Rachel Sherman

A surprising and revealing look at how today's elite view their own wealth and place in society From TV’s “real housewives” to The Wolf of Wall Street, our popular culture portrays the wealthy as materialistic and entitled. But what do we really know about those who live on “easy street”? In this penetrating book, Rachel Sherman draws on rare in-depth interviews that she conducted with fifty affluent New Yorkers—including hedge fund financiers and corporate lawyers, professors and artists, and stay-at-home mothers—to examine their lifestyle choices and their understanding of privilege. Sherman upends images of wealthy people as invested only in accruing and displaying social advantages for themselves and their children. Instead, these liberal elites, who believe in diversity and meritocracy, feel conflicted about their position in a highly unequal society. They wish to be “normal,” describing their consumption as reasonable and basic and comparing themselves to those who have more than they do rather than those with less. These New Yorkers also want to see themselves as hard workers who give back and raise children with good values, and they avoid talking about money. Although their experiences differ depending on a range of factors, including whether their wealth was earned or inherited, these elites generally depict themselves as productive and prudent, and therefore morally worthy, while the undeserving rich are lazy, ostentatious, and snobbish. Sherman argues that this ethical distinction between “good” and “bad” wealthy people characterizes American culture more broadly, and that it perpetuates rather than challenges economic inequality. As the distance between rich and poor widens, Uneasy Street not only explores the real lives of those at the top but also sheds light on how extreme inequality comes to seem ordinary and acceptable to the rest of us.

The Anxieties of Affluence

Uneasy Street

Going behind the scenes in two urban luxury hotels, this study gives a picture of the workers who care for and cater to wealthy guests by providing seemingly unlimited personal attention. Drawing on interviews and ethnographic research in a range of hotel jobs, it analyses what exactly luxury service consists of.

Service and Inequality in Luxury Hotels

Class Acts

Elif Batuman

Daniel Smith

Keith Gessen

Alexander Kluge

Pankaj Mishra

Mark Greif

Peter Gizzi

Benjamin Kunkel

Marco Roth

Peter Frankel

Happiness

n+1, Number 2

A surprising and revealing look at how today’s elite view their wealth and place in society From TV’s “real housewives” to The Wolf of Wall Street, our popular culture portrays the wealthy as materialistic and entitled. But what do we really know about those who live on “easy street”? In this penetrating book, Rachel Sherman draws on rare in-depth interviews that she conducted with fifty affluent New Yorkers—from hedge fund financiers and artists to stay-at-home mothers—to examine their lifestyle choices and understanding of privilege. Sherman upends images of wealthy people as invested only in accruing social advantages for themselves and their children. Instead, these liberal elites, who believe in diversity and meritocracy, feel conflicted about their position in a highly unequal society. As the distance between rich and poor widens, Uneasy Street not only explores the lives of those at the top but also sheds light on how extreme inequality comes to seem ordinary and acceptable to the rest of us.

From a young writer whose stories have graced the pages of today's most exciting literary journals, comes a masterfully elegant, sexy, and surprising debut. The publication of Rachel Sherman's first book heralds the arrival of a singularly fresh and remarkably assured new voice. In this brilliantly original story collection, she evokes the wonders and horrors of a young woman's life, from girl to teenager to adult, through crushes, sex, family, and the agonies and ecstasies of finding one's way. Sherman's beautifully direct and deceptively simple prose produces accessible, shockingly real narratives that combine a disarming sexual edge with great sensitivity and humor. From a high school girl's crush on her female teacher, to a family's serenity threatened by the presence of a sexy Danish au pair, to a pubescent girl's sexually outrageous soldier pen-pal, all the way to a young couple's horrifying yet life-affirming experience of learning to love their brain-injured newborn twins, this collection wends its way around the deepest of struggles with unusual frankness and wisdom. Fans of A. M. Homes, Mary Gaitskill, Mona Simpson, and Rick Moody will be thrilled at this auspicious and noteworthy debut.

Stories

The First Hurt

The author of The First Hurt presents the tale of three generations of women: Headie, a grandmother whose senility brings strange dreams and hallucinations about her younger life; her daughter, Livia, an unfulfilled housewife with a strange eating disorder; and Abby, Livia's teen daughter, who strives to navigate the terrors of high school, despite her mother's dysfunction. Original.

A Novel

Living Room

“[A] riveting debut novel . . . Unsentimental yet deeply felt, this tale examines what bubbles under the surface of a supposedly happy Long Island family” (Publishers Weekly, starred review). The follow-up to her highly praised debut story collection, The First Hurt, Rachel Sherman’s Living Room is a beautiful and disarmingly direct portrait of a family in trouble. With the tone of a modern-day Jewish The Ice Storm set in Long Island, imbued with Alice Munro’s fascination with personal history, Living Room is a deep exploration of the ripple effects of mental illness on a family, as well as a look at generational differences in mating and marriage, and a wry, wise look at suburban angst. “The fractured lives of three generations of women told with zero sentimentality and a huge amount of heart. Living Room is edgy, moving, smart, funny and altogether human. Rachel Sherman is the real deal.” —Dani Shapiro, New York Times–bestselling author of Inheritance “Sherman turns her unflinching, unsentimental eye once again on deepest suburbia, where personal history festers rather than heals. [Living Room] hums along, its heavier moments tempered with plenty of dark humor and incisive language; but it’s the intimate character sketches that truly resonate.” —Time Out (New York) “Often praised for her lack of sentimentality, Sherman doesn’t hesitate to capture her characters’ weird, unbecoming thoughts . . . Her writing lends itself to the form: her story structures tight as fists, her prose terse and unadorned.” —The Rumpus

Rachel Sherman

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