Raja Shehadeh

A Palestinian Memoir

We Could Have Been Friends, My Father and I

Raja Shehadeh is a passionate hill walker. He enjoys nothing more than heading out into the countryside that surrounds his home. But in recent years, his hikes have become less than bucolic and sometimes downright dangerous. That is because his home is Ramallah, on the Palestinian West Bank, and the landscape he traverses is now the site of a tense standoff between his fellow Palestinians and settlers newly arrived from Israel. In this original and evocative book, we accompany Raja on six walks taken between 1978 and 2006. The earlier forays are peaceful affairs, allowing our guide to meditate at length on the character of his native land, a terrain of olive trees on terraced hillsides, luxuriant valleys carved by sacred springs, carpets of wild iris and hyacinth and ancient monasteries built more than a thousand years ago. Shehadeh's love for this magical place saturates his renderings of its history and topography. But latterly, as seemingly endless concrete is poured to build settlements and their surrounding walls, he finds the old trails are now impassable and the countryside he once traversed freely has become contested ground. He is harassed by Israeli border patrols, watches in terror as a young hiking companion picks up an unexploded missile and even, on one occasion when accompanied by his wife, comes under prolonged gunfire. Amid the many and varied tragedies of the Middle East, the loss of a simple pleasure such as the ability to roam the countryside at will may seem a minor matter. But in Palestinian Walks, Raja Shehadeh's elegy for his lost footpaths becomes a heartbreaking metaphor for the deprivations of an entire people estranged from their land.

Forays into a Vanishing Landscape

Palestinian Walks

A Walk Through Fifty Years of Occupation

Going Home

A moving account of one man’s border crossings--both literal and figurative--by the award-winning author of Palestinian Walks, published on the fiftieth anniversary of the Six Day War In what has become a classic of Middle Eastern literature, Raja Shehadeh, in Palestinian Walks, wrote of his treks through the hills surrounding Ramallah over a period of three decades under Israel’s occupation. In Where the Line Is Drawn, Shehadeh explores how occupation has affected him personally, chronicling the various crossings that he undertook into Israel over a period of forty years to visit friends and family, to enjoy the sea, to argue before the Israeli courts, and to negotiate failed peace agreements. Those forty years also saw him develop a close friendship with Henry, a Canadian Jew who immigrated to Israel at around the same time Shehadeh returned to Palestine from studying in London. While offering an unforgettably poignant exploration of Palestinian-Israeli relationships, Where the Line Is Drawn also provides an anatomy of friendship and an exploration of whether, in the bleakest of circumstances, it is possible for bonds to transcend political divisions.

A Tale of Crossings, Friendships, and Fifty Years of Occupation in Israel-Palestine

Where the Line Is Drawn

China Miéville

Susan Abulhawa

Henning Mankell

Chinua Achebe

Geoff Dyer

Michael Ondaatje

Linda Spalding

Adam Foulds

Pankaj Mishra

Claire Messud

Kamila Shamsie

Teju Cole

Deborah Moggach

Michael Palin

J.M. Coetzee

Rachel Holmes

Sabrina Mahfouz

William Sutcliffe

Mohammed Hanif

Molly Crabapple

Alice Walker

Mahmoud Darwish

Ed Pavlic

Gillian Slovo

Ru Freeman

Najwan Darwish

Jeremy Harding

Yasmin El-Rifae

Suheir Hammad

Mercedes Kemp

John Horner

Suad Amiry

Bridget Keenan

Jehan Bseiso

Atef Abu Saif

Omar El-Khairy

Selma Dabbagh

Remi Kanazi

Muiz,

Ghada Karmi

Maath Musleh

Nancy Kricorian

Nathalie Handal

Victoria Brittain

Jamal Mahjoub

Writers from Alice Walker to Michael Ondaatje to Claire Messud share their thoughts on one of the most vital gatherings of writers and readers in the world. The Palestine Festival of Literature was established in 2008 by authors Ahdaf Soueif, Brigid Keenan, Victoria Brittain and Omar Robert Hamilton. Bringing writers to Palestine from all corners of the globe, it aimed to break the cultural siege imposed by the Israeli military occupation, to strengthen artistic links with the rest of the world, and to reaffirm, in the words of Edward Said, "the power of culture over the culture of power." Celebrating the tenth anniversary of PalFest, This Is Not a Border is a collection of essays, poems, and sketches from some of the world's most distinguished artists, responding to their experiences at this unique festival. Both heartbreaking and hopeful, their gathered work is a testament to the power of literature to promote solidarity and hope in the most desperate of situations. Contributing authors include J. M. Coetzee, China Miéville, Alice Walker, Geoff Dyer, Claire Messud, Henning Mankell, Michael Ondaatje, Kamila Shamsie, Michael Palin, Deborah Moggach, Mohammed Hanif, Gillian Slovo, Adam Foulds, Susan Abulhawa, Ahdaf Soueif, Jeremy Harding, Brigid Keenan, Rachel Holmes, Suad Amiry, Gary Younge, Jamal Mahjoub, Molly Crabapple, Najwan Darwish, Nathalie Handal, Omar Robert Hamilton, Pankaj Mishra, Raja Shehadeh, Selma Dabbagh, William Sutcliffe, Atef Abu Saif, Yasmin El-Rifae, Sabrina Mahfouz, Alaa Abd El Fattah, Mercedes Kemp, Ru Freeman.

Reportage & Reflection from the Palestine Festival of Literature

This Is Not A Border

ABOUT WHAT DOES ISRAEL FEAR FROM PALESTINE?

A poignant, incisive meditation on Israel’s longstanding rejection of peace, and what the war on Gaza means for Palestinian and Israeli futures.

When apartheid in South Africa ended in 1994, dismantled by internal activism and global pressure, why did Israel continue to pursue its own apartheid policies against Palestinians? In keeping with a history of antagonism, the Israeli state accelerated the establishment of settlements in the Occupied Territories as extreme right-wing voices gained prominence in government, with comparatively little international backlash.

Condensing this complex history into a lucid essay, Raja Shehadeh examines the many lost opportunities to promote a lasting peace and equality between Israelis and Palestinians. Since the creation of Israel in 1948, known to Palestinians as the Nakba, or catastrophe, each side’s perception of events has strongly diverged. What can this discrepancy tell us about Israel’s undermining of a two-state solution? And will the current genocide in Gaza finally mark a shift in the world’s response? 

With graceful, haunting prose, Shehadeh offers insights into a defining conflict that could yet be resolved.


What Does Israel Fear From Palestine?

Looks at decades of daily life under military occupation, following the author and his family as they were forced from their home after Israel defeated the Arab armies.

Coming of Age in Occupied Palestine

Strangers in the House

When the Bulbul Stopped Singing

Dziennik czasu okupacji

Palestine Walks

It is often the smallest details of daily life that tell us the most. And so it is under occupation in Palestine. What most of us take for granted has to be carefully thought about and planned for: When will the post be allowed to get through? Will there be enough water for the bath tonight? How shall I get rid of the rubbish collecting outside? How much time should I allow for the journey to visit my cousin, going through checkpoints? And big questions too: Is working with left-wing Israelis collaborating or not? What affect will the Arab Spring have on the future of Palestine? What can anyone do to bring about change? Are any of life's pleasures untouched by politics?

Occupation diaries

Crossing Boundaries in Occupied Palestine

The Israeli army invaded Ramallah in March 2002. A tank stood at the end of Raja Shehadeh’s road; Israeli soldiers patrolled from the rooftops. Four soldiers took over his brother’s apartment and then used him as a human shield as they went through the building, while his wife tried to keep her composure for the sake of their frightened children, ages four and six. This book is an account of what it is like to be under siege: the terror, the frustrations, the humiliations, and the rage of civilians becoming trapped in their own homes and at the mercy of young soldiers who have been ordered to set aside their own sense of human decency in order to bully, harass and in some cases brutalize an unarmed population. How do you pass your time when you are imprisoned in your own home? What do you do when you cannot cross the neighborhood to help your sick mother? And what does it feel like when occupier and occupied, who are supposed to be enemies, are forced to set aside feelings of empathy? When the Bulbul Stopped Singing reveals universal and timeless truths. A new introduction by Colum McCann and an afterword by the author show how little things have changed since this record of life under siege was first compiled.

Life in Palestine During an Israeli Siege

This revealing story of a father-son relationship, the first memoir of its kind by a Palestinian living in the Occupied Territories, is set against the backdrop of Middle East hostilities and more than thirty years under military occupation.

This book represents an in-depth legal analysis of the lengthly and complicated agreements signed between Israel and the PLO. The legal and administrative developments that took place in the Palestinian areas over the past twenty years are surveyed and closely analysed, providing the background essential to an understanding of the agreements signed between Israel and the PLO. The negotiation process is critically considered and the pot-agreement legislation is reviewed. There is an analyses of the legal developments in the areas under the Palestinian Authority which is the first of its kind. The book has appendices which include military orders and proclamations, letters and negotiation documents which have not been previously published.

Israel And the Palestinian Territories

From Occupation to Interim Accords

Winner, Moore Prize for Human Rights Writing In a dazzling mix of reportage, analysis, and memoir, the leading Palestinian writer of our time reflects on aging, failure, the occupation, and the changing face of Ramallah "Few Palestinians have opened their minds and their hearts with such frankness." —The New York Times In Going Home, Raja Shehadeh, the Orwell Prize–winning author of Palestinian Walks, takes us on a series of journeys around his hometown of Ramallah. Set in a single day—the day that happens to be the fiftieth anniversary of Israel's occupation of the West Bank—the book is a powerful and moving record and chronicle of the changing face of his city. Here is a city whose green spaces—gardens and hills crowned with olive trees— have been replaced by tower blocks and concrete lots; where the Israeli occupation has further entrenched itself in every aspect of movement, from the roads that can and cannot be used to the bureaucratic barriers that prevent people leaving the West Bank. Here also is a city that is culturally shifting, where Islam is taking a more prominent role in people's everyday and political lives and in the geography of the city. A penetrating evocation of memory, pain, and place that is lightened by everyday joys such as delightful accounts of shared meals and gardening, Going Home is perhaps Raja Shehadeh's most moving and painfully visceral addition to his series of personal histories of the occupation, confirming Rachel Kushner's judgment that "Shehadeh is a buoy in a sea of bleakness."

"First published by Profile Books, London, 2010"--Title page verso.

Travels with My Ottoman Uncle

A Rift in Time

Occupation Diaries

Spero che il lettore riesca a mettere da parte tutte le immagini di guerra, e si accosti al libro con la mente aperta. Vorrei convincerlo di quanto sia straordinaria la terra di Palestina malgrado l'immane distruzione subita nell'ultimo quarto di secolo. Raja Shehadeh Ci sono molte piccole strade che possono guidarci a una corretta comprensione della storia. Questo libro, sorprendente in ogni sua pagina, cammina con semplicità su alcuni sentieri che hanno toccato le vite vissute da un popolo lungo due millenni. Consiglio vivamente di condividere con lui questo cammino. John Berger

Sui sentieri della Palestina che scompare

Il pallido dio delle colline

In Going Home, Orwell Prize winning author Raja Shehadeh travels Ramallah and records the changing face of the city. Walking along the streets he grew up in, he tells the stories of the people, the relationships, the houses, and the businesses that were and now are cornerstones of the city and his community. This is, in many ways, an elegy. Green spaces - gardens and hills crowned with olive trees - have been replaced by tower blocks and concrete lots; the occupation and the settlements have further entrenched themselves in every aspect of movement-from the roads that can and cannot be used to the bureaucratic barriers that prevent people leaving the West Bank. The culture of the city has also shifted with Islam taking a more prominent role in people's everyday and political lives and the geography of the city. As he grapples with ageing and the failures of the resistance, Shehadeh notes the ways that the past still invades the presence from the ruins of the compound that was Yasser Arafat's home to the power of emigrated families to reshape neighbourhoods by selling their long-abandoned homes. This is perhaps Raja Shehadeh's most painfully visceral book.

Raja Shehadeh

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