Pierre Dubois

Roland Sabatier

Claudine Sabatier

A comprehensive resource to themagical realm of faeries plumbs the world of mythology to paint a vivid portrait of this rich folkloric tradition. Original.

The Great Encyclopedia of Faeries

No other book can compare or yield the detailed information that we all seek from the time we are tiny children about the habits and habitats of those shy creatures with wings that leap from the pages of our childhood reading to populate our fleeting fantasmagorical and adult consciousness. On these haunting pages you will find depictions of 150 species of what we must categorise as 'faeries'. Seven (what other number could suffice?) chapters summon forth the Faeries of the Air and the Wind, the Faeries from the Fire, Worldly Faeries, Faeries of Sea and Spring, the Maidens from Green Kingdoms and the Airy-Faeries from the land of Dreams. The secrets of their habits and habitats, their riches and rags, their appearances and disappearances are uncovered and their sizes and shapes - never before revealed - are hinted at. This is a book for all the family to relish and read, a feast for the eyes, a fund of stories, facts and fiction, myths and mythology, full of fun and puns to captivate and enchant.

Bio-bibliographie de Victor Hugo de 1802 à 1825

ses idées religieuses de 1802 à 1825

Victor Hugo

L'œuvre de Berkeley

Texas Jack is a legendary hero, a crack shot and a champion of the helpless who gunned down dozens of enemies ... in his travelling show and the novels that bear his name! In reality, though, he’s never been west, and has never shot at anyone. So when a government agent asks him to go to Wyoming to face a bloodthirsty maniac, his first reaction is to say no. Yet to preserve his reputation, he eventually takes the job, and leaves with his three co-stars in the show ...

Texas Jack - Book 1

Music was an essential aspect of life in eighteenth-century Britain and plays a crucial role in the literary strategies of Georgian novels. This book is the first to investigate the literary representation of music in these works and explores the structural, dramatic and metaphorical roles of music in novels by authors ranging from Richardson to Austen. Pierre Dubois explores the meaning of 'musical scenes' by framing them within contemporary cultural issues, such as the critique of Italian opera or the theoretical shift from mimesis to the alleged autonomy and mystery of music. Focusing upon both eighteenth-century theories of music, and the way specific musical instruments were perceived in the collective imagination, Dubois suggests new interpretative perspectives for a whole range of novels of the Georgian era. This book will be of interest to a wide readership interested not only in literature, but also in music and cultural history at large.

Music in the Georgian Novel

depuis son origine jusqu'à nos jours ; précédée de recherches sur la mesure du temps dans l'antiquité et suivie de la biographie des horlogers les plus célèbres de l'Europe

Pierre Dubois

About

Books

Join the club