton. Legacy showcases highlights and rediscovered images from one of the most published bodies of work...

Helmut Newton. Legacy

This book reproduces a selection ofphotographs of Brighton and Hove that portray the changing face and character of this colorful seaside town and its residents over nearly a century and a half. The book includes historic daguerreotypes from the 1840s by William Constables and a remarkable series of paper negatives and albumen prints by Edward Fox from the 1850s and 1860s. The book underlines the attraction of Brighton and Hove to visiting photographers--the architecture, people and activity that provided endless inspiration. The majority of the 145 photographs are previously unpublished and provide a vivid evocation of the varied artistic aspirations and vernacular applications of the photographic medium. The book includes images by internationally renowned masters such as William Henry Fox Talbot, Bill Brandt, Walker Evans and Henri Cartier-Bresson, as well as introducing fine work by hitherto unrecognised masters such as William Constable, William Mason Junior, Edward Fox and George Ruff Junior.

Photographs and Memory

A Seaside Album

Deyan Sudjic

Stephen Bayley

Traces the development of modern design and examines architecture, furniture, clothing, and home furnishings from each decade

Twentieth-century Style & Design

Cecil Beaton

Photographs 1920-1970

David Mellor

Cecil Beaton (1904-1980) was a tirelessly busy man whose career included theater and film design, writing, arbitrating taste to London's High Bohemia, and gardening in his country estate. However, it was as a photographer that Beaton achieved immortality. This opulently produced monograph is the first comprehensive presentation of his work. 265 duotone & color photos.

Adam Kirsch

Jeff L. Rosenheim

Maria Morris Hambourg

Alexandra Dennett

Harald E.L. Prins

Vasilios Zatse

Irving Penn (1917-2009) was among the most esteemed and influential photographers of the twentieth century. Over the course of a nearly seventy-year career, he mastered a pared-down aesthetic of studio photography that is distinguished for its meticulous attention to composition, nuance, and detail. This indispensable book features one of the largest selections of Penn's photographers ever compiled–nearly 300 in all–including famous and beloved images as well as works that have never been published. Celebrating the centennial of Penn's birth, this lavish volume spans the entirety of his groundbreaking career. An enlightening introduction situates his work in the context of the various artistic, social, and political environments and events that affected the content of his photographs. Lively essays acquaint readers with Penn's primary subjects and campaigns, including early documentary scenes and imagery; portraits of cultural figures and celebrities; fashion; female nudes; peoples of Peru, Dahomey (Benin), New Guinea, and Morocco; and still lifes. Rounding out the book are discussions of Penn's advertising pictures and his painstaking printing processes, as well as an illustrated chronology. Irving Penn: Centennialis essential for any fan of this artist's work or of the history of twentieth-century photography.

Centennial

Irving Penn

Paola Antonelli

San Francisco Museum of Modern Art

Michael Boyd

One hundred chairs, couches, other seating furniture, and objects from what is perhaps the most important and comprehensive collection of modernist furniture in priate hands have been newly photographed in color for this lavish book. Accompanying an exhibition at the San Francisco Museum of Modern Art, this bok spans the 20th century as it showcases the work of modern masters ranging from Peter Behrens, Otto wagner, and Gerrit Rietveld, throug LeCorbusier and Frank Lloyd Wright, to Wendell Castle, Donald Judd, and Marco Zanuso. Sitting on the Edge will delight and inform design professionals as well as anyone with a passion for style.

Modernist Design from the Collection of Michael & Gabrielle Boyd

Sitting on the Edge

Claire Wilcox

Robin Muir

A lifetime of style / Anna Wintour -- Introduction / Susanna Brown -- I. Paris style: 1930s Paris - fashion, art, elegance and imagination / Philippe Garner. Electric beauty / Susanna Brown -- II. Couture fashion in the 1930s: The aura of glamour : couture fashion / Claire Wilcox. Mainbocher corset / Susanna Brown -- III. Stage and screen: From limelight to starlight : portraits of stage and screen stars / Terence Pepper. Marlene Dietrich / Susanna Brown -- IV. Horst and Britain: An English interlude / Robin Muir. Royal still lifes / Susanna Brown -- V. Fashion in colour: Horst's world in colour / Shawn Waldron -- Vogue covers -- VI. Nature: Patterns from nature / Martin Barnes. Kodak negative album / Susanna Brown -- VII. Travel: Middle-Eastern diaries / Horst P. Horst and Valentine Lawford. Persepolis Bull / Susanna Brown -- VIII. The male nude: Hard bodies : male nudes / Oliver Winchester. The classical torso / Susanna Brown -- IX. Living in style: Conversation pieces : interiors of Horst and Lawford / Glenn Adamson. The house that Horst grew / Susanna Brown -- X. Carmen : an interview / Susanna Brown.

Photographer of Style

Horst

Michelangelo Antonionis 1966 film Blow-Up is a masterfully constructed and paced exploration of the enigmas that challenge our interpretations of both the moving and the still image. Photography plays a key role at the very core of the film, providing the metaphorical site for the directors questioning of the relationship between reality and perceptions. This book provides a fresh and stimulating study of Antonionis masterpiece. It reassembles and re-tells through onset stills and the original blow-ups the films key narrative and pictorial strands in a focused visual investigation that is complemented by the authors analytical essays. These texts draw on new research and effectively situate the film in the social and creative contexts that informed Antonionis screenplay and art direction on the one hand through an account of the milieu of fashionable photographers and models and the media through which they became so vivid a phenomenon, and on the other hand through the revelation of the artistic and literary reference points that so pervasively enrich the film. Philippe Garner is a Director of Christies, an internationally respected specialist in the fields of photography and 20th century decorative art and design. David Alan Mellor is Professor of Art History at the University of Sussex and is acknowledged as an authority on British art, film and photography of the last century. Both have published widely and curated a range of international exhibitions.

Philippe Garner

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