Stephen J. Pyne

Rebecca A. Senf

Mark Klett

Published in association with Phoenix Art Museum and Center for Creative Photography.

The Grand Canyon Photographs of Mark Klett and Byron Wolfe

Reconstructing the View

"In 2011, photographer Betsy Schneider, herself the mother of a thirteen-year-old daughter, embarked on a project to explore the experience of being thirteen: "With this work I am interested in provoking thought about simple dichotomies to which adolescence is so often reduced. I am motivated by the intensity, the complexity and the beauty of that point in life. I wonder not only about the experience of early adolescence, but also about how we as adults retain that experience and how it shapes us for the rest of our lives." Traveling around the United States, the Guggenheim grant recipient spent 2012 chronicling 250 thirteen-year-olds, creating still portraits and video documentation of each. The resulting body of work creates a rich collective portrait of a group of Americans whose lives began at the turn of the millennium and who are coming of age now. To Be Thirteen depicts all 250 portraits, and includes an interview by Center for Creative Photography Chief Curator Rebecca Senf with Schneider, unpacking details about the artist's process, insights about the experience, and how the project changed her, as well as excerpts from the thirteen-year-olds' own words. This publication captures and conveys the experience of meeting with the artist and looking through a stack of prints with her, and will complement an exhibition of the project debuting at the Phoenix Art Museum in the spring of 2018." -- Publisher's description

To be Thirteen

An unprecedented and eye-opening examination of the early career of one of America’s most celebrated photographers One of the most influential photographers of his generation, Ansel Adams (1902–1984) is famous for his dramatic photographs of the American West. Although many of Adams’s images are now iconic, his early work has remained largely unknown. In this first monograph dedicated to the beginnings of Adams’s career, Rebecca A. Senf argues that these early photographs are crucial to understanding Adams’s artistic development and offer new insights into many aspects of the artist’s mature oeuvre. Drawing on copious archival research, Senf traces the first three decades of Adams’s photographic practice—beginning with an amateur album made during his childhood and culminating with his Guggenheim-supported National Parks photography of the 1940s. Highlighting the artist’s persistence in forging a career path and his remarkable ability to learn from experience as he sharpened his image-making skills, this beautifully illustrated volume also looks at the significance of the artist’s environmentalism, including his involvement with the Sierra Club.

Rebecca A. Senf

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