Annabel M. Patterson

Professor Annabel Patterson

The Description for this book, Marvell and the Civic Crown, will be forthcoming.

Marvell and the Civic Crown

Annabel Patterson

Early Modern Liberalism rediscovers an important phase in the development of liberal thought. Despite the fact that 'liberalism' as a term was not applied to political thought or political parties in England until late in the eighteenth century, Annabel Patterson argues that its central ideas were formulated by seventeenth-century English writers in defiance of their society's norms, and then transmitted to the American colonies. The author is particularly concerned with the means and agents of transmission, with those who ensured that the liberal canon would be preserved, expanded, republished and dispersed; for example, the eighteenth-century philanthropist Thomas Hollis, among whose heroes were Milton, Marvell, Locke and Algernon Sidney. Framed by chapters on Hollis and Adams, this book shows what early modern liberals had in common and reopens the transatlantic conversation that began in the seventeenth century.

Early Modern Liberalism

For those exhausted by the highly charged debates and polarized climate of literary studies today, Annabel Patterson's Reading Between the Lines offers a strategic compromise: a moderate stance between the radical opponents and the zealous protectors of the traditional Western canon. She reconsiders the value of reading the white, male, canonical writers of antiquity and of early modern England, finding in them a set of values different from those supposed by both sides in the Great Books quarrel. Rather than being the unthinking or deliberate promoters of political or cultural uniformity, these writers subjected such conventional notions to critical scrutiny and even promoted alternatives. The key to this revisionary argument is “reading between the lines,” a strategy usually associated with the eccentric conservativism of Leo Strauss, but which, Patterson shows, is not only implicit in all acts of interpretation, but played a particularly important role in an age when writing between the lines was often essential for the writer's survival. Patterson argues that, if we learn how to read those old and seemingly alien texts, which themselves responded to rapid and unsettling change in the arenas of religion, politics, and education, they have much that is liberating to tell us about our own expanding culture, including the importance of republican constitutionalism, freedom of speech, and civic and religious toleration. This salutary redefinition of “humanism” arises from Patterson's essays on Plato, Spenser, Shakespeare, Donne, and Milton; but the book also deals with the “gendered” topics of rape and divorce and with “popular culture” in the sixteenth century and today. These interests are not on opposite sides of some theoretical boundary, but (as Patterson demonstrates from contemporary novels by Joseph Heller and Nancy Price) interdependent.

Reading Between the Lines

00 Patterson follows the fortunes of Virgil's Eclogues from the Middle Ages to our own century. She argues that Virgilian pastoral spoke to the intellectuals of each place and time of their own condition. The study reinspects our standard system of periodization in literary and art history and challenges some of the current premises of modernism. Patterson follows the fortunes of Virgil's Eclogues from the Middle Ages to our own century. She argues that Virgilian pastoral spoke to the intellectuals of each place and time of their own condition. The study reinspects our standard system of periodization in literary and art history and challenges some of the current premises of modernism.

Professor Annabel Patterson

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