Qiu Miaojin

WINNER OF THE 2018 LUCIEN STRYK ASIAN TRANSLATION PRIZE The English-language premiere of Qiu Miaojin's coming-of-age novel about queer teenagers in Taiwan, a cult classic in China and winner of the 1995 China Times Literature Award. An NYRB Classics Original Set in the post-martial-law era of late-1980s Taipei, Notes of a Crocodile is a coming-of-age story of queer misfits discovering love, friendship, and artistic affinity while hardly studying at Taiwan’s most prestigious university. Told through the eyes of an anonymous lesbian narrator nicknamed Lazi, this cult classic is a postmodern pastiche of diaries, vignettes, mash notes, aphorisms, exegesis, and satire by an incisive prose stylist and major countercultural figure. Afflicted by her fatalistic attraction to Shui Ling, an older woman, Lazi turns for support to a circle of friends that includes a rich kid turned criminal and his troubled, self-destructive gay lover, as well as a bored, mischievous overachiever and her alluring slacker artist girlfriend. Illustrating a process of liberation from the strictures of gender through radical self-inquiry, Notes of a Crocodile is a poignant masterpiece of social defiance by a singular voice in contemporary Chinese literature.

Notes of a Crocodile

An NYRB Classics Original When the pioneering Taiwanese novelist Qiu Miaojin committed suicide in 1995 at age twenty-six, she left behind her unpublished masterpiece, Last Words from Montmartre. Unfolding through a series of letters written by an unnamed narrator, Last Words tells the story of a passionate relationship between two young women—their sexual awakening, their gradual breakup, and the devastating aftermath of their broken love. In a style that veers between extremes, from self-deprecation to pathos, compulsive repetition to rhapsodic musings, reticence to vulnerability, Qiu’s genre-bending novel is at once a psychological thriller, a sublime romance, and the author’s own suicide note. The letters (which, Qiu tells us, can be read in any order) leap between Paris, Taipei, and Tokyo. They display wrenching insights into what it means to live between cultures, languages, and genders—until the genderless character Zoë appears, and the narrator’s spiritual and physical identity is transformed. As powerfully raw and transcendent as Mishima’s Confessions of a Mask, Goethe’s The Sorrows of Young Werther, and Theresa Cha’s Dictée, to name but a few, Last Words from Montmartre proves Qiu Miaojin to be one of the finest experimentalists and modernist Chinese-language writers of our generation.

Last Words from Montmartre

Montmartre'dan Son Sözler

Belén Cuadra

Cartas póstumas desde Montmartre

Aufzeichnungen eines Krokodils

Die Studentin Lazi liebt Frauen. Das ist unerhört im Taiwan der 1980er-Jahre: Eine queere Szene erwacht, und das an der Elite-Uni in Taipeh! Nun, wo das Kriegsrecht aufgehoben ist, bricht die Jugend auf. Aber wie geht Freiheit? Lazis Liebe zu der älteren Shui Ling wird zur Obsession. Als Grenzen überschritten sind, flüchtet sich Lazi in eine Clique schillernder Außenseiter, doch auch die kämpfen mit sich und dem Leben. Und dann ist da noch ein Krokodil, das sich als Mensch tarnt ... Dieser leidenschaftliche, mit literarischen Formen wie Tagebuchnotizen, Aphorismen, allegorischen Einschüben sowie (Genre-)Grenzen spielende Roman ist voller Scharfsinn und skurrilem Witz, erzählt aber auch ganz offen vom Schmerz ihrer Zeit.

Qiu Miaojin

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