Nina Baym

Professor of English and Jubilee Professor of Liberal Arts and Sciences Nina Baym

This book describes and characterizes responses of American readers to fiction in the generation before the Civil War. It is based on close examination of the reviews of all novels--both American and European--that appeared in major American periodicals during the years 1840-1860, a period in which magazines, novels, and novel reviews all proliferated. Nina Baym makes uses of the reviews to gain information about the formal, aesthetic, and moral expectations of reviewers. Her major conclusion is that the accepted view about the American novel before the Civil War--the view that the atmosphere in America was hostile to fiction--is a myth. There is compelling evidence, she shows, for the existence of a veritable novel industry and, concomitantly, a vast audience for fiction in the 1840s and 1850s.

Responses to Fiction in Antebellum America

Novels, Readers, and Reviewers

"This book traces the birth, growth, and decline of a genre of popular fiction that dominated American literary taste for at least a generation - a genre created by women and directed at them"--Cover.

A Guide to Novels by and about Women in America, 1820-1870

Woman's Fiction

Just as she helped launch the rediscovery of literary texts by American women writers, Nina Baym now uncovers the work of history performed by over 150 writers in over 350 texts. Here she explores a world of important writing unknown even to most specialists. The novels, poems, plays, textbooks, and travel narratives written by women between 1790 and the Civil War defy current theories of women's writing that stress a female domain of the private, homebound, and emotional. History is inarguably public in its nature and these women wrote it. In doing so, they challenged the imaginative and intellectual boundaries that divided domestic and public worlds. They claimed on behalf of all women the rights to know and to speak about the world outside the home, as well as to circulate their knowledge and opinions among the public. Their work helped shape the enormous public interest in history characteristic of the antebellum nation, and ultimately to forge our national identity in the history of the world. Nina Baym deftly outlines the master narrative of history implied in women's writings of this period, and discusses in a completely revisioned context the emergence of women's history in public discourse.

American Women Writers and the Work of History, 1790-1860

This reissue of the pioneering and standard book on antebellum women's domestic novels contains a new introduction situating the book in the context of important recent developments in the study of women's writing. Nina Baym considers 130 novels by 48 women, focusing on the works of a dozen especially productive and successful writers. Woman's ......

A Guide to Novels by and about Women in America, 1820-70

For more than a decade Nina Baym has pioneered in the reexamination of American literature. She has led the way in questioning assumptions about American literary history, in critiquing the standard canon of works we read and teach, and in rediscovering lost texts by American women writers. Feminism and American Literary History collects fourteen of her most important essays published since 1980, which, combining feminist perspectives with original archival research, significantly revise standard American literary history. In Part I, "Rewriting Old American Literary History," the focus is on male writers. Essays range from close readings of individual works to ambitious critiques of the main paradigms by which scholars have conventionally linked disparate texts and authors in a narrative of nationalist literary history: the self-in-the-wilderness myth, the romance-novel distinction, the myth of New England origins. Part II, "Writing New American Literary History," studies examples of women's writing from the Revolution through the Civil War. Stressing much overtly public and political writing that has been overlooked even by feminist scholars, noting public and political themes in supposedly domestic works, the essays substantially modify and historicize the paradigm by which premodern American women's writing is currently understood. The contentious and influential essays in Part III, "Two Feminist Polemics," address feminist literary theory and pedagogy, advocating a pluralist practice as the basis for scholarship, criticism, and humane feminism. No one interested in American literature or in women's writing can afford to ignore Baym's revisionist work. Humorous and gracefully written, this book is enjoyable and indispensable.

Essays

Feminism and American Literary History

Analyzes the plot, setting, characters, themes, and symbolism in Hawthorne's novel, and discusses the purpose of its "Custom-house" portion

Professor of English and Jubilee Professor of Liberal Arts and Sciences Nina Baym

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