Priscilla L. Walton

Intro -- Title Page -- Copyright Page -- Table of Contents -- Acknowledgments -- Introduction -- 1. 'Donner, Party of Fifty! -- 2. The Body Politic -- 3. "I Want to Bite Your Neck -- 4, Dog Eat Dog: Mad Cow Disease -- 5. Diet Disorders -- 6. "If You Love Someone, Hunt Them Down and Kill Them -- 7. Cannibal Culture -- Notes -- Works Cited -- Index

Our Cannibals, Ourselves

Why does Western culture remain fascinated with and saturated by cannibalism? Moving from the idea of the dangerous Other, Priscilla L. Walton's Our Cannibals, Ourselves shows us how modern-day cannibalism has been recaptured as in the vampire story, resurrected into the human blood stream, and mutated into the theory of germs through AIDS, Ebola, and the like. At the same time, it has expanded to encompass the workings of entire economic systems (such as in "consumer cannnibalism"). Our Cannibals, Ourselves is an interdisciplinary study of cannibalism in contemporary culture. It demonstrates how what we take for today's ordinary culture is imaginatively and historically rooted in very powerful processes of the encounter between our own and different, often "threatening," cultures from around the world. Walton shows that the taboo on cannibalism is heavily reinforced only partly out of fear of cannibals themselves; instead, cannibalism is evoked in order to use fear for other purposes, including the sale of fear entertainment. Ranging from literature to popular journalism, film, television, and discourses on disease, Our Cannibals, Ourselves provides an all-encompassing, insightful meditation on what happens to popular culture when it goes global.

Manina Jones

A fun book about genre fiction and the ways women have appropriated the hard-boiled tradition of Sam Spade, Philip Marlowe, and Mike Hammer and the writings of Hammet, Chandler, Spillane, and others. A story of texts, movies, TV shows, and publishing, it goes quite beyond textual analysis. A bit like Jan Radway's and Tania Modleski's analysis of culture in the making (and we'll probably have blurbs from both on the cover of our book).

Women Rewriting the Hard-Boiled Tradition

Detective Agency

Arnold E. Davidson

Priscilla L.. Walton

Jennifer Courtney Elizabeth Andrews

Thomas King is the first Native writer to generate widespread interest in both Canada and the United States. He has been nominated twice for Governor General's Awards, and his first novel, Medicine River, has been transformed into a CBC movie. His books have been reviewed in publications such as The New York Times Book Review, The Globe and Mail, and People magazine. King is also the author of the serialized radio series The Dead Dog Café and is an accomplished photographer. Border Crossings is the first full-length study to explore King's art. Davidson, Walton, and Andrews employ a framework of postcolonial and border studies theory to examine the concepts of nation, race, and sexuality in King's work. They examine how King's art routinely explores cross-cultural dynamics, including Native rights and race relations, American and Canadian cultural interaction, and the artistic traditions of Europe and North America. The authors argue that, by situating these concepts within a comic framework, King avoids the polemics that often surface in cultural critiques. His writing engages, entertains, and educates. This provocative analysis of King's art reads across cultures and between borders, and makes an important contribution to the study of Native writing, Canadian and American literature, border studies, and humour studies.

Priscilla L. Walton

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