Rachel Kadish

WINNER OF A NATIONAL JEWISH BOOK AWARD A USA TODAY BESTSELLER "A gifted writer, astonishingly adept at nuance, narration, and the politics of passion."—Toni Morrison Set in London of the 1660s and of the early twenty-first century, The Weight of Ink is the interwoven tale of two women of remarkable intellect: Ester Velasquez, an emigrant from Amsterdam who is permitted to scribe for a blind rabbi, just before the plague hits the city; and Helen Watt, an ailing historian with a love of Jewish history. When Helen is summoned by a former student to view a cache of newly discovered seventeenth-century Jewish documents, she enlists the help of Aaron Levy, an American graduate student as impatient as he is charming, and embarks on one last project: to determine the identity of the documents' scribe, the elusive "Aleph." Electrifying and ambitious, The Weight of Ink is about women separated by centuries—and the choices and sacrifices they must make in order to reconcile the life of the heart and mind.

The Weight of Ink

Weight of Ink

Il peso dell'inchiostro

Het gewicht van inkt

The life stories of three very different women--Tami, Maya, and Shifra--trapped within the sealed walls of war, bound by horrific memories of the past and a sense of a perilous present, intertwine, in a debut novel that follows their individual struggles to break free of their confinement. Reprint.

From a Sealed Room

Tolstoy famously wrote, “Happy families are all alike; every unhappy family is unhappy in its own way.” To Tracy Farber, thirty-three, happily single, headed for tenure at a major university, and content to build a life around friends and work, this celebrated maxim is questionable at best. Because if Tolstoy is to be taken at his word, only unhappiness is interesting; happiness must be as placid and unmemorable as a daisy in a field of a thousand daisies. Having decided to reject the petty indignities of dating, Tracy focuses instead on her secret project: to determine whether happiness can be interesting, in literature and in life, or whether it can be—must be—a plant with thorns and gnarled roots. It's an unfashionable proposition, and a potential threat to her job security. But Tracy is her own best example of a happy and interesting life. Little does she know, however, that her best proof will come when she falls for George, who will challenge all of her old assumptions, as love proves to be even more complicated than she had imagined. Can this young feminist scholar, who posits that "a woman's independence is a hothouse flower—improbable, rare, requiring vigilance," find happiness in a way that fulfills both her head and her heart? Love may be the ultimate cliché, but in Rachel Kadish’s hands, it is also a morally serious question, deserving of our sober attention as well as our delighted laughter.

Rachel Kadish

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