Rebecca Mead

A New Yorker writer and author of One Perfect Day explores the themes and complex influence of George Eliot's Middlemarch, discussing how her own repeated readings of the literary classic shaped her education, career, relationships and family life.

My Life in Middlemarch

A moving reflection on the complicated nature of home and homeland, and the heartache and adventure of leaving an adopted country in order to return to your native land When the New Yorker writer Rebecca Mead relocated to her birth city, London, with her family in the summer of 2018, she was both fleeing the political situation in America and seeking to expose her son to a wider world. With a keen sense of what she'd given up as she left New York, her home of thirty years, she tried to knit herself into the fabric of a changed London. The move raised poignant questions about place: What does it mean to leave the place you have adopted as home and country? And what is the value and cost of uprooting yourself? In a deft mix of memoir and reportage, drawing on literature and art, recent and ancient history, and the experience of encounters with individuals, environments, and landscapes in New York City and in England, Mead artfully explores themes of identity, nationality, and inheritance. She recounts her time in the coastal town of Weymouth, where she grew up; her dizzying first years in New York where she broke into journalism; the rich process of establishing a new home for her dual-national son in London. Along the way, she gradually reckons with the complex legacy of her parents. Home/Land is a stirring inquiry into how to be present where we are while never forgetting where we have been.

A Memoir of Departure and Return

Home/Land

A critique of the American wedding industry and the psychology behind the expense, stress, and pressure associated with typical weddings features a tour of the inner workings of wedding planners, commercial registries, and wedding management programs.

The Selling of the American Wedding

One Perfect Day

Astutely observed and deftly witty, One Perfect Day masterfully mixes investigative journalism and social commentary to explore the workings of the wedding industry-an industry that claims to be worth $160 billion to the U.S. economy and which has every interest in ensuring that the American wedding becomes ever more lavish and complex. Taking us inside the workings of the wedding industry-including the swelling ranks of professional event planners, department stores with their online registries, the retailers and manufacturers of bridal gowns, and the Walt Disney Company and its Fairy Tale Weddings program-New Yorker writer Rebecca Mead skillfully holds the mirror up to the bride's deepest hopes and fears about her wedding day, revealing that for better or worse, the way we marry is who we are.

Rebecca Mead was a young woman in a coastal town of England when she first read George Eliot's Middlemarch. After gaining admission to Oxford, and moving to the United States to become a journalist, through several love affairs and then marriage and family, Rebecca Mead reread Middlemarch. The novel, which Virginia Woolf famously described as "one of the few English novels written for grown-up people," offered Mead something that modern life and literature did not. In this wise and revealing work of biography, reporting, and memoir, Rebecca Mead leads the reader into the life that her favorite book made for her, as well as the many lives the novel has led since it was written. Employing a structure that perfectly mirrors that of the novel, My Life in Middlemarch takes the themes of Eliot's novel and brings them into the world. Offering both a fascinating reading of Eliot's biography and an uncanny portrait of the ways in which Mead's life echoes that of the author herself, My Life in Middlemarch is a book for who wonders about the power of literature to shape our lives.

Uncovers how women in the West fought for the right to vote By the end of 1914, almost every Western state and territory had enfranchised its female citizens in the greatest innovation in participatory democracy since Reconstruction. These Western successes stand in profound contrast to the East, where few women voted until after the ratification of the Nineteenth Amendment in 1920, and the South, where African-American men were systematically disenfranchised. How did the frontier West leap ahead of the rest of the nation in the enfranchisement of the majority of its citizens? In this provocative new study, Rebecca J. Mead shows that Western suffrage came about as the result of the unsettled state of regional politics, the complex nature of Western race relations, broad alliances between suffragists and farmer-labor-progressive reformers, and sophisticated activism by Western women. She highlights suffrage racism and elitism as major problems for the movement, and places special emphasis on the political adaptability of Western suffragists whose improvisational tactics earned them progress. A fascinating story, previously ignored, How the Vote Was Won reintegrates this important region into national suffrage history and helps explain the ultimate success of this radical reform.

Woman Suffrage in the Western United States, 1868-1914

How the Vote Was Won

When the New Yorker writer Rebecca Mead relocated to her birth city, London, with her family in the summer of 2018, she was both fleeing the political situation in America and seeking to expose her son to a wider world. With a keen sense of what she'd given up as she left New York, her home of thirty years, she tried to knit herself into the fabric of a changed London. The move raised poignant questions about place: What does it mean to leave the place you have adopted as home and country? And what is the value and cost of uprooting yourself? In a deft mix of memoir and reportage, drawing on literature and art, recent and ancient history, and the experience of encounters with individuals, environments and landscapes in New York City and in England, Mead artfully explores themes of identity, nationality and inheritance. She recounts her time in the coastal town of Weymouth, where she grew up; her dizzying first years in New York where she broke into journalism; the rich process of establishing a new home for her dual-national son in London. Along the way, she gradually reckons with the complex legacy of her parents. Home/Land is a stirring inquiry into how to be present where we are, while never forgetting where we have been.

A moving reflection on the complicated nature of home and homeland, and the heartache and adventure of leaving an adopted country in order to return to your native land—this is a “winsome memoir of departure and reversal . . . about the way a series of unknowns accrue into a life” (Jia Tolentino, author of Trick Mirror). When the New Yorker writer Rebecca Mead relocated to her birth city, London, with her family in the summer of 2018, she was both fleeing the political situation in America and seeking to expose her son to a wider world. With a keen sense of what she’d given up as she left New York, her home of thirty years, she tried to knit herself into the fabric of a changed London. The move raised poignant questions about place: What does it mean to leave the place you have adopted as home and country? And what is the value and cost of uprooting yourself? In a deft mix of memoir and reportage, drawing on literature and art, recent and ancient history, and the experience of encounters with individuals, environments, and landscapes in New York City and in England, Mead artfully explores themes of identity, nationality, and inheritance. She recounts her time in the coastal town of Weymouth, where she grew up; her dizzying first years in New York where she broke into journalism; the rich process of establishing a new home for her dual-national son in London. Along the way, she gradually reckons with the complex legacy of her parents. Home/Land is a stirring inquiry into how to be present where we are, while never forgetting where we have been.

At the age of seventeen, Rebecca Mead read Middlemarch for the first time, and has read it again every five years since, each time interpreting and discovering it anew. In The Road to Middlemarch she writes passionately about her relationship to this remarkable, much-loved Victorian novel, and shows how we can live richer and more fulfilling lives through our profound engagement with great literary works. Published when George Eliot was fifty-one, Middlemarch has at its centre one of literature's most compelling and ill-fated marriages, and some of the most tenderly drawn characters. Its vast canvas incorporates the lives of ordinary people and their most intimate struggles. Virginia Woolf famously described it as 'one of the few English novels written for grown-up people', and Mead explores how the ambitions, dreams and attachments of its characters teach us to value the limitations of our everyday lives. Interweaving readings of Middlemarch with an investigation of George Eliot's unconventional, inspiring life and Mead's reflections on her own youth, relationships and marriage, this is a sensitive work of deep reading and biography, for every lover of literature who cares about why we read books and how they read us.

My Life with George Eliot

The Road to Middlemarch

What would happen if I stopped to consider how Middlemarch has shaped my understanding of my own life? Why did the novel still feel so urgent, after all these years? And what could it give me now, as I paused here in the middle of things, and surveyed where I had come from, and thought about where I was, and wondered where I might go next? At the age of 17, Rebecca Mead read Middlemarch for the first time, and has read it again every five years since, interpreting and discovering it anew each time. In The Road to Middlemarch she writes passionately about her relationship with this remarkable Victorian novelâ€”loved by so manyâ€”and explores how its characters and their stories, along with George Eliot's own life experiences, can answer some of our fundamental questions about life and love. Middlemarch has at its centre one of literature's most compelling and ill-fated marriages, and some of the most tenderly drawn characters. Mead explores how Middlemarch teaches us to be grown-ups, and to value our ordinary lives. The Road to Middlemarch is a sensitive work of deep reading and biography, for every reader of literature who cares about why we read books and how they read us.

Rebecca Mead

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