Jeffrey F. Hamburger

Professor Jeffrey Hamburger

"Hamburger's singular discovery of a group of devotional drawings made by an anonymous nun . . . is here presented with magisterial learning, theoretical sophistication, and deep human sympathy."—V. A. Kolve, University of California, Los Angeles

The Visual Culture of a Medieval Convent

Nuns as Artists

A. S. Korteweg

Bibliography of James H. Marrow Abbreviations Alfred Acres, ''Elsewhere in Early Netherlandish Painting''; Jonathan J. Alexander, ''A Shepherdess on a Swing in a Netherlandish Book of Hours''; FranCois Avril, ''Un nouveau manuscrit de Jean Bourdichon: Les Heures de Charles de Martigny, eveque d''Elne''; Gabriele Bartz, ''Adam wird ins Paradies getragen''; Marina Belozerskaya, ''Good Dog: Model Canines in Renaissance Manuscripts''; Adelaide Bennett, ''Christ''s Five Wounds in the Aves of the Vita Christi in a Book of Hours about 1300''; Paul Binski, ''The Faces of Christ in Matthew Paris''s Chronica Majora''; Bodo Brinkmann, ''Happy End fur einen Lowen''; Klara H. Broekhuijsen, ''Ende ziet alomme int paradijs: Seth''s Vision of Paradise as Part of an Unusual Decoration Program in a Fifteenth-Century Book of Hours from Utrecht''; Walter Cahn, ''The Allegorical Menorah''; Bert Cardon, ''The Miroir de la salvation humaine Revisited: Bibliotheque Nationale de France, Ms. Fr. 3275''; Debra Taylor Cashion, ''The Man of Sorrows and Mel Gibson''; Albert Chatelet, ''L''enseignement paternel dans les Heures de Milan-Turin''; Gregory T. Clark, ''Made In Flanders and the Master of the Ghent Privileges: A Second Coda''; Henri Defoer, ''Images as Aids for Earning the Indulgences of Rome''; Christopher de Hamel, ''Dates in the Giant Bible of Mainz''; Albert Derolez, ''Two Notes on Mercatel''s Earliest Astrological Manuscripts''; Mark Evans, ''The Afterlife of Saint Jerome: Giovanni Bilivert''s Portrait of Neri Corsini''; Reindert L. Falkenburg, ''On Compositional Errata in Pieter Aertsen''s Peasant Scenes''; Marc Gil, ''D''Italie du nord en Artois, le portrait de saint Bernardin de Sienne des Heures d''Antoine de Crevecoeur, vers 1450-55 : Leeds, University Library, The Brotherton Collection, Ms. 4''; Liz Guenther, ''Realism and Invention in the Prints of Albrecht Durer''; Jeffrey F. Hamburger, ''The Writing on the Wall: Inscriptions and Descriptions of Carthusian Crucifixions in a Fifteenth-Century Passion Miscellany''; Christian Heck, ''Histoire mythique et archeologie au quinzieme siecle: Une representation inedite de Stonehenge''; Lynn F. Jacobs, ''The Miraculous Threshold in Hugo Van der Goes''s Portinari Altarpiece''; Eberhard Konig, ''Zur Wirklichkeit im Fensterbild der Kreuzannagelung des Wiener Stundenbuchs der Maria von Burgund''; Joseph Leo Koerner, ''Bosch''s Enmity''; Anne S. Korteweg, ''Framing the Issues: A Codicological Approach to Dutch Border Decoration''; Thomas Kren, ''Simon Bening, Juan Luis Vives, and the Observation of Nature''; Anne-Marie Legare, ''The Reception of the Dresden Prayer Book Master in the Hainaut''; Jean Michel Massing, ''Two Portolan Charts of the Mediterranean in Cambridge by Joan Martines and Estienne Bremond''; Ruth Mellinkoff, ''Pilate''s Wife''; Elizabeth J. Moodey, ''Historical Identity in the Burgundian Netherlands: The Role of Manuscripts''; William Noel, ''William de Brailes in Baltimore, Paris, and Stockholm''; Judith Oliver, ''A Bundle of Myrrh: Passion Meditation in French Vernacular Poems and Images in Some Liege Psalters''; Peter Parshall, ''Penitence and Pentimenti: Hieronymus Bosch''s Mocking of Christ in London''; Veronique Plesch, ''Sixteenth-Century Pictorial and Dramatic Religious Cycles in the French Alps: Time for the Renaissance Yet?''; Lilian M. C. Randall, ''To Have and to Hold: The Bridal Hours of Isabelle de Coucy''; Kathryn M. Rudy, ''Fragments of a Mental Journey to a Passion Park''; Jochen Sander, ''Anmerkungen zu Jan Gossaert''; Lucy Freeman Sandler, ''Bedford in Brooklyn''; Gerhard Schmidt, ''Die zwei Stile des Meisters des Friedrichsbreviers: Ein spatgotischer Buchmaler kopiert Stiche des Meisters ES''; Diane Scillia, ''The Master of the Tiburtine Sibyl''s Raising of Lazarus (Mexico City, San Carlos Museum) and the Early Haarlem School of Painting Reconsidered''; Larry Silver, ''Pox vobiscum: Early Modern German Art and Syphilis''; Jeffrey Chipps Smith, ''Albrecht Durer, Cardinal Matthaus Lang, and the Throne of Invention''; Robert Suckale, ''Rogier van der Weydens Werkstatt: Zwei Fallbeispiele''; Judith Testa, ''Simon Bening Studies Raphael: The Impact of the Italian High Renaissance on a Flemish Miniaturist''; Anne H. van Buren, ''A Window on Two Duchesses of Burgundy''; Hugo van der Velden, ''A Prayer Roll of Henry Beauchamp, Earl of Warwick''; Dominique Vanwijnsberghe, ''Robert Campin et l''enluminure: Trois miniatures attribuables a l''entourage direct du peintre tournaisien''; William M. Voelkle, ''Coins, Mussels, and a Crab in the Hours of Catherine of Cleves''; Ursula Weekes, ''Engraving the Mind: An Illustrated Rapiarum of the Fifteenth Century''; Roger S. Wieck, ''The Susanna Hours''; W. C. M. Wustefeld, ''Manuscript Painting in the Circle of the Master of Catherine of Cleves (ca 1635-60): Tradition and Context of Utrecht, Museum Catharijneconvent, Ms. ABM h15.

Professor Jeffrey Hamburger

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