R. Buckminster Fuller

Operating Manual for Spaceship Earth

R. Buckminster Fuller is regarded as one of the most important figures of the 20th century, renowned for his achievements as an inventor, designer, architect, philosopher, mathematician, and dogged individualist. Perhaps best remembered for the Geodesic Dome and the term "Spaceship Earth," his work and his writings have had a profound impact on modern life and thought. Critical Path is Fuller's master work--the summing up of a lifetime's thought and concern--as urgent and relevant as it was upon its first publication in 1981. Critical Path details how humanity found itself in its current situation--at the limits of the planet's natural resources and facing political, economic, environmental, and ethical crises. The crowning achievement of an extraordinary career, Critical Path offers the reader the excitement of understanding the essential dilemmas of our time and how responsible citizens can rise to meet this ultimate challenge to our future.

Critical Path

Quentin Fiore

Jerome Agel

Buckminster Fullers explorations as an architect, engineer, philosopher and futurist are extended into experimental book form through his collaboration with producer Jerome Agel and designer Quentin Fiore. I Seem to Be A Verbs utopian plans, clever insights and light-hearted musings rub elbows with revelatory and often jolting reminders that we are in motion, full of impulsive nerves, flowing blood and constant thought. This fun and challenging book is packed with images, dense layouts and narratives reading both front to back and in reverse. All this to remind us that we are verbs, not nouns! Buckminster Fuller was awarded 25 patents, invented the geodesic dome, the dymaxion car and was expelled from Harvard twice. I Seem to Be a Verb was originally published in 1970. I am convinced that creativity is a priori to the integrity of the universe and that life is regenerative and conformity meaningless. R. Buckminster Fuller.

I Seem to Be a Verb

Synergetics, according to E. J. Applewhite, was Fuller's name for the geometry he advanced based on the patterns of energy that he saw in nature. For Fuller, geometry was a laboratory science with the touch and feel of physical models--not rules out of a textbook. It gains its validity not from classic abstractions but from the results of individual physical experience. Description by the Buckminster Fuller Institute, courtesy of The Estate of Buckminster Fuller

Explorations in the Geometry of Thinking

Synergetics

Here Buckminster Fuller takes on the gigantic corporate megaliths that exert increasing control over every aspect of daily life. In the form of a modern allegory, he traces the evolution of these multinational giants from the post-World War II military-industrial complex to the current army of abstract legal entities known as the corporate world.

Grunch of Giants

Daniel López-Pérez

Pattern-Thinking' reassesses the work of Buckminster Fuller?unique hybrid between theoretician, architect, designer, educator, inventor, and author?as advancing contemporary models of design- research, practice, and pedagogy. Drawing extensively on Fuller?s archive, the book follows his unique process of translation between the physical and conceptual dimensions of design, to redefi ne our understanding of the relationships between geometry, structure, language, and intellectual property.00Rather than being organized around a chronology of distinct narratives, Pattern-Thinking follows these parallel explorations as the basis for Fuller?s artifacts and inventions. In the space between lines, models, words, and patents, it traces his ambition to measure physical experience in an ever- expanding pattern of relationships, while coordinating these into a conceptual network of words and concepts that shape the basis for his thinking. Advocating a multidisciplinary and political perspective, Fuller?s transversal logic expands the knowledge base of contemporary models of design, which seek to find broader participation and to address new publics.

R. Buckminster Fuller: Pattern-Thinking

B is for Bucky. This 50 page book is about Fuller's 56-year experiment about what one individual can accomplish for the benefit of all of humanity. It is a stand-alone reprint of an essay by Fuller which previously appeared as the introduction to the book "Inventions, The Patented Works of R. Buckminster Fuller" and in "Buckminster Fuller, Anthology for the New Millennium." Description by Buckminster Fuller Institute, courtesy of the Estate of R. Buckminster Fuller

Guinea Pig B

Ideas and Integrities

Further Explorations in the Geometry of Thinking

Synergetics 2

Vernon Sternberg of the S.I.U Press was responsible for bringing out the first edition of this collection of occasional pieces. In addition to the title piece, written in 1940, it includes other blank verses: “Machine Tools,” 1940; “The Historical Attempt by Man to Convert His Evolution from a Subjective to an Objective Process,” 1948; “Universal Requirements of a Dwelling Advantage,” 1917–62; “The Fuller Research Foundation,” 1946–51; A Comprehensive Anticipatory Design Science,” 1956; and two prose essays with geometrical diagrams and tables, “Introduction to Omnidirectional Halo,” 1959, and “omnidirectional Halo,” 1960. I once asked Fuller whether No More Secondhand God meant secondhand as in clothes or second hand as in watch? He seemed bemused by the question and answered with a casualness I found suspect—”Now that you mention it,” he said, “I suppose both.” Description by Ed Applewhite, courtesy of The Estate of Buckminster Fuller

No More Secondhand God

A series of twenty-one original triangular lithographs (with narrative captions) which may be displayed in a helical scroll of linked tetrahedra. They were executed during the years 1975 and 1976 under the guiding light of Tatyana Grosman (to whom Fuller had been introduced by Edwin Schlossberg) at her ULAE print workshop in West Islip, Long Island. In something of a publishing innovation this trade book was brought out concurrently with a limited edition of the signed original lithographs. Michael Denneny was the editorial impresario at St. Martin's and Ronald Feldman Fine Arts handled the exhibition of the lithographs. Fuller composed the Tetrascroll between the publication of Synergetics in 1975 and Synergetics 2 in 1979. He had been frustrated by the rigid structure of the synergetics books which, despite certain advantages, he felt robbed the work of spontaneity and narrative force. To compensate for this Fuller worked feverishly on the Tetrascroll as a free-form obbligato to the synergetics books. He explained to me at the time, "The empirical, the scientific way to present the argument of synergetics is the way I am doing it in Goldilocks. Description by Ed Applewhite, courtesy of The Estate of Buckminster Fuller

Goldilocks and the Three Bears, A Cosmic Fairy Tale

Tetrascroll

Explains the concept of synergetics and its relationship with politics and history to illustrate the crucial link between humanity and nature

A Posthumous Scenario for the Future of Humanity

Cosmography

In “Ideas and Integrities” Buckminster Fuller describes the revolutionary designs and concepts he has pioneered – among them the geodesic dome, the Dymaxion world map, the Dymaxion 4-D house, the Dymaxion 4-D automobile, and the countless other structures and creations that have changed the face of America and the world. And he sets forth his amazing and challenging ideas for the world of the future – ideas that would revolutionize everything from university education to bathroom design, ideas that, above all, demonstrate how we can and must make far more imaginative and efficient use of the resources now available to us to ensure a better standard of living for all men. Description by Lars Muller Publishers, courtesy of The Estate of Buckminster Fuller

A Spontaneous Autobiographical Disclosure

Synergetics 2 contains a ninety-page index to both volumes. They comprise a single work with the sequence of paragraphs numbered to dovetail in a single integrated narrative. They should eventually be published as a single work eliminating the artificial division into two volumes resulting from the chronology of their composition. E. J. Applewhite, courtesy of the Estate of R. Buckminster Fuller

Approaching the Benign Environment (The Franklin lectures in the sciences and humanities)

Lyrical meditations on life, work and hopes for the future from the beloved architect and polymath Buckminster Fuller First published in 1976, issued in a new edition in 2008, and now back in print, And It Came to Pass--Not to Stay brings together a selection of Buckminster Fuller's (1895-1983) lyrical and philosophical best, including seven "essays" that address global crises and his predictions for the future--"to make the world work for 100% of humanity in the shortest possible time through spontaneous cooperation without ecological offence or the disadvantage of anyone." These essays, comprising "How Little I Know," "Complexion 1976," "What I Am Trying to Do," "A Definition of Evolution," "'And It Came to Pass' (Not to Stay)," "Soft Revolution" and "Ethics," pursue the task of ushering in a new era for humanity by "always starting with the universe." Each of the texts is written in Fuller's "ventilated prose," an essayistic poem form that breaks up his thinking into lines and stanzas.Though best known as a designer and design theorist, Fuller investigated and challenged assumptions about structure, function, materials, technology, aesthetics, services, distribution, mobility, communication, collaboration, information, recycling, politics, property and social norms. These essays present the great range and depth of Fuller's thought while elegantly weaving the personal, the playful, the simple and the profound.

And It Came to Pass - Not to Stay

Utopia or Oblivion is a provocative blueprint for the future. This comprehensive volume is composed of essays derived from the lectures he gave all over the world during the 1960’s. Fuller’s thesis is that humanity – for the first time in its history – has the opportunity to create a world where the needs of 100% of humanity are met. “This is what man tends to call utopia. It’s a fairly small word, but inadequate to describe the extraordinary new freedom of man in a new relationship to universe — the alternative of which is oblivion.” R. Buckminster Fuller. Description by Lars Muller Publishers, courtesy of The Estate of Buckminster Fuller

The Prospects for Humanity

Utopia or Oblivion

This book collects some of R. Buckminster Fuller’s most important recent writings on the subject of spaceship Earth: the big, interconnected, total system that is “the only one we’ve got.” These articles stress the need for considering our planet as a whole, rather than breaking it into its parts—as most of us continue to do. This theme is crucial to the thinking of Bucky Fuller, who, in addition to his many other appellations, has been called the “godfather” of the Whole Earth Catalog. “Humanity is acquiring the right technology for all the wrong reasons—and only as driven by looming wars and the fear of being annihilated by the enemy. Humanity could acquire the technology for the purpose of total success and enduring peace. We say we cannot afford it in peace times, but technology … not only pays for itself but [leads] inadvertently to the acquisition of greater wealth.” —from “Earthians’ Critical Moment” in Earth, Inc. From backflap Earth, Inc.

Earth, Inc.

The documents in this series originated with a proposal made by R. Buckminster Fuller to the International Union of Architects (I. U. A.) at their VIIth Congress in London, England in July, 1961, launching the World Design Science Decade. He proposed then that the architectural schools around the world be encouraged by the I. U. A. to invest the next ten years in a continuing problem of how to make the total world's resources which [in 1961] serve only 40% serve 100% of humanity through competent design despite a continuing decrease of metal resources per capita. In essence, The World Design Science Decade series of documents suggests, in great detail, ways in which world architectural schools, and specifically their students, should initiate, and assume The Design Science Decade. The total series includes many of Fuller's most prescient ideas. A note from the series editor, John McHale: "Though the language of some of the texts may seem difficult at first approach, it should be borne in mind that one of our major problems in thinking today [1965] is the use of language systems which still represent a fixed, structurally compartmentalized world view. The terms available to us for the expression of dynamic, rather than static, concepts are far from satisfactory. Fuller's language is particularly representative of the 'transitional state' (of the western world) between the older, traditional, noun-centered culture to its present day, changing, verb-centered culture'. In his search for an adequately descriptive terminology he tends to employ concepts and usages from many different fields juxtaposed in ways which may be unfamiliar to those more customarily restrained within the vocabularies of particular disciplines." Description by the Buckminster Fuller Institute, courtesy of The Estate of R. Buckminster Fuller

World Game Series: Document 1

Buckminster Fuller (1895–1983) was an architect, engineer, geometrician, cartographer, philosopher, futurist, inventor of the famous geodesic dome, and one of the most brilliant thinkers of his time. For more than five decades, he set forth his comprehensive perspective on the world’s problems in numerous essays, which offer an illuminating insight into the intellectual universe of this renaissance man. These texts remain surprisingly topical even today, decades after their initial publication. While Fuller wrote the works in the 1960’s and 1970’s, they could not be more timely: like desperately needed time-capsules of wisdom for the critical moment he foresaw, and in which we find ourselves. Long out of print, they are now being published again, together with commentary by Jaime Snyder, the grandson of Buckminster Fuller. Designed for a new generation of readers, Snyder prepared these editions with supplementary material providing background on the texts, factual updates, and interpretation of his visionary ideas. Initially published in 1969, and one of Fuller’s most popular works, Operating Manual for Spaceship Earth is a brilliant synthesis of his world view. In this very accessible volume, Fuller investigates the great challenges facing humanity, and the principles for avoiding extinction and “exercising our option to make it”. How will humanity survive? How does automation influence individualization? How can we utilize our resources more effectively to realize our potential to end poverty in this generation? He questions the concept of specialization, calls for a design revolution of innovation, and offers advice on how to guide “spaceship earth” toward a sustainable future. And it Came to Pass – Not to Stay brings together Buckminster Fuller’s lyrical and philosophical best, including seven “essays” in a form he called his “ventilated prose”, and as always addressing the current global crisis and his predictions for the future. These essays, including “How Little I Know”, “What I am Trying to Do“, “Soft Revolution”, and “Ethics”, put the task of ushering in a new era of humanity in the context of “always starting with the universe”. In rare form, Fuller elegantly weaves the personal, the playful, the simple, and the profound. Utopia or Oblivion is a provocative blueprint for the future. This comprehensive volume is composed of essays derived from the lectures he gave all over the world during the 1960’s. Fuller’s thesis is that humanity – for the first time in its history – has the opportunity to create a world where the needs of 100% of humanity are met. This is Fuller in his prime, relaying his urgent message for earthians critical moment and presenting pioneering solutions which reflect his commitment to the potential of innovative design to create technology that does “more with less” and thereby improves human lives . . . “This is what man tends to call utopia. It’s a fairly small word, but inadequate to describe the extraordinary new freedom of man in a new relationship to universe - the alternative of which is oblivion.” Buckminster Fuller.

R. Buckminster Fuller

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