Richard Cameron

Flower Girls is the funny, beautifully observed and uplifting story of a group of disabled women who live and work at The Crippleage, Edgware. Inspired by the personal testimony and reminiscences of real-life Flower Girls, the play shifts effortlessly between the unsettled early years of World War II and the seemingly more liberated world of 1965. Their stories reveal an indomitable spirit and a fierce determination to find their place in the world, a world that prefers to keep them at a safe distance. "A red button. From a red coat...I collected them. From every coat of every new arrival at the orphanage, before they were sold to the rag man. And I would wait until they were at their homesick worst. A penny to hold it, a shilling to keep it." Britain's foremost disabled-led theatre company Graeae joins forces with The New Wolsey Theatre Ipswich to present the world premiere of this play on 5 October 2007. The play is published as a programme text to coincide with the production.

Flower Girls

Of all my years of growing up, I grew up in 1962... The Glee Club, made up of five hard-working, hard-drinking miners and a church organist, is preparing for the local gala. Though they're established in the working men's clubs, they aren't exactly at the vanguard of a musical revolution. This is the summer of '62. Britain and music are about to change, so too are the lives of these six men. Will anything ever be the same again? A raucous comedy featuring live music, this new edition of Richard Cameron's celebrated play was published to coincide with a 2020 revival by Out of Joint Theatre Company.

The Glee Club

Ceil Lucas

Robert Bayley

From its beginnings in the 1960s, sociolinguistics developed several different subfields with distinct methods and interests: the variationist tradition established by Labov, the anthropological tradition of Hymes, interactional sociolinguistics as developed by Gumperz, and the sociology of language represented by the work of Fishman. All of these areas have seen a great deal of growth in recent decades, and recent studies have led to a more broadly inclusive view of sociolinguistics. Hence there is a need for a handbook that will survey the main areas of the field, point out the lacunae in our existing knowledge base, and provide directions for future research. The Oxford Handbook of Sociolinguistics will differ from existing work in four major respects. First, it will emphasize new methodological developments, particularly the convergence of linguistic anthropology and variationist sociolinguistics. Second, it will include chapters on sociolinguistic developments in areas of the world that have been relatively neglected in the major journals. Third, its chapters are written by contributors who have worked in a range of languages and whose work addresses sociolinguistic issues in bi- and multilingual contexts, i.e. the contexts in which a majority of the world's population lives. Finally, it will include substantial material on the rapidly growing study of sign language sociolinguistics.

The Oxford Handbook of Sociolinguistics

Kim Potowski

This volume, covering a range of topics such as Spanish as a heritage language in the United States, policy issues, pragmatics and language contact, sociolinguistic variation and contact, and Bozal (Creole) Spanish, will serve the interests of linguists, educators, and policy makers alike. It provides cutting edge research on varieties of Spanish spoken by children, teenagers, and adults in places as diverse as Chicago, New York, New Mexico, and Houston; Valencia and Galicia; the Andean highlands; and the border between Haiti and the Dominican Republic. The emphasis is on spoken Spanish, although researchers also investigate code-switching in the lyrics of bachata songs and the presence of creole in Cuban and Brazilian literature. This collection will be of interest wherever Spanish is spoken.

Policy, Social and Linguistic Inquiries

Spanish in Contact

Richard Cameron doesn't seek to impress us through calculated audacity, pastiche or glib violence. He establishes a tone--careful, humane and diverse.--Independent on Sunday

Can't Stand Up for Falling Down; Pond Life; The Mortal Ash; All of You Mine

Cameron Plays: 1

Luis L?pez

Twenty-one articles from the 31st LSRL investigate cutting-edge issues and interfaces across phonology, pragmatics, sociolinguistics, semantics, and syntax in multiple dialects of such Romance languages as Catalan, French, Creole French, and Spanish, both old and modern. Research in Romance phonology moves from the quantitative and synchronic to cover issues of diachrony and Optimality theory. Work within pragmatics and sociolinguistics also explores the synchronic/diachronic link while topicalizing such issues as change of non-pro-drop Swiss French toward pro-drop status, scalar implicatures, speech acts, word order, and simplification in contexts of language contact. Finally, debates in linguistic theory are resumed in the work on syntax and semantics within both a Minimalist perspective and an Optimality framework. How do Catalan and French children acquire AGR and TNS? Can Basque Spanish be compared to topic-oriented Chinese? If Spanish preverbal subjects occur in an A-position, can Spanish no longer be compared to Greek?

Selected Papers from the 31st Linguistic Symposium on Romance Languages (LRSL), Chicago, 19-22 April 2001

A Romance Perspective on Language Knowledge and Use

This major new survey of sociolinguistics identifies gaps in our existing knowledge base and provides directions for future research.

Born in Brooklyn, New York, Richard Cameron grew up on the South Shore of Nassau County Long Island. He was a renowned wedding and portrait photographer/videographer and studio owner for nearly 30 years. He has degrees in both art and communications. Not taking to digital photography he decided to retire from the photography business. Cameron continues to write because greens fees at Nassau County golf courses are expensive. His first book, Famous People Who Dropped Dead, an offbeat nonfiction book, was published in 2010. The Glass Façade is his first novel. Cameron wishes his "two girls," Georgie ¿6, a Yellow Labrador Retriever, and Zsa Zsa ¿16, a Maltese, could accompany him on book events as they are his biggest fans. He resides in Nassau County, dividing his time between New York City and Florida.

The Glass Facade

Joan Horvath

Doug Adrianson

The New Shop Class connects the worlds of the maker and hacker with that of the scientist and engineer. If you are a parent or educator or a budding maker yourself, and you feel overwhelmed with all of the possible technologies, this book will get you started with clear discussions of what open source technologies like 3D printers, Arduinos, robots and wearable tech can really do in the right hands. Written by real "rocket scientist" Joan Horvath, author of Mastering 3D Printing, and 3D printing expert Rich Cameron (AKA whosawhatsis), The New Shop Class is a friendly, down-to-earth chat about how hands-on making things can lead to a science career. Get practical suggestions about how to use technologies like 3D printing, Arduino, and simple electronics Learn how to stay a step ahead of the young makers in your life and how to encourage them in maker activities Discover how engineers and scientists got their start, and how their mindsets mirror that of the maker

Getting Started with 3D Printing, Arduino, and Wearable Tech

The New Shop Class

'The Mortal Ash' is set in South Yorkshire sometime in the 1990s, and follows the lives of ordinary people living on a council estate. The Wheatley family are the victims of an accident, which has changed their lives. Bitterness and warfare of the internecine variety is familiar everyday stuff to most of us. The events leave grieving parents and a dead child within a community which is both unforgiving and anxious to apportion blame anywhere but within themselves. The play explores the feelings, the emotions, the idealism and principles which motivate and de-motivate individual family members. It was first performed at the Bush Theatre, London, in 1994.

The Mortal Ash

Printbegrænsninger: Der kan printes 10 sider ad gangen og max. 40 sider pr. session

"First issued as an Oxford University Press paperback, 2015"--Title page verso.

Richard Cameron

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