Charles Darwin

Phillip Prodger

Previously published: London: J. Murray, 1890.

The Expression of the Emotions in Man and Animals

"The American photographer William Eggleston is best known for capturing everyday suburban life in his hometown of Memphis, Tennessee, and for his pioneering use of colour. This book, which accompanies the first exhibition entirely devoted tp Eggleston's portraiture, features a variety of images of the people he has encountered during his long career."--Back cover.

portraits

William Eggleston

Martin Parr

A major new book on Martin Parr explores the photographer's most enduring subject – people – as never before By turns witty, surprising, and ingenious, Martin Parr's photographs reveal the eccentricities of modern life with affection and insight. This book – published to coincide both with Parr's 2019 exhibition at London's National Portrait Gallery and also the date the UK will leave the EU – examines what it means to be human at a time of both change and retrospection. Bringing together new work from the last decade, Only Human explores the concepts of Britishness and national identity through the rituals and habits of everyday life.

Photographs by Martin Parr

Only Human

National Portrait Gallery (Great Britain)

Millennium Gallery (Sheffield, England)

This major exhibition is the first to examine the relationship between four ground-breaking Victorian artists: Julia Margaret Cameron (1815-79), Lewis Carroll (1832-98), Lady Clementina Hawarden (1822-65) and Oscar Rejlander (1813-75). Drawn from public and private collections internationally, the exhibition features some of the most breath-taking images in photographic history. Influenced by historical painting and frequently associated with the Pre-Raphaelite Brotherhood, the four artists formed a bridge between the art of the past and the art of the future, standing as true giants in Victorian photography.--National Portrait Gallery.

The Birth of Art Photography : Julia Margaret Cameron, Lewis Carroll, Clementina Hawarden, Oscar Rejlander

Victorian Giants

Sofia Coppola

'I want to make a picture that could stand on its own, regardless of what it was a picture of. I've never been a bit interested in the fact that this was a picture of a blues musician or a street corner or something.' - William Eggleston William Eggleston's photographs are special for their eccentric, unexpected compositions, playfulness, implied narrative and, above all, his portrayals of people. Over the past half-­‐century he has created a powerful and enduring body of work featuring friends and family, musicians, artists and others. Eggleston frequented the 1970s Memphis club scene, developing friendships and getting to know musicians, including Ike Turner, Alex Chilton and others. His fascination with the nightclub culture resulted in the experimental video Stranded in Canton (2005), which chronicles visits to bars in Memphis, Mississippi, and New Orleans. At the same time he encountered and photographed the likes of Dennis Hopper, Eudora Welty and Walter Hopps - and for a brief moment Eggleston even entered the Warhol Factory scene, dating the Warhol protégé, Viva. William Eggleston: Portraits accompanies the first exhibition to explore Eggleston's pictures of people. Works included span his career from the 1950s through to his well-­‐known portraits of the 1970s to the present day. The catalogue includes an essay, chronology and beautifully reproduced exhibition plates, as well as a series of revealing interviews with Eggleston and his close family members, conducted in Memphis by exhibition curator Phillip Prodger.

Portraits

Photography, Evolution, and Expression

Darwin's Camera

Darwin's Camera tells the extraordinary story of how Charles Darwin changed the way pictures are seen and made. In his illustrated masterpiece, Expression of the Emotions in Man and Animals (1871), Darwin introduced the idea of using photographs to illustrate a scientific theory--his was the first photographically illustrated science book ever published. Using photographs to depict fleeting expressions of emotion--laughter, crying, anger, and so on--as they flit across a person's face, he managed to produce dramatic images at a time when photography was famously slow and awkward. The book describes how Darwin struggled to get the pictures he needed, scouring the galleries, bookshops, and photographic studios of London, looking for pictures to satisfy his demand for expressive imagery. He finally settled on one the giants of photographic history, the eccentric art photographer Oscar Rejlander, to make his pictures. It was a peculiar choice. Darwin was known for his meticulous science, while Rejlander was notorious for altering and manipulating photographs. Their remarkable collaboration is one of the astonishing revelations in Darwin's Camera. Darwin never studied art formally, but he was always interested in art and often drew on art knowledge as his work unfolded. He mingled with the artists on the voyage of HMS Beagle, he visited art museums to examine figures and animals in paintings, associated with artists, and read art history books. He befriended the celebrated animal painters Joseph Wolf and Briton Riviere, and accepted the Pre-Raphaelite sculptor Thomas Woolner as a trusted guide. He corresponded with legendary photographers Lewis Carroll, Julia Margaret Cameron, and G.-B. Duchenne de Boulogne, as well as many lesser lights. Darwin's Camera provides the first examination ever of these relationships and their effect on Darwin's work, and how Darwin, in turn, shaped the history of art.

Art and Photography in the Theory of Evolution

An esteemed curator’s introduction to the history and themes of photographic portraiture that masterfully combines some of the most famous portraits ever made with rarely seen treasures and curiosities. Photographic portraiture has always served a number of functions: from practical identification to storytelling and the intimate personal portrait. With a fresh approach, Face Time explores the many modes of portraiture—from fine art photography to fashion, and from anthropology to cinema—as well as the ways we encounter and interpret a portrait, from the news-hour mugshot to the glossy fashion photograph. Organized into eight thematic chapters, curator and photography historian Phillip Prodger captures more than 150 years of photographic portraiture, including nineteenth-century pioneers Hippolyte Bayard and William Henry Fox Talbot, modernist icons Lee Miller and Aleksander Rodchenko, as well as contemporary groundbreakers Newsha Tavakolian, Rineke Dijkstra, and Zanele Muholi. Prodger takes readers through the key questions of photography and dives into complex explorations of identity, representation, and purpose. Intelligently selected, this introduction to the history of the photographic portrait is comprehensive and groundbreaking in scope. Featuring portraits of great figures such as Queen Elizabeth II, Barack Obama, Marilyn Monroe, Audrey Hepburn, and Yuri Gagarin, Prodger aligns some of the best-known portraits ever made alongside rarely seen gems to tell the story of one of photography’s most popular engagements: us.

A History of the Photographic Portrait

Face Time

Colin Westerbeck

Emil Otto Hoppé

A volume of early modernist photography reflects its creator's noteworthy views of the United States in the 1920s as a brave new nation whose grand-scale achievements are marked by pockets of trouble between its multicultural and economic diversities.

Phillip Prodger

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